Norman Mailer: Works and Days/Bibliography/Criticism: Difference between revisions

===A===

{{Shortcut|WD:Crit}}

* {{Anchor|Adams (1976)}}{{cite book |last=Adams |first=Laura |date=1976 |title=Existential Battles: The Growth of Norman Mailer |url=https://archive.org/details/existentialbattl0000adam |location=Athens |publisher=Ohio University Press |page= |author-link= }} Good discussion of themes and techniques, especially early narrators; includes description of extra-literary activities.

* {{Anchor|Adams (1974)}}{{cite book |editor-last=Adams |editor-first=Laura |editor-mask=1 |date=1974 |title=Will the Real Norman Mailer Please Stand Up |url=https://archive.org/details/willrealnormanma00adam |location=Port Washington, NY |publisher=Kennikat Press |page= |isbn= |author-link= }} Fourteen essays and reviews and one interview examining Mailer’s protean activities. Includes two essays on Mailer’s cosmology, a long bibliography and Adams’s useful introduction.

* {{Anchor|Aldridge (1992)}}{{cite book |last=Aldridge |first=John W. |date=1992 |title=Classics and Contemporaries |url= |location=Columbia |publisher=University of Missouri Press |pages=54–58 |isbn= |author-link=w:John W. Aldridge }} Contains Aldridge’s reviews of ''Genius and Lust'' ([[76.12]]), ''The Long Patrol'' ([[71.29]]), and ''Harlot’s Ghost'' ([[91.26]]).

* {{Anchor|Bloom (1986)}}{{cite book |editor-last=Bloom |editor-first=Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House |page= |isbn= |author-link= }} Sixteen reviews and essays covering Mailer’s major works and emphasizing the influence of Hemingway, with Bloom’s brief introduction.

* {{Anchor|Bloom (2003)}}{{cite book |editor-last=Bloom |editor-first=Harold |editor-mask=1 |date=2003 |title=Norman Mailer: Critical Views |url= |location=Philadelphia |publisher=Chelsea House |page= |isbn= |author-link= }} Thirteen reviews and essays focusing on Mailer’s later works.

* {{Anchor|Booth (1988)}}{{cite book |last=Booth |first=Wayne |date=1988 |title=The Company We Keep: An Ethics of Fiction |url=https://archive.org/details/companywekeepeth0000boot |location=Berkeley and Los Angeles |publisher=University of California Press |page=207–210, 327–336 |isbn= |author-link= }} Useful to gauge how Mailer’s public image has alienated an important critic.

* {{Anchor|Braudy (1991)}}{{cite book |last=Braudy |first=Leo |date=1991 |chapter=''Maidstone: A Mystery'' by Norman Mailer |title=Native Informant: Essays on Film, Fiction and Popular Culture |url=https://archive.org/details/nativeinformante00braurich |location=New York |publisher=Oxford |pages=60–63, 145–151 |isbn= |author-link= }} Rpt: [[#Adams (1974)|Adams (1974)]]. Informed comment on Mailer’s film and the Mailer-Pynchon dichotomy.

* {{Anchor|Busch (1986)}}{{cite book |last=Busch |first=Frederick |date=1986 |chapter=The Whale as Shaggy Dog |title=When People Publish: Essays on Writers and Writing |url= |location=Iowa City |publisher=Iowa University Press |pages=65–82 |isbn= |author-link= }} Argues persuasively for the influence of ''Moby-Dick'' on “The Man Who Studied Yoga” ([[56.25]]). See [[51.2]].

* {{Anchor|Cappell (2016)}}{{cite journal |last1=Cappell |first1=Ezra |date=2016 |title=Hemingway’s Jewish Progeny |url= |journal=Mailer Review |volume=10 |issue=1 |pages=208–228 |doi= |access-date= }}

* {{Anchor|Capote (1985)}}{{cite book |last=Capote |first=Truman |date=1985 |title=Conversations with Capote |url=https://archive.org/details/conversationswit00grob |editor-last=Grobel |editor-first=Lawrence |location=New York |publisher=New American Library |pages=112–116, passim |isbn= |author-link= }} Capote criticizes ''The Executioner’s Song'' ([[79.14]]).

* {{Anchor|Foster (1968)}}{{cite book |last=Foster |first=Richard Jackson |date=1968 |title=Norman Mailer |url=https://archive.org/details/normanmailer00fost |location=Minneapolis |publisher=U of Minnesota P |volume=73 |series=University of Minnesota Pamphlets on American Writers |ref=harv}} Rpt: [[#Lucid (1971)|Lucid (1971)]]; partial in [[#Bloom (1986)|Bloom (1986)]]. This monograph, one of the first extended treatments of Mailer’s work, is still one of the best. Excellent on Mailer’s urgent, “forcing style.”

* {{Anchor|Glenday (1995)}}{{cite book |last=Glenday |first=Michael |date=1995 |title=Norman Mailer |url= |location=London |publisher=Macmillan |author-link= |ref=harv}} Examines Mailer’s novels in a socio-political context. Contains one of the finest discussions of ''Why Are We in Vietnam'' ([[67.15]]), which he deftly relates to the issues of the day.

===H===

===J–K===

* {{Anchor|Muste (1971)}}{{cite journal |last=Muste |first=John M. |date=1971 |title=Norman Mailer and John Dos Passos: The Question of Influence |url= |journal=Modern Fiction Studies |volume=17 |issue=autumn |pages=361–374 |access-date= }} Raises serious doubts about the specific influence of John Dos Passos’s ''U.S.A.'' on ''The Naked and the Dead'' ([[48.2]]).

* {{Anchor|Newlove (1969)}}{{cite magazine |last=Newlove |first=Donald |date=1969 |title=Dinner at the Lowells |url=https://classic.esquire.com/article/1969/9/1/dinner-at-the-lowells |url-access=subscription |magazine=Esquire |pages=128–129, 168, 170–178, 180, 184 |publisher= |access-date=2019-03-26 }} Lowell comments on his portrait in ''The Armies of the Night'' ([[68.8]]).

* {{cite journal |last= |first= |date=1973 |title=Norman Mailer Issue |url= |journal=New Orleans Review |volume=3 |issue=3 |pages= |access-date= }} Contains three essays and an interview by Matthew Grace and Steve Roday. See [[73.14]].

* {{Anchor|Oates (1974)}}{{cite book |last=Oates |first=Joyce Carol |date=1974 |chapter=[[The Teleology of the Unconscious: The Art of Norman Mailer]] |title=New Heaven, New Earth: The Visionary Experience in Literature |url=https://archive.org/details/newheavenneweart00oate |location=New York |publisher=Vanguard Press |pages=170–192 |isbn= |author-link=w:Joyce Carol Oates }} Discussion of Mailer’s dualisms in ''Why Are We In Vietnam?'' ([[67.15]]) and ''Of a Fire on the Moon'' ([[71.1]]) by a novelist who “disagree[s] with nearly every one of Mailer’s stated or implied ideas.”

* {{Anchor|Olster (1989)}}{{cite book |last=Olster |first=Stacey |date=1989 |chapter=The Transition to Post-Modernism: Norman Mailer |title=Reminiscence and Re-creation in Contemporary American Fiction |url=https://archive.org/details/reminiscencerecr0000olst |location=Cambridge |publisher=University of Cambridge Press |pages=36–71 |isbn= |author-link= }} Mailer is seen as a transitional figure between modernism and postmodernism; focus is on his writings of the 1960s.

* {{Anchor|Ostriker (1972)}}{{cite magazine |last=Ostriker |first=Dane Proxpeals |date=November 1972 |title=Norman Mailer and the Mystery Woman or, The Rape of the C—k |url=https://classic.esquire.com/article/1972/11/1/norman-mailer-and-the-mystery-woman |url-access=subscription |magazine=Esquire |pages=122–125 |publisher= |access-date= }} Pseudonymous attack in rhymed couplets on Mailer as male chauvinist.

* {{Anchor|Wilson (2008)}}{{cite book |last=Wilson |first=Andrew |date=2008 |title=Norman Mailer: An American Aesthetic |url= |location=Oxford, England |publisher=Peter Lang |page= |isbn= |author-link= }}

* {{Anchor|Zavarzadeh (1976)}}{{cite book |last=Zavarzadeh |first=Mas'ud |date=1976 |title=The Mythopoeic Reality: The Postwar American Nonfiction Novel |url=https://archive.org/details/mythopoeicrealit0000zava |location=Urbana |publisher=University of Illinois Press |pages=153–176 and passim |isbn= |author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality.