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→‎February 1, 1955: Added xref.
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__NOTOC__
__NOTOC__
'''Project citation''': {{cite web |url=https://prmlr.us/liptons |title=Lipton’s Journal |last=Mailer |first=Norman |editor1-last=Lennon |editor1-first=J. Michael |editor2-last=Lucas |editor2-first=Gerald R. |editor3-last=Mailer |editor3-first=Susan |date=2020 |website=Project Mailer |publisher=The Norman Mailer Society |access-date=2020-12-20 |quote= |ref=harv }}
==Entry Dates==
==Entry Dates==
===December 1, 1954===
===December 1, 1954===
Line 14: Line 17:
| 4 || 4 || In relation to (1) || L1 || || Note.
| 4 || 4 || In relation to (1) || L1 || || Note.
|-
|-
| 5 || 5 || The concentration camp novel || x || || Note. Unclear x-ref # in note.
| 5 || 5 || The concentration camp novel || {{icon|DYK2}} || || Note. Unclear x-ref # in note.
|-
|-
| 6 || 6 || One should always listen attentively ||  || || Note.
| 6 || 6 || One should always listen attentively ||  || || Note.
Line 26: Line 29:
| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
|-
|-
| 11 || 11 || In a short novel || || x || Note.
| 11 || 11 || In a short novel || || {{icon|NO}} || Note.
|}
|}


Line 34: Line 37:
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
|-
| 12 || 12 || One should always try to ||  || x ||
| 12 || 12 || One should always try to ||  || {{icon|NO}} ||
|-
|-
| 13 || 13 || It seems to me that || || ||
| 13 || 13 || It seems to me that || || ||
Line 168: Line 171:
| 69 || 68 || “Vested interest” is enormously more || || ||
| 69 || 68 || “Vested interest” is enormously more || || ||
|-
|-
| 70 || 69 || Get beneath words || || x || Partial cut.
| 70 || 69 || Get beneath words || || {{icon|NO}} (partial) ||  
|-
|-
| 71 || 70 || The gossip is the great || || ||
| 71 || 70 || The gossip is the great || || ||
Line 188: Line 191:
| 79 || 78 || The breakup with Lulu || || || Note.
| 79 || 78 || The breakup with Lulu || || || Note.
|-
|-
| 80 || 79 || Jokes. Charley Wiener just said || || x || Note needed?: Charley Wiener
| 80 || 79 || Jokes. Charley Wiener just said || || {{icon|NO}} || Note needed?: Charley Wiener
|-
|-
| 81 || 80 || Eitel in court || || x || Note.
| 81 || 80 || Eitel in court || || {{icon|NO}} || Note.
|-
|-
| 82 || 81 || In error there is also truth || || ||
| 82 || 81 || In error there is also truth || || ||
Line 204: Line 207:
| 87 || 86 || One thing must be said || L85, L71 || ||  
| 87 || 86 || One thing must be said || L85, L71 || ||  
|-
|-
| 88 || 87 || Stories of dreams || || x ||
| 88 || 87 || Stories of dreams || || {{icon|NO}} ||
|-
|-
| 89 || 88 || Bombing as the great shitting || || x ||
| 89 || 88 || Bombing as the great shitting || || {{icon|NO}} ||
|-
|-
| 90 || 89 || Comedians and comic writers || || x ||
| 90 || 89 || Comedians and comic writers || || {{icon|NO}} ||
|-
|-
| 91 || 90 || Women who always hate || || ||
| 91 || 90 || Women who always hate || || ||
Line 214: Line 217:
| 92 || 91 || The more knowledge || || ||
| 92 || 91 || The more knowledge || || ||
|-
|-
| 93 || 92 || Possibly, bad works of art || || x ||
| 93 || 92 || Possibly, bad works of art || || {{icon|NO}} ||
|-
|-
| 94 || 93 || The spy (another adventurer) || || || Note.
| 94 || 93 || The spy (another adventurer) || || || Note.
Line 220: Line 223:
| 95 || 94 || Actors and spies || || ||
| 95 || 94 || Actors and spies || || ||
|-
|-
| 96 || 95 || When a friend says || || x ||
| 96 || 95 || When a friend says || || {{icon|NO}} ||
|-
|-
| 97 || 96 || “Am I boring you?” || || ||
| 97 || 96 || “Am I boring you?” || || ||
Line 254: Line 257:
| 112 || 111 || My journal again || || ||
| 112 || 111 || My journal again || || ||
|-
|-
| 113 || 112 || False humility || || x || Seems like this should not be cut, as L115 alludes to it.
| 113 || 112 || False humility || || {{icon|NO}} || Seems like this should not be cut, as L115 alludes to it.
|-
|-
| 114 || 113 || Marion Faye journal || || ||
| 114 || 113 || Marion Faye journal || || ||
Line 262: Line 265:
| 116 || 115 || Humor is more than wit || || ||
| 116 || 115 || Humor is more than wit || || ||
|-
|-
| 117 || 116 || Marion Faye’s note || || x ||
| 117 || 116 || Marion Faye’s note || || {{icon|NO}} ||
|-
|-
| 118 || 117 || Man may be terrible || || x ||
| 118 || 117 || Man may be terrible || || {{icon|NO}} ||
|-
|-
| 119 || 118 || The fear of being ridiculous || || ||
| 119 || 118 || The fear of being ridiculous || || ||
|-
|-
| 120 || 119 || Toward the end of Marion || || x ||
| 120 || 119 || Toward the end of Marion || || {{icon|NO}} ||
|-
|-
| 121 || 120 || Marion Faye’s note about || || x ||
| 121 || 120 || Marion Faye’s note about || || {{icon|NO}} ||
|-
|-
| 122 || 121 || Any art-work which || || ||
| 122 || 121 || Any art-work which || || ||
Line 280: Line 283:


===December 31, 1954===
===December 31, 1954===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 125 || 124 || I am getting whole bodies || || ||
|-
| 126 || 125 || Thoughts. All thoughts in words || || || Note.
|-
| 127 || 126 || People who make love || || ||
|-
| 128 || 127 || Get a tape recorder || || || Note. [add tea time info] still needed
|-
| 129 || 128 || Word echoes: We have || || ||
|-
| 130 || 129 || On the understanding of genius || || ||
|-
| 131 || 130 || Word echoes. Mother and smother || || ||
|-
| 132 || 131 || Seriously, truly, just simply || || ||
|-
| 133 || 132 || In Marion Faye’s journal || || {{icon|NO}} ||
|-
| 134 || 133 || Jazz is more creative || || ||
|-
| 135 || 134 || I used to be outwardly || || ||
|-
| 136 || 135 || Years ago, working with Malaquais || || {{icon|NO}} ||
|-
| 137 || 136 || The world allows us to express || || ||
|-
| 138 || 137 || My ambition remains || || ||
|-
| 139 || 138 || I think that the new || || ||
|-
| 140 || 139 || Sexual psychopathy would be normal || || || Note.
|-
| 141 || 140 || What I learn about ''The Deer Park'' || || ||
|-
| 142 || 141 || Most celebrities are people || || ||
|-
| 143 || 142 || Marion Faye’s journal || || ||
|-
| 144 || 143 || Anyone reading these notes || || ||
|-
| 145 || 144 || At the point where Eitel || || ||
|-
| 146 || 145 || The universe is a vast puzzle || || ||
|-
| 147 || 146 || In N.Y. if we want || || || Note.
|-
| 148 || 147 || Time is the sense of society || || ||
|-
| 149 || 148 || The so-called decadent writers || || ||
|-
| 150 || 149 || Wild thought. The atom bomb || || || Note.
|-
| 151 || 150 || Don Beda should be || || ||
|-
| 152 || 151 || What Stalinists see || || ||
|-
| 153 || 152 || Don Beda should be || || ||
|-
| 154 || 153 || Time as the sense of society || || || Added hand-written note, but need to check last two words.
|-
| 155 || 154 || Bob Lindner. As he reads || || || Notes.
|-
| 156 || 155 || The homo-erotic corollary || || || Notes.
|-
| 157 || 156 || The corollary of this || || || Note.
|-
| 158 || 157 || What courage Adele has || || || Notes.
|-
| 159 || 158 || What terrifies me is exactly || || ||
|-
| 160 || 159 || The fuck novel, “Antacid Analgesique.” || || || Note.
|}
===January 3, 1955===
===January 3, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 161 || 160 || If this record is to have || || ||
|-
| 162 || 161 || One of the curious effects || || ||
|-
| 163 || 162 || What I dislike so much || || ||
|-
| 164 || 163 || Perhaps a man kills || || ||
|-
| 165 || 164 || With Marion Faye this took || || {{icon|NO}} ||
|-
| 166 || 165 || A psychopath expands || || ||
|-
| 167 || 166 || Any human scene || || ||
|-
| 168 || 167 || Precise speech appeals || || ||
|-
| 169 || 168 || Our fear of ghosts || || ||
|-
| 170 || 169 || On the other hand || || ||
|-
| 171 || 170 || The sensitivity spectrum || || || Note.
|-
| 172 || 171 || Does telepathic mean sick telepathy? || || {{icon|NO}} ||
|-
| 173 || 172 || On television, many of the ads || || ||
|-
| 174 || 173 || There is also the possibility || || ||
|-
| 175 || 174 || Listening to Dizzy Gillespie || || || Note.
|-
| 176 || 175 || Word echoes || || {{icon|NO}} ||
|-
| 177 || 176 || I suspect that an index || || ||
|-
| 178 || 177 || Psychopathic love || || ||
|-
| 179 || 178 || Consider whether Elena after || || ||
|-
| 180 || 179 || Sports and sex || || ||
|-
| 181 || 180 || Musicians. The saxophonist || || ||
|-
| 182 || 181 || Steve Allen talking while || || || Note.
|-
| 183 || 182 || I heard “The Star-Spangled Banner” || || ||
|-
| 184 || 183 || Competition of personality marks || || ||
|-
| 185 || 184 || Name for a Negro || || ||
|-
| 186 || 185 || Be-bop chorus || || ||
|-
| 187 || 186 || We may all have a social || || || Notes.
|-
| 188 || 187 || Perhaps the secret || || || Note.
|-
| 189 || 188 || This is the age || || ||
|-
| 190 || 189 || Memory may be a layer || || || Mailer underlined the first two sentences and wrote “Expand” in the margin.
|-
| 191 || 190 || There’s no such thing || || ||
|-
| 192 || 191 || How do you like my || || {{icon|NO}} ||
|-
| 193 || 192 || Fatty foods are cunt foods || || {{icon|NO}} ||
|-
| 194 || 193 || Bob told the pickle factory joke || || ||
|-
| 195 || 194 || Obscenity substitutes || || {{icon|NO}} ||
|-
| 196 || 195 || Obscenity echoes || || ||
|-
| 197 || 196 || In ''Barbary Shore'' I planted || || {{icon|NO}} ||
|}
===January 20, 1955===
===January 20, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 198 || 197 || The poor drawing || || {{icon|NO}} ||
|-
| 199 || 198 || Looking at myself || || || Note.
|-
| 200 || 199 || This is the age || || || Notes.
|-
| 201 || 200 || When we run across || || || Note.
|-
| 202 || 201 || The tragic air of Mexico || || || Note.
|-
| 203 || 202 || Rich boys are proud || || ||
|-
| 204 || 203 || “Instants” and “moments” || || ||
|-
| 205 || 204 || John Walsh is a homosexual || || || Note. NM wrote “expand” in the margin-left of the last paragraph.
|-
| 206 || 205 || If I have qualities of genius || || ||
|-
| 207 || 206 || The Perfect Secretary || || || See NM’s written gloss.
|-
| 208 || 207 || The night Bob spoke || || || Note.
|-
| 209 || 208 || The affected person || || {{icon|NO}} ||
|-
| 210 || 209 || How much real hatred || || ||
|-
| 211 || 210 || What we do on the surface || || ||
|-
| 212 || 211 || Homeostasis may be true || || {{icon|NO}} (partial) ||
|-
| 213 || 212 || Our perception of others || || ||
|-
| 214 || 213 || Word echoes. Son is sin || || ||
|}
===January 24, 1955===
===January 24, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 215 || 214 || Word echoes. Possible way || || ||
|-
| 216 || 215 || Friday, Saturday, and Sunday || || || Note.
|-
| 217 || 216 || To begin with, one || || || Notes.
|-
| 218 || 217 || How I’m getting to love || || ||
|-
| 219 || 218 || Spies are takers || || ||
|-
| 220 || 219 || Thoughts about ''The Deer Park'' || || {{icon|NO}} ||
|-
| 221 || 220 || When Elena is first introduced || || {{icon|NO}} ||
|-
| 222 || 221 || Wrestlers and boxers || || ||
|-
| 223 || 222 || Homeostasis and sociostasis || || || Note.
|-
| 224 || 223 || What I have noticed || || || Note.
|-
| 225 || 224 || My character. I have always || || || Notes.
|-
| 226 || 225 || Remember: The fear of being || || ||
|-
| 227 || 226 || In The Journal of Marion Faye || || ||
|-
| 228 || 227 || The movement of my writing || || || Should McLeod be glossed?
|-
| 229 || 228 || I have always been the romantic || || ||
|-
| 230 || 229 || To condemn || L205, L228 || ||
|-
| 231 || 230 || Our resistance about changing || || || Note.
|-
| 232 || 231 || Rojo and ojo || || ||
|-
| 233 || 232 || Man and his dog || || ||
|-
| 234 || 233 || For three years while writing || || ||
|-
| 235 || 234 || Romance and realism || || || Note.
|-
| 236 || 235 || The saint and the psychopath || || ||
|-
| 237 || 236 || In the saint-psychopath sense || || ||
|-
| 238 || 237 || This is the best day || || ||
|-
| 239 || 238 || I was deeply instinctively right || || ||
|-
| 240 || 239 || Yet the course of human history || || ||
|-
| 241 || 240 || For years, unknowingly || || ||
|-
| 242 || 241 || Bebop. P and B are sibling consonants || || || Notes.
|-
| 244 || 243 || Golfers are people who take || || ||
|-
| 245 || 244 || Put another way, the sociostatic || || ||
|-
| 246 || 245 || But look at the philosophical || || ||
|-
| 247 || 246 || It also suggests that action || || ||
|-
| 248 || 247 || Which leads me to || || || Note.
|-
| 249 || 248 || English is so magnificently blunt || || ||
|-
| 250 || 249 || To go back to note 245 || L245 || || Notes.
|-
| 251 || 250 || Joyful thought || || ||
|-
| 252 || 251 || Children’s eating || || || Note.
|-
| 253 || 252 || Everybody is both male and female || || || Should NM’s spelling be made consistent: e.g., bi-sexual or bisexual?
|}
===January 25, 1955===
===January 25, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 254 || 253 || The advances in medicine || || ||
|-
| 255 || 254 || The predictor, the prophet || || || Note.
|-
| 256 || 255 || The above note || L255 || ||
|-
| 257 || 256 || Bob is the dishonest man || || ||
|-
| 258 || 257 || I wonder if one doesn’t || || ||
|-
| 259 || 258 || Typing errors || || {{icon|NO}} ||
|-
| 260 || 259 || But I wanted to finish || || {{icon|NO}} (partial) || Note.
|-
| 261 || 260 || What I wrote about Sergius || || ||
|-
| 262 || 261 || This Journal in so far || || ||
|-
| 263 || 262 || I realized so many funny || || ||
|-
| 264 || 263 || Since I started this Journal || || || Notes.
|-
| 265 || 264 || The sense of time || || ||
|-
| 266 || 265 || Old people don’t slow down || || ||
|-
| 267 || 266 || To continue 265 I wonder || L265 || ||
|-
| 268 || style="background: red;" | 268 || The interesting confirmation || L267 || ||
|-
| 269 || 269 || Fed up. We stuff ourselves || || {{icon|NO}} || Joe Rosenthal should be glossed?
|-
| 270 || 270 || Radicals. Particularly socialists || || || Fra Jean?
|-
| 271 || 271 || Prose on wings, tra-la, tra-la || L270 || || Note.
|-
| 272 || 272 || So, modestly, I see my mission || || ||
|-
| 273 || 273 || Jews hated Hitler violently || || ||
|-
| 274 || 274 || What is a monster? || || {{icon|NO}} ||
|}
===January 26, 1955===
===January 26, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 275 || 275 || I am coming to believe || || ||
|-
| 276 || 276 || I have noticed in analytic || || || Note.
|-
| 277 || 277 || Let me put it this way || || || Should "basis" be "basic" in sentence 1?
|-
| 278 || 278 || I know now why I || || ||
|-
| 279 || 279 || Clues, mysteries, puns || || ||
|-
| 280 || 280 || In this sense, we are all || || ||
|-
| 281 || 281 || If the above sounds very fancy || L280 || ||
|-
| 282 || 282 || Sociostasis and sociostasis || || || Notes.
|-
| 283 || 283 || So in that sense || L282 || || Note.
|-
| 284 || 284 || Little confirmations of 282 || L282 || {{icon|NO}} ||
|-
| 285 || 285 || I have to face something || || || Note.
|-
| 286 || 286 || Dialogue: Yesterday, Hiram Haydn || || || Note.
|-
| 287 || 287 || Word echoes: Go, man, go || || {{icon|NO}} ||
|-
| 288 || 288 || Bob Lindner is in the dramatic || || || Note.
|-
| 289 || 289 || Let me try 283 again || L283 || || Note.
|-
| 290 || 290 || Now I come back || || ||
|-
| 291 || 291 || The all-out Marxist || || {{icon|NO}} ||
|-
| 292 || 292 || Now, back to 290 || L290, L395 (in note) || || Note.
|-
| 293 || 293 || I’m getting exhausted || || {{icon|NO}} ||
|-
| 294 || 294 || One takes in order to understand || || ||
|-
| 295 || 295 || But wrestlers who are givers || || ||
|-
| 296 || 296 || Talk is cheap, action is hard || || ||
|-
| 297 || 297 || Jokes. Argo. || || {{icon|NO}} ||
|-
| 298 || 298 || No wonder I’ve always been || || {{icon|NO}} ||
|-
| 299 || 299 || Back to x Jargon || || {{icon|NO}} ||
|-
| 300 || 300 || B is the first consonant || || {{icon|NO}} ||
|-
| 301 || 301 || Infant and I am faint || || {{icon|NO}} ||
|-
| 302 || 302 || Ant and ''and'' || || ||
|-
| 303 || 303 || Obscenities: 69 || || ||
|-
| 304 || 304 || Jazz. Z and s are sibling components || || ||
|-
| 305 || 305 || At this moment I’m sick || || ||
|-
| 306 || 306 || But what a compulsion || L305 || ||
|-
| 307 || 307 || I’m getting weary || || || Note.
|-
| 308 || 308 || Fuck, piss, cock, shit, cunt || || ||
|-
| 309 || 309 || I have heard writers say || || {{icon|NO}} ||
|-
| 310 || 310 || When I was a kid || || || Note.
|-
| 311 || 311 || My pompous man again || || ||
|-
| 312 || 312 || It seems obvious that insanity || || ||
|-
| 313 || 313 || Word echoes. Job || || {{icon|NO}} ||
|-
| 314 || 314 || Aristocrats are usually takers || || ||
|}
===January 27, 1955===
===January 27, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 315 || 315 || As was evident in the notes || || ||
|-
| 316 || 316 || But what is also interesting || || ||
|-
| 317 || 317 || What I distrust of course. || || ||
|-
| 318 || 318 || On the positive side || || ||
|-
| 319 || 319 || Letter echoes: Be || || {{icon|NO}} ||
|-
| 320 || 320 || For some time I have wanted || || || Note.
|-
| 321 || 321 || The business of putting || || ||
|-
| 322 || 322 || Corollary. Whenever one reads || || ||
|}
===January 31, 1955===
===January 31, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 323 || 323 || My birthday today || || ||
|-
| 324 || 324 || A few word echoes || || {{icon|NO}} ||
|-
| 325 || 325 || Give-and-take || || ||
|-
| 326 || 326 || The possibility of other || || || Notes.
|-
| 327 || 327 || The voice of radio and recordings || || ||
|-
| 328 || 328 || But, carry this a step further || || ||
|-
| 329 || 329 || One’s own voice || || ||
|-
| 330 || 330 || One other observation || || ||
|-
| 331 || 331 || Mimics are always psychopaths || || ||
|-
| 332 || 332 || Last week I wrote || Search || || Note.
|-
| 333 || 333 || I have the feeling these days || || || How should the 3rd sentence read?
|-
| 334 || 334 || A great deal of this journal || || ||
|-
| 335 || 335 || Jealousy. But what a mountain || || ||
|-
| 336 || 336 || The cynic || || ||
|-
| 337 || 337 || The conservatism of the female || || ||
|-
| 338 || 338 || Word echoes. Breath, stripped || || ||
|-
| 339 || 339 || Exceptional people || || || Notes.
|-
| 340 || 340 || Which brings me to Bob Lidner || || || Note.
|-
| 341 || 341 || Page 100 || || ||
|-
| 342 || 342 || Stimulants. My ideas which started || || ||
|-
| 343 || 343 || Fascination keeps us on || || ||
|-
| 344 || 344 || What I neglected to say || || ||
|-
| 345 || 345 || Half-way stations || || ||
|-
| 346 || 346 || Journalists—another variety of psychopath || || ||
|-
| 347 || 347 || An interesting confirmation || || ||
|-
| 348 || 348 || Pro and con—prick and cunt || || ||
|-
| 349 || 349 || The Catholic Church || || ||
|-
| 350 || 350 || Word echoes. The and he || || {{icon|NO}} ||
|-
| 351 || style="background: red;" | 350A || Word mirrors: || || ||
|-
| 352 || 351 || I cannot say it often enough || || || Should “od” be corrected?
|-
| 353 || 352 || Horse-racing. An article || || || Note.
|-
| 354 || 353 || Word echoes: Defense || || ||
|-
| 355 || 354 || Word echoes. Good, God || || ||
|-
| 356 || 355 || Good. Go to d, Go || || ||
|-
| 357 || 356 || Modern painting || || ||
|-
| 358 || 357 || The key to Bill Styron’s nature || || || Note.
|-
| 359 || 358 || The inter-fecundation is starting || || ||
|-
| 360 || 359 || Which gives an insight into || || ||
|-
| 361 || 360 || I am always inept at arguing || || ||
|-
| 362 || 361 || More typing errors deliver || || {{icon|NO}} ||
|-
| 363 || 362 || God and Jehovah, goal and jail || || {{icon|NO}} ||
|-
| 364 || 363 || Word echo: By—By || || {{icon|NO}} ||
|-
| 365 || 364 || A lot of this is probably || || ||
|-
| 366 || 365 || A corroborating proof || || ||
|-
| 367 || 366 || The reformer’s liberal ideas || || ||
|-
| 368 || 367 || Nat Halper. His work on the Joyce || || || Note.
|-
| 369 || 368 || Modern art. Liberals, social democrats || || ||
|-
| 370 || 369 || Elena is a failure || || ||
|-
| 371 || 370 || Cancer. I believe instinctively || || ||
|-
| 372 || 371 || For ''The Deer Park'' || || ||
|-
| 373 || 372 || Word echoes: If and Is || || {{icon|NO}} ||
|-
| 374 || 373 || I wrote the last note || || {{icon|NO}} ||
|-
| 375 || 374 || Consonant echoes: X || || ||
|-
| 376 || 375 || The cross was where man || || ||
|-
| 377 || 376 || Adele’s qualities || || ||
|-
| 378 || 377 || The voice || || ||
|-
| 379 || 378 || A note on my Self-Analysis || || || Notes. Is “sociismus” supposed to be “socialismus” (socialism)?
|-
| 380 || 379 || Word echoes. Son and sun || || {{icon|NO}} ||
|-
| 381 || 380 || What-the-hell || || ||
|-
| 382 || 381 || Word echoes. Her and err || || ||
|-
| 383 || 382 || What I am doing with letters || || ||
|-
| 384 || 383 || Is W the world? || || ||
|-
| 385 || 384 || Son of a bitch || || ||
|-
| 386 || 385 || Simply, directly, I excited || || ||
|-
| 387 || 386 || Once in a while || || ||
|-
| 388 || 387 || f and v. F is fuck || || ||
|-
| 389 || 388 || I’m getting a little tired now || || ||
|-
| 390 || 389 || Anyway, I think I’ll finish || || || Notes.
|}
===February 1, 1955===
===February 1, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 391 || 390 || Today makes two months || || ||
|-
| 392 || 391 || Last night, having dinner || || ||
|-
| 393 || 392 || Later, today, if I can || || {{Icon|NO}} ||
|-
| 394 || 393 || What appears to me right || || ||
|-
| 395 || 394 || Word echoes. (I suppose || || ||
|-
| 396 || 395 || Another word echo here || || ||
|-
| 397 || 396 || The Burglar again || || ||
|-
| 398 || 397 || Disagreeable as it is || || || Notes.
|-
| 399 || 398 || I suppose the last note || || ||
|-
| 400 || 399 || To finish note 390 || 390 || || Notes.
|-
| 401 || 400 || One addition to this || || ||
|-
| 402 || 401 || Back from lunch || || ||
|-
| 403 || 402 || A comment on the above || 402 || ||
|-
| 404 || 403 || At the other end || || || Note.
|-
| 405 || 404 || The Catholic would argue || || || Note.
|-
| 406 || 405 || I may have a clue || || ||
|-
| 407 || 406 || Word echoes. I’ve discussed jazz || || ||
|-
| 408 || 407 || If my identification of red || || ||
|-
| 409 || 408 || Gate. And r: Great. || || ||
|-
| 410 || 409 || The strength of the Church. || || || Note.
|-
| 411 || 410 || A note on my father. || || || Note.
|-
| 412 || 411 || And now I understand Monroe || || || Note.
|-
| 413 || 412 || On how I can’t destroy love. || || || Note.
|-
| 414 || 413 || One thing bothers me. || || ||
|-
| 415 || 414 || A lay analyst. || || ||
|-
| 416 || 415 || I have a hunch || || ||
|-
| 417 || 416 || My sexual scar. || 207 || ||
|-
| 418 || 417 || Depression is coming on || || ||
|-
| 419 || 418 || Perhaps the sexual explanation || || ||
|-
| 420 || 419 || Jesus, I’d rather be || || ||
|-
| 421 || 420 || A little interesting and || || {{Icon|NO}} ||
|-
| 422 || 421 || Decadence. I wonder || || ||
|-
| 423 || 422 || The above note was written || 422 || ||
|-
| 424 || 423 || Echoes and opposites. || || ||
|-
| 425 || 424 || The spectrum of the saint-psychopath. || || || Note.
|-
| 426 || 425 || The above not ought || 425 || ||
|-
| 427 || 426 || Before I quit, I want to list || || {{Icon|NO}} ||
|}
===February 2, 1955===
===February 2, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 428 || 427 || Continuing on H || || {{icon|NO}} ||
|-
| 429 || 428 || The horrible thought occurs || || ||
|-
| 430 || 429 || The artist and his paranoia. || || ||
|-
| 431 || 430 || Note 214 was about the || 215 || {{icon|NO}} ||
|-
| 432 || 431 || It is really incredible that || || ||
|-
| 433 || 432 || Each of the Church’s dictums || || ||
|-
| 434 || 433 || The gambler’s debt || || ||
|-
| 435 || 434 || I’ve spent the last few hours  || || || Notes. Where should the open parenthesis end? I don’t see the last sentence in the original.
|}
===February 7, 1955===
===February 7, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 436 || 435 || The opening into myself || || || The first parenthesis does not close.
|-
| 437 || 436 || One idea in this || || {{icon|NO}} || Text added to 436.
|-
| 438 || style="background: red;" | 436 || The intellectual is antipathetic || || {{icon|NO}} ||
|-
| 439 || 437 || At any rate each time || || {{icon|NO}} ||
|-
| 440 || 438 || I have to explain what || || ||
|-
| 441 || 439 || But I go at this || || ||
|-
| 442 || 440 || Besides I may discover || || ||
|-
| 443 || 441 || Anyway, let’s go back || || {{icon|NO}} ||
|-
| 444 || 442 || Parenthesis after parenthesis || || {{icon|NO}} ||
|-
| 445 || 443 || The anarchist as he exists || || {{icon|NO}} ||
|-
| 446 || 444 || But, again, back to give-and-take || || ||
|-
| 447 || 445 || Now, give-san-take || || ||
|-
| 448 || 446 || Give-and take is the secret || || {{icon|NO}} ||
|-
| 449 || 447 || Marriage, every marriage || || {{icon|NO}} ||
|-
| 450 || 448 || Up and down, in and out || || {{icon|NO}} ||
|-
| 451 || 449 || The world of commerce || || {{icon|NO}} ||
|-
| 452 || 450 || Action is one of the enigmas || || {{icon|NO}} ||
|-
| 453 || 451 || Yet to stay alive we || || ||
|-
| 454 || style="background: red;" | 451 || Let me put it another way || || {{icon|NO}} ||
|-
| 455 || 452 || So, a partial justification || || {{icon|NO}} ||
|-
| 456 || 453 || Just above I wrote 42 || || {{icon|NO}}  ||
|-
| 457 || 454 || Perhaps the clue || || ||
|-
| 458 || 455 || The crook in Bob Lindner || || || Note.
|-
| 459 || 456 || Sesame. The sex of me || || ||
|-
| 460 || 457 || But why can I understand || || || Note.
|-
| 461 || 458 || After lunch, and how || || ||
|-
| 462 || 459 || Crooks are interested || || || Note.
|-
| 463 || 460 || What I started to say || || {{icon|NO}} ||
|-
| 464 || 461 || Japanese: Their word for yes || || {{icon|NO}} ||
|-
| 465 || 462 || Chinese: A very primitive language || || {{icon|NO}} ||
|-
| 466 || 463 || I’m one of the first || || || Note.
|-
| 467 || 464 || There is so much to be said || || {{icon|NO}} ||
|-
| 468 || 465 || The art of the playwright || || || Note.
|-
| 469 || 466 || Beating and being || || {{icon|NO}} ||
|-
| 470 || 467 || German. The Germans are philosophers || || {{icon|NO}} ||
|-
| 471 || 469 || Anyway, the Germans || || || Note.
|-
| 472 || 470 || eeeeeeeeeeeeeee || || {{icon|NO}} ||
|-
| 473 || 471 || V becomes closer || || {{icon|NO}} ||
|-
| 474 || 472 || Double V is WW ||  || {{icon|NO}} ||
|-
| 475 || 473 || VVVVVVV is close ||  || {{icon|NO}} ||
|-
| 476 || 474 || Vomiting. I see ||  || {{icon|NO}} ||
|-
| 477 || 475 || Mother. The masculine other ||  || {{icon|NO}} ||
|-
| 478 || 476 || Er would be a far ||  ||  ||
|-
| 479 || 477 || Super. To sup and to er ||  ||  ||
|-
| 480 || 478 || I’m getting tired again ||  ||  ||
|-
| 481 || 479 || But I haven’t even begun ||  ||  || Note.
|-
| 482 || 480 || Any rationalist reading ||  ||  ||
|-
| 483 || 481 || For the first time I ||  ||  ||
|-
| 484 || 482 || In the middle of the cliché ||  || {{icon|NO}} ||
|-
| 485 || 483 || But I just can’t get ||  || {{icon|NO}} ||
|-
| 486 || 484 || Let’s start with orgasm ||  ||  ||
|-
| 487 || 485 || To attempt to go on ||  ||  ||
|-
| 488 || 486 || To be continued tomorrow ||  || {{icon|NO}} ||
|-
| 489 || style="background: red;" | 486a || Before I go on with ||  || {{icon|NO}} ||
|-
| 490 || 487 || So, if my premise ||  ||  || Note.
|-
| 491 || 488 || I keep trying to write ||  ||  ||
|-
| 492 || 489 || Which is why I have ||  ||  ||
|-
| 493 || 490 || Mom. A cunt O ||  ||  ||
|-
| 494 || 491 || I’ve spent the last || 423 || {{icon|NO}} ||
|-
| 495 || 492 || Following my Clue ||  || {{icon|NO}} ||
|-
| 496 || 493 || Back to bisexuals ||  || {{icon|NO}} ||
|-
| 497 || 494 || So, the bisexual in society ||  ||  ||
|-
| 498 || 495 || I’m getting hipped ||  || {{icon|NO}} ||
|-
| 499 || 496 || The next “idea” ||  || {{icon|NO}} ||
|-
| 500 || 497 || What characterizes the power-mad ||  || {{icon|NO}} ||
|-
| 501 || 498 || I’ve just been out for lunch ||  ||  ||
|-
| 502 || style="background: red;" | 496 || This has all been a preface || 499 ||  ||
|-
| 503 || 497 || At any rate, I still believe ||  ||  ||
|-
| 504 || 498 || And, of course, the little ||  || {{note|NO}} ||
|-
| 505 || 499 || What a jewel of a word ||  || {{icon|NO}} ||
|-
| 506 || 500 || But what remains ||  ||  || Note.
|-
| 507 || 501 || The cop is getting stronger ||  ||  ||
|-
| 508 || 502 || I’ve got to shake this off ||  ||  ||
|-
| 509 || 503 || The family dinner ||  ||  ||
|-
| 510 || 504 || I don’t have the patience ||  ||  ||
|-
| 511 || 505 || Dynamo. Dine at mom’s ||  || {{icon|NO}} ||
|-
| 512 || 506 || While we’re on consonants ||  || {{icon|NO}} ||
|-
| 513 || 507 || Example: Formalize (Fuck of ||  || {{icon|NO}} ||
|-
| 514 || 508 || From time to time I worry ||  ||  ||
|-
| 515 || 509 || Course of events ||  ||  ||
|-
| 516 || 510 || I have postulated unisexuality ||  ||  || Note.
|-
| 517 || 511 || We and Us ||  || {{icon|NO}} ||
|-
| 518 || 512 || World. It is a prettier ||  || {{icon|NO}} ||
|-
| 519 || 513 || But ‘rectal’ I’m sure ||  || {{icon|NO}} ||
|-
| 520 || 514 || RL again. Relish ||  || {{icon|NO}} ||
|-
| 521 || 515 || The difficulty in consonant ||  || {{icon|NO}} ||
|-
| 522 || 516 || An old cliché is called ||  || {{icon|NO}} ||
|-
| 523 || 517 || Regal—egal ||  || {{icon|NO}} ||
|-
| 524 || 518 || Acts of the body ||  ||  ||
|-
| 525 || 519 || The is and the ing. ||  || {{icon|NO}} ||
|-
| 526 || 520 || When an intelligent person ||  ||  || Note.
|-
| 527 || 521 || Adele gets furious these days ||  ||  ||
|-
| 528 || 522 || Actually, there’s no contradiction ||  ||  || Note.
|-
| 529 || 523 || But this opens the peculiar ||  ||  ||
|-
| 530 || 524 || Excelsior! Hardons onward ||  ||  ||
|-
| 531 || 525 || Excelsior: What I’m getting at ||  ||  ||
|-
| 532 || 526 || Now, of course, an analyst ||  ||  ||
|-
| 533 || 527 || Yet, we cannot deny it ||  ||  ||
|-
| 534 || 528 || I’m very dissatisfied ||  ||  ||
|-
| 535 || 529 || Time is Number ||  || {{icon|NO}} ||
|-
| 536 || 530 || Toynbee’s challenge ||  || {{icon|NO}} ||
|-
| 537 || 531 || We and wee ||  || {{icon|NO}} ||
|-
| 538 || 532 || The beggar-king ||  || {{icon|NO}} ||
|-
| 539 || 533 || The reason the common people ||  ||  ||
|-
| 540 || 534 || And so the enigma ||  ||  ||
|-
| 541 || 535 || And that is why certain ||  || {{icon|NO}} ||
|-
| 542 || 536 || A dick is a cock ||  || {{icon|NO}} ||
|-
| 543 || 537 || Twot. The thing of what? ||  || {{icon|NO}} ||
|-
| 544 || 538 || Man and society ||  || {{icon|NO}} ||
|-
| 545 || 539 || I just realized that the reason ||  ||  || Note.
|-
| 546 || 540 || Anybody who’s really ||  ||  ||
|-
| 547 || 541 || I have to explore ||  ||  ||
|-
| 548 || 542 || Hemingway’s peculiar weakness ||  ||  ||
|-
| 549 || 543 || Depressants and stimulants ||  ||  ||
|-
| 550 || 544 || The above was hardly ||  || {{icon|NO}} ||
|-
| 551 || 545 || So, to begin with, ||  || {{icon|NO}} ||
|-
| 552 || 546 || I’m written out ||  ||  ||
|}
===February 10, 1955===
===February 10, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 553 || 547 || A new typewriter ribbon ||  ||  ||
|-
| 554 || 548 || Today is L plus 1 ||  ||  ||
|-
| 555 || 549 || But what I want to try ||  ||  ||
|-
| 556 || 550 || This can help to explain ||  ||  ||
|-
| 557 || 551 || For the analyst and the analysand ||  ||  ||
|-
| 558 || 552 || I have come to a conclusion ||  ||  || Note.
|-
| 559 || 553 || The fluoridation of water ||  || {{icon|NO}} ||
|-
| 560 || 554 || Investigating the consonants ||  ||  ||
|-
| 561 || 555 || On the vowels ||  ||  ||
|-
| 562 || 556 || I have an idea ||  ||  || Note.
|}
===February 14, 1955===
===February 14, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 563 || 557 || Again I start work ||  ||  ||
|-
| 564 || 558 || The kick-off was ||  ||  || Note.
|-
| 565 || 559 || I have not warmed up ||  ||  ||
|-
| 566 || 560 || I’ve come up with something ||  || {{icon|NO}} ||
|-
| 567 || 561 || For days I’ve been working ||  || {{icon|NO}} ||
|-
| 568 || 562 || A lover of music ||  || {{icon|NO}} ||
|-
| 569 || 563 || But I am the person ||  || {{icon|NO}} ||
|-
| 570 || 564 || It can be stated ||  ||  ||
|-
| 571 || 565 || Pain and pleasure ||  || {{icon|NO}} ||
|-
| 572 || 566 || “Stupid” people find ||  ||  || Note.
|-
| 573 || style="background:red;" | 565 || Antacid Analgesic ||  ||  || Note.
|-
| 574 || 566 || What a title ||  ||  || Note.
|-
| 575 || 567 || Yes, I am a rationalist ||  || {{icon|NO}} ||
|-
| 576 || 568 || And isn’t that the Devil? ||  || {{icon|NO}} ||
|-
| 577 || 569 || My nose has stopped running ||  ||  ||
|-
| 578 || 570 || A truly great man ||  ||  ||
|-
| 579 || 571 || Ruthless and Truthful ||  || {{icon|NO}} ||
|-
| 580 || 572 || What I’ve been avoiding ||  || {{icon|NO}} ||
|-
| 581 || 573 || I got the D.T.’s ||  || {{icon|NO}} ||
|-
| 582 || 574 || Last night taking my Seconal ||  ||  ||
|-
| 583 || 575 || What bothered me about ||  ||  || Notes.
|-
| 584 || 576 || Kill or be killed ||  ||  ||
|-
| 585 || 577 || Ted Amussen cannot express ||  ||  || Notes.
|-
| 586 || 578 || The and He ||  || {{icon|NO}} ||
|-
| 587 || 579 || Antacid Analgesic is filled ||  || {{icon|NO}} ||
|-
| 588 || 580 || P, I believe, signifies ||  || {{icon|NO}} ||
|-
| 589 || 581 || Energy spent on solving ||  || {{icon|NO}} ||
|-
| 590 || 582 || The curve is life ||  ||  ||
|-
| 591 || 583 || Classicist and Romantic ||  ||  ||
|-
| 592 || 584 || Last night on the train ||  || {{icon|NO}} ||
|-
| 593 || 585 || My throat is sore again ||  ||  ||
|-
| 594 || 586 || Patience and impatience ||  ||  ||
|-
| 595 || 587 || The reason this journal ||  ||  ||
|-
| 596 || 588 || To understand a neurotic ||  || {{icon|NO}} ||
|-
| 597 || 589 || (ENTERING_and_LEAVING) ||  || {{icon|NO}} ||
|-
| 598 || 590 || Impatience—patience ||  ||  ||
|-
| 599 || 591 || I’m really beginning to dig ||  || {{icon|NO}} ||
|-
| 600 || 592 || The malfunction of entering-leaving ||  || {{icon|NO}} ||
|-
| 601 || style="background:red;" | 592 || The phallic-narcissist (Jim Jones) ||  ||  ||
|-
| 602 || 593 || Back from lunch ||  || {{icon|NO}} ||
|-
| 603 || style="background:red;" | 593 || But another revelatory contradiction ||  || {{icon|NO}} ||
|-
| 604 || 594 || “Freedom is the recognition ||  || {{icon|NO}} ||
|-
| 605 || 595 || I don’t know if I agree || 604 || {{icon|NO}} ||
|-
| 606 || 596 || Let me make as assumption ||  ||  ||
|-
| 607 || 597 || Yet, this is still true ||  ||  ||
|-
| 608 || 598 || Which is where an understanding ||  ||  || Note.
|-
| 609 || 599 || I lost weight all last summer ||  ||  ||
|-
| 610 || 600 || I wonder if once smoking ||  ||  ||
|-
| 611 || 601 || The rationalist says ||  ||  ||
|-
| 612 || 602 || What I suspect about Lipton’s ||  ||  ||
|-
| 613 || 603 || My sore throat seems gone ||  ||  || Note.
|-
| 614 || 604 || One healthy thing I am ||  ||  ||
|-
| 615 || 605 || The part and the whole ||  || {{icon|NO}} ||
|-
| 616 || 606 || As I said to Bob ||  || {{icon|NO}} ||
|-
| 617 || 607 || Reason, the logic on One ||  || {{icon|NO}} ||
|-
| 618 || 608 || One thing to say ||  || {{icon|NO}} ||
|-
| 619 || 609 || A thousand things yet ||  ||  ||
|}
===February 21, 1955===
===February 21, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 620 || 610 || Avery (Men with the name ||  || {{icon|NO}} ||
|-
| 621 || 611 || Here we go again ||  ||  ||
|-
| 622 || 612 || Out of curiosity ||  ||  ||
|-
| 623 || 613 || I truly have the feeling ||  ||  ||
|-
| 624 || 614 || The reason I believe ||  ||  ||
|-
| 625 || 615 || Saw Mutiny on the Bounty ||  ||  || Notes.
|-
| 626 || 616 || And Laughton ||  ||  ||
|-
| 627 || 617 || Over and over I come ||  ||  ||
|-
| 628 || 618 || Sup, x er, lerve, and the Juggler ||  || {{icon|NO}} ||
|-
| 629 || 619 || Back to Laughton ||  ||  || Notes.
|-
| 630 || 620 || A few word echoes ||  ||  ||
|-
| 631 || 621 || My sore throat ||  ||  ||
|-
| 632 || 622 || I have an enormously tense ||  ||  ||
|-
| 633 || 623 || Cigarette smoking ||  ||  ||
|-
| 634 || 624 || The cigarette is society’s substitute ||  ||  ||
|-
| 635 || style="background:red;" | 624 || A shit-eating grin ||  ||  ||
|-
| 636 || 625 || Before I go to lunch ||  ||  ||
|-
| 637 || 626 || Hatred is the defense ||  || {{icon|NO}} ||
|-
| 638 || 627 || Semen. How it appears everywhere ||  || {{icon|NO}} ||
|-
| 639 || 628 || Milk. Another semen-substitute ||  || {{icon|NO}} ||
|-
| 640 || 629 || Last night I caught a piece ||  ||  || Note.
|-
| 641 || 630 || Tears and semen ||  ||  || Note.
|-
| 642 || 631 || I realized during lunch ||  ||  ||
|-
| 643 || 632 || Psychoanalyzing names ||  ||  ||
|-
| 644 || 633 || Homosexuality ||  ||  || Note.
|-
| 645 || 634 || The Burglar [Edmund Bergler] ||  ||  ||
|-
| 646 || 635 || The phallic narcissist ||  ||  ||
|-
| 647 || 636 || All day I have been holding ||  ||  ||
|-
| 648 || style="background:red;" | 635 || There, Now, I like him again ||  ||  ||
|-
| 649 || 636 || What’s in a name ||  || {{icon|NO}} ||
|-
| 650 || 637 || Three and tree ||  || {{icon|NO}} ||
|-
| 651 || 638 || Out of sight, out of mind ||  || {{icon|NO}} ||
|-
| 652 || 639 || I have a feeling that ||  ||  ||
|-
| 653 || 635 || What occurs to me ||  ||  ||
|-
| 654 || 636 || Over the weekend I took ||  ||  || Note.
|-
| 655 || 637 || An article in Scientific American ||  || {{icon|NO}} ||
|-
| 656 || 638 || Word echoes and tag lines ||  || {{icon|NO}} ||
|}
===February 22, 1955===
===February 22, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 657 || 639 || Today, I’m completely down ||  || Part {{icon|NO}} ||
|-
| 658 || 640 || I feel fairly barren of ideas ||  || {{icon|NO}} ||
|-
| 659 || 641 || First comes “back and front” ||  || {{icon|NO}} ||
|-
| 660 || 642 || A corollary. Refrigerators ||  || {{icon|NO}} ||
|-
| 661 || 643 || I have postulated consciousness ||  || {{icon|NO}} ||
|-
| 662 || 644 || There is only one revolution ||  ||  ||
|-
| 663 || 645 || The revolutionary and the mystic ||  ||  ||
|-
| 664 || 646 || Time. Our idea of it ||  ||  ||
|-
| 665 || 647 || Thus, the future exists ||  ||  ||
|-
| 666 || 648 || The value of commodities ||  ||  ||
|-
| 667 || 649 || Has anyone remarked ||  ||  ||
|-
| 668 || 650 || Actor’s say of an emotional ||  || {{icon|NO}} ||
|-
| 669 || 651 || Steve Allen obeys Joyce’s ||  || {{icon|NO}} ||
|-
| 670 || 652 || Social forms: We say ||  || {{icon|NO}} ||
|-
| 671 || 653 || Obscenity ||  || {{icon|NO}} ||
|-
| 672 || 654 || The double meaning of consonants ||  || {{icon|NO}} ||
|-
| 673 || 655 || They. Th ay Instantaneity ||  || {{icon|NO}} ||
|-
| 674 || 656 || When I take Lipton’s ||  ||  ||
|-
| 675 || 657 || Psyche. Sigh—Key ||  || {{icon|NO}} ||
|-
| 676 || 658 || All business partnerships ||  || {{icon|NO}} ||
|-
| 677 || 659 || Shakespeare is the decadent genius ||  ||  ||
|-
| 678 || 660 || The relation of h to f ||  || {{icon|NO}} ||
|-
| 679 || 661 || Chess. The dramatization ||  || {{icon|NO}} ||
|-
| 680 || 662 || The aviator is a hipster too ||  || {{icon|NO}} ||
|-
| 681 || 663 || Adele, as only I have seen her ||  ||  || Note.
|-
| 682 || 664 || The salesman has to sell ||  ||  ||
|-
| 683 || 665 || The foot-note leads ||  ||  ||
|-
| 684 || 666 || I glimpse a form ||  ||  ||
|-
| 685 || 667 || I suspect that the form ||  || {{icon|NO}} ||
|-
| 686 || 668 || Psyche Soma ||  || {{icon|NO}} ||
|-
| 687 || 669 || I can hardly complain ||  ||  ||
|-
| 688 || 670 || I suspect that the frequency ||  ||  ||
|-
| 689 || 671 || I still haven’t expressed ||  || {{icon|NO}} ||
|-
| 690 || 672 || The hush ||  || {{icon|NO}} ||
|-
| 691 || style="background:red;" | 672 || Laughter. We laugh when we ||  ||  ||
|-
| 692 || 673 || The root ''oom'' ||  || {{icon|NO}} ||
|-
| 693 || 674 || V contain the opposed ||  || {{icon|NO}} ||
|-
| 694 || 675 || More on laughter ||  ||  ||
|-
| 695 || 676 || Exh''iliar''ation and depression in writing ||  ||  ||
|-
| 696 || 677 || Those periods in history ||  ||  ||
|-
| 697 || 678 || In the course of this journal ||  ||  ||
|-
| 698 || 679 || Ideas and thought ||  ||  ||
|-
| 699 || 680 || People who are in ||  || {{icon|NO}} ||
|-
| 700 || 681 || Reversals. From Legman ||  || {{icon|NO}} ||
|}
===March 4, 1955===
===March 4, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 701 || 682 || This is going to be tough ||  ||  ||
|-
| 702 || 683 || Laughton came to town ||  ||  || Note.
|-
| 703 || 684 || This typewriter is giving me ||  || {{icon|NO}} ||
|-
| 704 || 685 || shit shit shit shit shit shit ||  ||  ||
|-
| 705 || 686 || I do want to say ||  ||  ||
|-
| 706 || 687 || In the interim ||  ||  ||
|-
| 707 || 688 || Also I have been going ||  ||  || Note.
|-
| 708 || 689 || Tonight people are coming ||  ||  ||
|}


==Questions==
==Questions==
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