An American Dream Expanded: Difference between revisions

Revision as of 10:07, 6 April 2019

Dust wrapper of the British edition published by Andre Deutsch on 26 April, 1965.

“

An American Dream is Norman Mailer’s first novel in nine years. He wrote it at a high pitch, each chapter appearing in Esquire while he was still at work on the next: a method now unusual but common enough among the great novelists of the nineteenth century, which contributed much to the quivering tension of the story.

The theme of challenge suggested by Mailer’s choice of this method is very much a part of the book. His hero challenges the Devil himself. Stephen Rojack kills his wife, lies to the police, is interrogated by them, discovers a woman, his wife’s opposite, in whom he senses the truth and strength he longs for. The ingredients of his story are deliberately those familiar from many a thriller or movie-murder—suspense, sex—but Rojack lives these experiences with a fierce intensity which shatters their popular image and reveals extraordinary meanings behind them. He is a man who believes in God and the Devil, and to whom God is courage, not love. His actions become explosively significant because he feels that any one of them might open the crack through which the Devil’s power, or that of God, could flood in.

Simply on the level of ‘what will happen next?’ An American Dream grips relentlessly: will the suspicious police pounce on Rojack? Will he and Cherry, his new girl, be able to establish the love which has begun to grow between them? But beyond this there is the immense exhilaration springing from the boldness and passion with which Norman Mailer tackles his central theme of man as the battleground for God and the Devil.

This is his most exciting book since The Naked and the Dead, which became a modern classic and has sold, over two and a half million copies in the English language.

”

— Dust jacket text, British edition, Andre Deutsch, April 1965.

Gallery

Front and spine of dust wrapper of the Dial Press edition.
Back panel of dust wrapper of the Dial press edition: photograph of Mailer by Anne Barry.
Cover of the third Dell paperback edition, published February 1970.
Paperback.
Paperback.
Advertisement in the New York Times for the Esquire serial version, 22 April 1964.
An early AAD cover mockup.
Cover of 20 March 1965 Saturday Review depicting Mailer.
Invitation to the reception for the novel at the Village Vanguard in New York on publication day, 15 March 1965.
An invitation to the screening of the film An American Dream.

@@ Line 17: / Line 17: @@
 ==Gallery==
-<gallery>
+{{Gallery
-File:65-7.jpg|Front and spine of dust wrapper of the Dial Press edition.
+|width=200
-File:65-7a.jpg|Cover of the third Dell paperback edition, published February 1970.
+|height=200
-File:65-7b.jpg|Paperback.
+|align=left
-File:65-7d.jpg|Paperback.
+|File:65-7.jpg|Front and spine of dust wrapper of the Dial Press edition.
-File:Aad-ad.jpg|Advertisement in the ''New York Times'' for the ''Esquire'' serial version, 22 April 1964.
+|File:1964 NM by Ann Barry.jpg|Back panel of dust wrapper of the Dial press edition: photograph of Mailer by Anne Barry.
-</gallery>
+|File:65-7a.jpg|Cover of the third Dell paperback edition, published February 1970.
+|File:65-7b.jpg|Paperback.
+|File:65-7d.jpg|Paperback.
+|File:Aad-ad.jpg|Advertisement in the ''New York Times'' for the ''Esquire'' serial version, 22 April 1964.
+|File:AAD-Cover-Mockup.jpg|An early ''AAD'' cover mockup.
+|File:Saturday Review.jpg|Cover of 20 March 1965 ''Saturday Review'' depicting Mailer.
+|File:19650315-Invitation.png|Invitation to the reception for the novel at the Village Vanguard in New York on publication day, 15 March 1965.
+|File:19660829-Invitation-Screening.png|An invitation to the screening of the film ''An American Dream''.
+}}
+<div style="clear:both;"></div>
 [[Category:Projects]]