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→‎February 1, 1955: Added xref.
m (→‎February 14, 1955: Added notes.)
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__NOTOC__
__NOTOC__
'''Project citation''': {{cite web |url=https://prmlr.us/liptons |title=Lipton’s Journal |last=Mailer |first=Norman |editor1-last=Lennon |editor1-first=J. Michael |editor2-last=Lucas |editor2-first=Gerald R. |editor3-last=Mailer |editor3-first=Susan |date=2020 |website=Project Mailer |publisher=The Norman Mailer Society |access-date=2020-12-20 |quote= |ref=harv }}
==Entry Dates==
==Entry Dates==
===December 1, 1954===
===December 1, 1954===
Line 6: Line 9:
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
|-
| [[L1]] || 1 || Perhaps the artist is less || || ||
| 1 || 1 || Perhaps the artist is less || || ||
|-
|-
| 2 || 2 || Lipton's seems to open one || || ||
| 2 || 2 || Lipton's seems to open one || || ||
Line 342: Line 345:
| 153 || 152 || Don Beda should be || || ||
| 153 || 152 || Don Beda should be || || ||
|-
|-
| 154 || 153 || Time as the sense of society || || || Hand-written note not included.
| 154 || 153 || Time as the sense of society || || || Added hand-written note, but need to check last two words.
|-
|-
| 155 || 154 || Bob Lindner. As he reads || || || Notes.
| 155 || 154 || Bob Lindner. As he reads || || || Notes.
Line 594: Line 597:
| 268 || style="background: red;" | 268 || The interesting confirmation || L267 || ||
| 268 || style="background: red;" | 268 || The interesting confirmation || L267 || ||
|-
|-
| 269 || 269 || Fed up. We stuff ourselves || || {{icon|NO}} ||
| 269 || 269 || Fed up. We stuff ourselves || || {{icon|NO}} || Joe Rosenthal should be glossed?
|-
|-
| 270 || 270 || Radicals. Particularly socialists || || ||
| 270 || 270 || Radicals. Particularly socialists || || || Fra Jean?
|-
|-
| 271 || 271 || Prose on wings, tra-la, tra-la || L270 || || Note.
| 271 || 271 || Prose on wings, tra-la, tra-la || L270 || || Note.
Line 914: Line 917:
| 416 || 415 || I have a hunch || || ||
| 416 || 415 || I have a hunch || || ||
|-
|-
| 417 || 416 || My sexual scar. || || ||
| 417 || 416 || My sexual scar. || 207 || ||
|-
|-
| 418 || 417 || Depression is coming on || || ||
| 418 || 417 || Depression is coming on || || ||
Line 1,360: Line 1,363:
| 624 || 614 || The reason I believe ||  ||  ||
| 624 || 614 || The reason I believe ||  ||  ||
|-
|-
| 625 || 615 || Saw Mutiny on the Bounty ||  ||  ||
| 625 || 615 || Saw Mutiny on the Bounty ||  ||  || Notes.
|-
|-
| 626 || 616 || And Laughton ||  ||  ||
| 626 || 616 || And Laughton ||  ||  ||
Line 1,368: Line 1,371:
| 628 || 618 || Sup, x er, lerve, and the Juggler ||  || {{icon|NO}} ||
| 628 || 618 || Sup, x er, lerve, and the Juggler ||  || {{icon|NO}} ||
|-
|-
| 629 || 619 || Back to Laughton ||  ||  ||
| 629 || 619 || Back to Laughton ||  ||  || Notes.
|-
|-
| 630 || 620 || A few word echoes ||  ||  ||
| 630 || 620 || A few word echoes ||  ||  ||
Line 1,390: Line 1,393:
| 639 || 628 || Milk. Another semen-substitute ||  || {{icon|NO}} ||
| 639 || 628 || Milk. Another semen-substitute ||  || {{icon|NO}} ||
|-
|-
| 640 || 629 || Last night I caught a piece ||  ||  ||
| 640 || 629 || Last night I caught a piece ||  ||  || Note.
|-
|-
| 641 || 630 || Tears and semen ||  ||  ||
| 641 || 630 || Tears and semen ||  ||  || Note.
|-
|-
| 642 || 631 || I realized during lunch ||  ||  ||
| 642 || 631 || I realized during lunch ||  ||  ||
Line 1,398: Line 1,401:
| 643 || 632 || Psychoanalyzing names ||  ||  ||
| 643 || 632 || Psychoanalyzing names ||  ||  ||
|-
|-
| 644 || 633 || Homosexuality ||  ||  ||
| 644 || 633 || Homosexuality ||  ||  || Note.
|-
|-
| 645 || 634 || The Burglar [Edmund Bergler] ||  ||  ||
| 645 || 634 || The Burglar [Edmund Bergler] ||  ||  ||
|-
|-
| 646 ||  ||  ||  ||  ||
| 646 || 635 || The phallic narcissist ||  ||  ||
|-
| 647 || 636 || All day I have been holding ||  ||  ||
|-
|-
| 647 || || ||  ||  ||
| 648 || style="background:red;" | 635 || There, Now, I like him again ||  ||  ||
|-
|-
| 648 || || ||  || ||
| 649 || 636 || What’s in a name ||  || {{icon|NO}} ||
|-
|-
| 649 || || ||  || ||
| 650 || 637 || Three and tree ||  || {{icon|NO}} ||
|-
|-
| 650 ||  ||  ||  ||  ||
| 651 || 638 || Out of sight, out of mind ||  || {{icon|NO}} ||
|-
| 652 || 639 || I have a feeling that ||  ||  ||
|-
| 653 || 635 || What occurs to me ||  ||  ||
|-
| 654 || 636 || Over the weekend I took ||  ||  || Note.
|-
| 655 || 637 || An article in Scientific American ||  || {{icon|NO}} ||
|-
| 656 || 638 || Word echoes and tag lines ||  || {{icon|NO}} ||
|}
|}


===February 22, 1955===
===February 22, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 657 || 639 || Today, I’m completely down ||  || Part {{icon|NO}} ||
|-
| 658 || 640 || I feel fairly barren of ideas ||  || {{icon|NO}} ||
|-
| 659 || 641 || First comes “back and front” ||  || {{icon|NO}} ||
|-
| 660 || 642 || A corollary. Refrigerators ||  || {{icon|NO}} ||
|-
| 661 || 643 || I have postulated consciousness ||  || {{icon|NO}} ||
|-
| 662 || 644 || There is only one revolution ||  ||  ||
|-
| 663 || 645 || The revolutionary and the mystic ||  ||  ||
|-
| 664 || 646 || Time. Our idea of it ||  ||  ||
|-
| 665 || 647 || Thus, the future exists ||  ||  ||
|-
| 666 || 648 || The value of commodities ||  ||  ||
|-
| 667 || 649 || Has anyone remarked ||  ||  ||
|-
| 668 || 650 || Actor’s say of an emotional ||  || {{icon|NO}} ||
|-
| 669 || 651 || Steve Allen obeys Joyce’s ||  || {{icon|NO}} ||
|-
| 670 || 652 || Social forms: We say ||  || {{icon|NO}} ||
|-
| 671 || 653 || Obscenity ||  || {{icon|NO}} ||
|-
| 672 || 654 || The double meaning of consonants ||  || {{icon|NO}} ||
|-
| 673 || 655 || They. Th ay Instantaneity ||  || {{icon|NO}} ||
|-
| 674 || 656 || When I take Lipton’s ||  ||  ||
|-
| 675 || 657 || Psyche. Sigh—Key ||  || {{icon|NO}} ||
|-
| 676 || 658 || All business partnerships ||  || {{icon|NO}} ||
|-
| 677 || 659 || Shakespeare is the decadent genius ||  ||  ||
|-
| 678 || 660 || The relation of h to f ||  || {{icon|NO}} ||
|-
| 679 || 661 || Chess. The dramatization ||  || {{icon|NO}} ||
|-
| 680 || 662 || The aviator is a hipster too ||  || {{icon|NO}} ||
|-
| 681 || 663 || Adele, as only I have seen her ||  ||  || Note.
|-
| 682 || 664 || The salesman has to sell ||  ||  ||
|-
| 683 || 665 || The foot-note leads ||  ||  ||
|-
| 684 || 666 || I glimpse a form ||  ||  ||
|-
| 685 || 667 || I suspect that the form ||  || {{icon|NO}} ||
|-
| 686 || 668 || Psyche Soma ||  || {{icon|NO}} ||
|-
| 687 || 669 || I can hardly complain ||  ||  ||
|-
| 688 || 670 || I suspect that the frequency ||  ||  ||
|-
| 689 || 671 || I still haven’t expressed ||  || {{icon|NO}} ||
|-
| 690 || 672 || The hush ||  || {{icon|NO}} ||
|-
| 691 || style="background:red;" | 672 || Laughter. We laugh when we ||  ||  ||
|-
| 692 || 673 || The root ''oom'' ||  || {{icon|NO}} ||
|-
| 693 || 674 || V contain the opposed ||  || {{icon|NO}} ||
|-
| 694 || 675 || More on laughter ||  ||  ||
|-
| 695 || 676 || Exh''iliar''ation and depression in writing ||  ||  ||
|-
| 696 || 677 || Those periods in history ||  ||  ||
|-
| 697 || 678 || In the course of this journal ||  ||  ||
|-
| 698 || 679 || Ideas and thought ||  ||  ||
|-
| 699 || 680 || People who are in ||  || {{icon|NO}} ||
|-
| 700 || 681 || Reversals. From Legman ||  || {{icon|NO}} ||
|}
===March 4, 1955===
===March 4, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 701 || 682 || This is going to be tough ||  ||  ||
|-
| 702 || 683 || Laughton came to town ||  ||  || Note.
|-
| 703 || 684 || This typewriter is giving me ||  || {{icon|NO}} ||
|-
| 704 || 685 || shit shit shit shit shit shit ||  ||  ||
|-
| 705 || 686 || I do want to say ||  ||  ||
|-
| 706 || 687 || In the interim ||  ||  ||
|-
| 707 || 688 || Also I have been going ||  ||  || Note.
|-
| 708 || 689 || Tonight people are coming ||  ||  ||
|}


==Questions==
==Questions==
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