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→‎February 1, 1955: Additions.
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Line 14: Line 14:
| 4 || 4 || In relation to (1) || L1 || || Note.
| 4 || 4 || In relation to (1) || L1 || || Note.
|-
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| 5 || 5 || The concentration camp novel || x || || Note. Unclear x-ref # in note.
| 5 || 5 || The concentration camp novel || {{icon|DYK2}} || || Note. Unclear x-ref # in note.
|-
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| 6 || 6 || One should always listen attentively ||  || || Note.
| 6 || 6 || One should always listen attentively ||  || || Note.
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| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
|-
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| 11 || 11 || In a short novel || || x || Note.
| 11 || 11 || In a short novel || || {{icon|NO}} || Note.
|}
|}


Line 34: Line 34:
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
|-
| 12 || 12 || One should always try to ||  || x ||
| 12 || 12 || One should always try to ||  || {{icon|NO}} ||
|-
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| 13 || 13 || It seems to me that || || ||
| 13 || 13 || It seems to me that || || ||
Line 168: Line 168:
| 69 || 68 || “Vested interest” is enormously more || || ||
| 69 || 68 || “Vested interest” is enormously more || || ||
|-
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| 70 || 69 || Get beneath words || || x || Partial cut.
| 70 || 69 || Get beneath words || || {{icon|NO}} (partial) ||  
|-
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| 71 || 70 || The gossip is the great || || ||
| 71 || 70 || The gossip is the great || || ||
Line 188: Line 188:
| 79 || 78 || The breakup with Lulu || || || Note.
| 79 || 78 || The breakup with Lulu || || || Note.
|-
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| 80 || 79 || Jokes. Charley Wiener just said || || x || Note needed?: Charley Wiener
| 80 || 79 || Jokes. Charley Wiener just said || || {{icon|NO}} || Note needed?: Charley Wiener
|-
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| 81 || 80 || Eitel in court || || x || Note.
| 81 || 80 || Eitel in court || || {{icon|NO}} || Note.
|-
|-
| 82 || 81 || In error there is also truth || || ||
| 82 || 81 || In error there is also truth || || ||
Line 204: Line 204:
| 87 || 86 || One thing must be said || L85, L71 || ||  
| 87 || 86 || One thing must be said || L85, L71 || ||  
|-
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| 88 || 87 || Stories of dreams || || x ||
| 88 || 87 || Stories of dreams || || {{icon|NO}} ||
|-
|-
| 89 || 88 || Bombing as the great shitting || || x ||
| 89 || 88 || Bombing as the great shitting || || {{icon|NO}} ||
|-
|-
| 90 || 89 || Comedians and comic writers || || x ||
| 90 || 89 || Comedians and comic writers || || {{icon|NO}} ||
|-
|-
| 91 || 90 || Women who always hate || || ||
| 91 || 90 || Women who always hate || || ||
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| 92 || 91 || The more knowledge || || ||
| 92 || 91 || The more knowledge || || ||
|-
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| 93 || 92 || Possibly, bad works of art || || x ||
| 93 || 92 || Possibly, bad works of art || || {{icon|NO}} ||
|-
|-
| 94 || 93 || The spy (another adventurer) || || || Note.
| 94 || 93 || The spy (another adventurer) || || || Note.
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| 95 || 94 || Actors and spies || || ||
| 95 || 94 || Actors and spies || || ||
|-
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| 96 || 95 || When a friend says || || x ||
| 96 || 95 || When a friend says || || {{icon|NO}} ||
|-
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| 97 || 96 || “Am I boring you?” || || ||
| 97 || 96 || “Am I boring you?” || || ||
Line 254: Line 254:
| 112 || 111 || My journal again || || ||
| 112 || 111 || My journal again || || ||
|-
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| 113 || 112 || False humility || || x || Seems like this should not be cut, as L115 alludes to it.
| 113 || 112 || False humility || || {{icon|NO}} || Seems like this should not be cut, as L115 alludes to it.
|-
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| 114 || 113 || Marion Faye journal || || ||
| 114 || 113 || Marion Faye journal || || ||
Line 262: Line 262:
| 116 || 115 || Humor is more than wit || || ||
| 116 || 115 || Humor is more than wit || || ||
|-
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| 117 || 116 || Marion Faye’s note || || x ||
| 117 || 116 || Marion Faye’s note || || {{icon|NO}} ||
|-
|-
| 118 || 117 || Man may be terrible || || x ||
| 118 || 117 || Man may be terrible || || {{icon|NO}} ||
|-
|-
| 119 || 118 || The fear of being ridiculous || || ||
| 119 || 118 || The fear of being ridiculous || || ||
|-
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| 120 || 119 || Toward the end of Marion || || x ||
| 120 || 119 || Toward the end of Marion || || {{icon|NO}} ||
|-
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| 121 || 120 || Marion Faye’s note about || || x ||
| 121 || 120 || Marion Faye’s note about || || {{icon|NO}} ||
|-
|-
| 122 || 121 || Any art-work which || || ||
| 122 || 121 || Any art-work which || || ||
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| 132 || 131 || Seriously, truly, just simply || || ||
| 132 || 131 || Seriously, truly, just simply || || ||
|-
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| 133 || 132 || In Marion Faye’s journal || || x ||
| 133 || 132 || In Marion Faye’s journal || || {{icon|NO}} ||
|-
|-
| 134 || 133 || Jazz is more creative || || ||
| 134 || 133 || Jazz is more creative || || ||
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| 135 || 134 || I used to be outwardly || || ||
| 135 || 134 || I used to be outwardly || || ||
|-
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| 136 || 135 || Years ago, working with Malaquais || || x ||
| 136 || 135 || Years ago, working with Malaquais || || {{icon|NO}} ||
|-
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| 137 || 136 || The world allows us to express || || ||
| 137 || 136 || The world allows us to express || || ||
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| 164 || 163 || Perhaps a man kills || || ||
| 164 || 163 || Perhaps a man kills || || ||
|-
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| 165 || 164 || With Marion Faye this took || || x ||
| 165 || 164 || With Marion Faye this took || || {{icon|NO}} ||
|-
|-
| 166 || 165 || A psychopath expands || || ||
| 166 || 165 || A psychopath expands || || ||
Line 384: Line 384:
| 171 || 170 || The sensitivity spectrum || || || Note.
| 171 || 170 || The sensitivity spectrum || || || Note.
|-
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| 172 || 171 || Does telepathic mean sick telepathy? || || x ||
| 172 || 171 || Does telepathic mean sick telepathy? || || {{icon|NO}} ||
|-
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| 173 || 172 || On television, many of the ads || || ||
| 173 || 172 || On television, many of the ads || || ||
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| 175 || 174 || Listening to Dizzy Gillespie || || || Note.
| 175 || 174 || Listening to Dizzy Gillespie || || || Note.
|-
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| 176 || 175 || Word echoes || || x ||
| 176 || 175 || Word echoes || || {{icon|NO}} ||
|-
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| 177 || 176 || I suspect that an index || || ||
| 177 || 176 || I suspect that an index || || ||
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| 191 || 190 || There’s no such thing || || ||
| 191 || 190 || There’s no such thing || || ||
|-
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| 192 || 191 || How do you like my || || x ||
| 192 || 191 || How do you like my || || {{icon|NO}} ||
|-
|-
| 193 || 192 || Fatty foods are cunt foods || || x ||
| 193 || 192 || Fatty foods are cunt foods || || {{icon|NO}} ||
|-
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| 194 || 193 || Bob told the pickle factory joke || || ||
| 194 || 193 || Bob told the pickle factory joke || || ||
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| 195 || 194 || Obscenity substitutes || || x ||
| 195 || 194 || Obscenity substitutes || || {{icon|NO}} ||
|-
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| 196 || 195 || Obscenity echoes || || ||
| 196 || 195 || Obscenity echoes || || ||
|-
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| 197 || 196 || In ''Barbary Shore'' I planted || || x ||
| 197 || 196 || In ''Barbary Shore'' I planted || || {{icon|NO}} ||
|}
|}


Line 478: Line 478:


===January 24, 1955===
===January 24, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 215 || 214 || Word echoes. Possible way || || ||
|-
| 216 || 215 || Friday, Saturday, and Sunday || || || Note.
|-
| 217 || 216 || To begin with, one || || || Notes.
|-
| 218 || 217 || How I’m getting to love || || ||
|-
| 219 || 218 || Spies are takers || || ||
|-
| 220 || 219 || Thoughts about ''The Deer Park'' || || {{icon|NO}} ||
|-
| 221 || 220 || When Elena is first introduced || || {{icon|NO}} ||
|-
| 222 || 221 || Wrestlers and boxers || || ||
|-
| 223 || 222 || Homeostasis and sociostasis || || || Note.
|-
| 224 || 223 || What I have noticed || || || Note.
|-
| 225 || 224 || My character. I have always || || || Notes.
|-
| 226 || 225 || Remember: The fear of being || || ||
|-
| 227 || 226 || In The Journal of Marion Faye || || ||
|-
| 228 || 227 || The movement of my writing || || || Should McLeod be glossed?
|-
| 229 || 228 || I have always been the romantic || || ||
|-
| 230 || 229 || To condemn || L205, L228 || ||
|-
| 231 || 230 || Our resistance about changing || || || Note.
|-
| 232 || 231 || Rojo and ojo || || ||
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| 233 || 232 || Man and his dog || || ||
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| 234 || 233 || For three years while writing || || ||
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| 235 || 234 || Romance and realism || || || Note.
|-
| 236 || 235 || The saint and the psychopath || || ||
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| 237 || 236 || In the saint-psychopath sense || || ||
|-
| 238 || 237 || This is the best day || || ||
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| 239 || 238 || I was deeply instinctively right || || ||
|-
| 240 || 239 || Yet the course of human history || || ||
|-
| 241 || 240 || For years, unknowingly || || ||
|-
| 242 || 241 || Bebop. P and B are sibling consonants || || || Notes.
|-
| 244 || 243 || Golfers are people who take || || ||
|-
| 245 || 244 || Put another way, the sociostatic || || ||
|-
| 246 || 245 || But look at the philosophical || || ||
|-
| 247 || 246 || It also suggests that action || || ||
|-
| 248 || 247 || Which leads me to || || || Note.
|-
| 249 || 248 || English is so magnificently blunt || || ||
|-
| 250 || 249 || To go back to note 245 || L245 || || Notes.
|-
| 251 || 250 || Joyful thought || || ||
|-
| 252 || 251 || Children’s eating || || || Note.
|-
| 253 || 252 || Everybody is both male and female || || || Should NM’s spelling be made consistent: e.g., bi-sexual or bisexual?
|}
===January 25, 1955===
===January 25, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 254 || 253 || The advances in medicine || || ||
|-
| 255 || 254 || The predictor, the prophet || || || Note.
|-
| 256 || 255 || The above note || L255 || ||
|-
| 257 || 256 || Bob is the dishonest man || || ||
|-
| 258 || 257 || I wonder if one doesn’t || || ||
|-
| 259 || 258 || Typing errors || || {{icon|NO}} ||
|-
| 260 || 259 || But I wanted to finish || || {{icon|NO}} (partial) || Note.
|-
| 261 || 260 || What I wrote about Sergius || || ||
|-
| 262 || 261 || This Journal in so far || || ||
|-
| 263 || 262 || I realized so many funny || || ||
|-
| 264 || 263 || Since I started this Journal || || || Notes.
|-
| 265 || 264 || The sense of time || || ||
|-
| 266 || 265 || Old people don’t slow down || || ||
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| 267 || 266 || To continue 265 I wonder || L265 || ||
|-
| 268 || style="background: red;" | 268 || The interesting confirmation || L267 || ||
|-
| 269 || 269 || Fed up. We stuff ourselves || || {{icon|NO}} ||
|-
| 270 || 270 || Radicals. Particularly socialists || || ||
|-
| 271 || 271 || Prose on wings, tra-la, tra-la || L270 || || Note.
|-
| 272 || 272 || So, modestly, I see my mission || || ||
|-
| 273 || 273 || Jews hated Hitler violently || || ||
|-
| 274 || 274 || What is a monster? || || {{icon|NO}} ||
|}
===January 26, 1955===
===January 26, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 275 || 275 || I am coming to believe || || ||
|-
| 276 || 276 || I have noticed in analytic || || || Note.
|-
| 277 || 277 || Let me put it this way || || || Should "basis" be "basic" in sentence 1?
|-
| 278 || 278 || I know now why I || || ||
|-
| 279 || 279 || Clues, mysteries, puns || || ||
|-
| 280 || 280 || In this sense, we are all || || ||
|-
| 281 || 281 || If the above sounds very fancy || L280 || ||
|-
| 282 || 282 || Sociostasis and sociostasis || || || Notes.
|-
| 283 || 283 || So in that sense || L282 || || Note.
|-
| 284 || 284 || Little confirmations of 282 || L282 || {{icon|NO}} ||
|-
| 285 || 285 || I have to face something || || || Note.
|-
| 286 || 286 || Dialogue: Yesterday, Hiram Haydn || || || Note.
|-
| 287 || 287 || Word echoes: Go, man, go || || {{icon|NO}} ||
|-
| 288 || 288 || Bob Lindner is in the dramatic || || || Note.
|-
| 289 || 289 || Let me try 283 again || L283 || || Note.
|-
| 290 || 290 || Now I come back || || ||
|-
| 291 || 291 || The all-out Marxist || || {{icon|NO}} ||
|-
| 292 || 292 || Now, back to 290 || L290, L395 (in note) || || Note.
|-
| 293 || 293 || I’m getting exhausted || || {{icon|NO}} ||
|-
| 294 || 294 || One takes in order to understand || || ||
|-
| 295 || 295 || But wrestlers who are givers || || ||
|-
| 296 || 296 || Talk is cheap, action is hard || || ||
|-
| 297 || 297 || Jokes. Argo. || || {{icon|NO}} ||
|-
| 298 || 298 || No wonder I’ve always been || || {{icon|NO}} ||
|-
| 299 || 299 || Back to x Jargon || || {{icon|NO}} ||
|-
| 300 || 300 || B is the first consonant || || {{icon|NO}} ||
|-
| 301 || 301 || Infant and I am faint || || {{icon|NO}} ||
|-
| 302 || 302 || Ant and ''and'' || || ||
|-
| 303 || 303 || Obscenities: 69 || || ||
|-
| 304 || 304 || Jazz. Z and s are sibling components || || ||
|-
| 305 || 305 || At this moment I’m sick || || ||
|-
| 306 || 306 || But what a compulsion || L305 || ||
|-
| 307 || 307 || I’m getting weary || || || Note.
|-
| 308 || 308 || Fuck, piss, cock, shit, cunt || || ||
|-
| 309 || 309 || I have heard writers say || || {{icon|NO}} ||
|-
| 310 || 310 || When I was a kid || || || Note.
|-
| 311 || 311 || My pompous man again || || ||
|-
| 312 || 312 || It seems obvious that insanity || || ||
|-
| 313 || 313 || Word echoes. Job || || {{icon|NO}} ||
|-
| 314 || 314 || Aristocrats are usually takers || || ||
|}
===January 27, 1955===
===January 27, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 315 || 315 || As was evident in the notes || || ||
|-
| 316 || 316 || But what is also interesting || || ||
|-
| 317 || 317 || What I distrust of course. || || ||
|-
| 318 || 318 || On the positive side || || ||
|-
| 319 || 319 || Letter echoes: Be || || {{icon|NO}} ||
|-
| 320 || 320 || For some time I have wanted || || || Note.
|-
| 321 || 321 || The business of putting || || ||
|-
| 322 || 322 || Corollary. Whenever one reads || || ||
|}
===January 31, 1955===
===January 31, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 323 || 323 || My birthday today || || ||
|-
| 324 || 324 || A few word echoes || || {{icon|NO}} ||
|-
| 325 || 325 || Give-and-take || || ||
|-
| 326 || 326 || The possibility of other || || || Notes.
|-
| 327 || 327 || The voice of radio and recordings || || ||
|-
| 328 || 328 || But, carry this a step further || || ||
|-
| 329 || 329 || One’s own voice || || ||
|-
| 330 || 330 || One other observation || || ||
|-
| 331 || 331 || Mimics are always psychopaths || || ||
|-
| 332 || 332 || Last week I wrote || Search || || Note.
|-
| 333 || 333 || I have the feeling these days || || || How should the 3rd sentence read?
|-
| 334 || 334 || A great deal of this journal || || ||
|-
| 335 || 335 || Jealousy. But what a mountain || || ||
|-
| 336 || 336 || The cynic || || ||
|-
| 337 || 337 || The conservatism of the female || || ||
|-
| 338 || 338 || Word echoes. Breath, stripped || || ||
|-
| 339 || 339 || Exceptional people || || || Notes.
|-
| 340 || 340 || Which brings me to Bob Lidner || || || Note.
|-
| 341 || 341 || Page 100 || || ||
|-
| 342 || 342 || Stimulants. My ideas which started || || ||
|-
| 343 || 343 || Fascination keeps us on || || ||
|-
| 344 || 344 || What I neglected to say || || ||
|-
| 345 || 345 || Half-way stations || || ||
|-
| 346 || 346 || Journalists—another variety of psychopath || || ||
|-
| 347 || 347 || An interesting confirmation || || ||
|-
| 348 || 348 || Pro and con—prick and cunt || || ||
|-
| 349 || 349 || The Catholic Church || || ||
|-
| 350 || 350 || Word echoes. The and he || || {{icon|NO}} ||
|-
| 351 || style="background: red;" | 350A || Word mirrors: || || ||
|-
| 352 || 351 || I cannot say it often enough || || || Should “od” be corrected?
|-
| 353 || 352 || Horse-racing. An article || || || Note.
|-
| 354 || 353 || Word echoes: Defense || || ||
|-
| 355 || 354 || Word echoes. Good, God || || ||
|-
| 356 || 355 || Good. Go to d, Go || || ||
|-
| 357 || 356 || Modern painting || || ||
|-
| 358 || 357 || The key to Bill Styron’s nature || || || Note.
|-
| 359 || 358 || The inter-fecundation is starting || || ||
|-
| 360 || 359 || Which gives an insight into || || ||
|-
| 361 || 360 || I am always inept at arguing || || ||
|-
| 362 || 361 || More typing errors deliver || || {{icon|NO}} ||
|-
| 363 || 362 || God and Jehovah, goal and jail || || {{icon|NO}} ||
|-
| 364 || 363 || Word echo: By—By || || {{icon|NO}} ||
|-
| 365 || 364 || A lot of this is probably || || ||
|-
| 366 || 365 || A corroborating proof || || ||
|-
| 367 || 366 || The reformer’s liberal ideas || || ||
|-
| 368 || 367 || Nat Halper. His work on the Joyce || || || Note.
|-
| 369 || 368 || Modern art. Liberals, social democrats || || ||
|-
| 370 || 369 || Elena is a failure || || ||
|-
| 371 || 370 || Cancer. I believe instinctively || || ||
|-
| 372 || 371 || For ''The Deer Park'' || || ||
|-
| 373 || 372 || Word echoes: If and Is || || {{icon|NO}} ||
|-
| 374 || 373 || I wrote the last note || || {{icon|NO}} ||
|-
| 375 || 374 || Consonant echoes: X || || ||
|-
| 376 || 375 || The cross was where man || || ||
|-
| 377 || 376 || Adele’s qualities || || ||
|-
| 378 || 377 || The voice || || ||
|-
| 379 || 378 || A note on my Self-Analysis || || || Notes. Is “sociismus” supposed to be “socialismus” (socialism)?
|-
| 380 || 379 || Word echoes. Son and sun || || {{icon|NO}} ||
|-
| 381 || 380 || What-the-hell || || ||
|-
| 382 || 381 || Word echoes. Her and err || || ||
|-
| 383 || 382 || What I am doing with letters || || ||
|-
| 384 || 383 || Is W the world? || || ||
|-
| 385 || 384 || Son of a bitch || || ||
|-
| 386 || 385 || Simply, directly, I excited || || ||
|-
| 387 || 386 || Once in a while || || ||
|-
| 388 || 387 || f and v. F is fuck || || ||
|-
| 389 || 388 || I’m getting a little tired now || || ||
|-
| 390 || 389 || Anyway, I think I’ll finish || || || Notes.
|}
===February 1, 1955===
===February 1, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 391 || 390 || Today makes two months || || ||
|-
| 391 || 391 || Last night, having dinner || || ||
|-
| 393 || 392 || Later, today, if I can || || {{Icon|NO}} ||
|-
| 394 || 393 || What appears to me right || || ||
|-
| 395 || 394 || Word echoes. (I suppose || || ||
|-
| 396 || 395 || Another word echo here || || ||
|-
| 397 || 396 || The Burglar again || || ||
|-
| 398 || 397 || Disagreeable as it is || || || Notes.
|-
| 399 || 398 || I suppose the last note || || ||
|-
| 400 || 399 || To finish note 390 || 390 || || Notes.
|-
| 401 || 400 || One addition to this || || ||
|-
| 402 || 401 || Back from lunch || || ||
|-
| 403 || 402 || A comment on the above || 402 || ||
|}
===February 2, 1955===
===February 2, 1955===
===February 7, 1955===
===February 7, 1955===
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