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72.7: Difference between revisions
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The British edition combines 72.7 with ''The Short Fiction of Norman Mailer'' ([[67.11]]) under the title ''The Essential Mailer'' ([[82.19]]). | The British edition combines 72.7 with ''The Short Fiction of Norman Mailer'' ([[67.11]]) under the title ''The Essential Mailer'' ([[82.19]]). | ||
Dedication: “To Barbara, to Susan, to Adeline, and to Al.” Rpt: 98.7 (partial). | Dedication: “To [[Barbara Wasserman Mailer|Barbara]], to [[Susan Mailer|Susan]], to Adeline, and to Al.” Rpt: [[98.7]] (partial). | ||
{{cquote|This collection covers pieces written almost entirely in the last five years, a period in which ''The Deer Park'' as a play<ref>[[67.13]]</ref> was given its last draft and then produced, ''Why Are We in Vietnam?''<ref>[[67.15]]</ref> was written and then ''The Armies of the Night,''<ref>[[68.8]]</ref> ''Miami and the Siege of Chicago,''<ref>[[68.25]]</ref> ''Of a Fire on the Moon''<ref>[[71.1]]</ref> and ''The Prisoner of Sex''.<ref>[[71.20]]</ref> Three movies<ref>''Wild 90'', ''Beyond the Law'' and ''Maidstone</ref> were also made. So it is a period when, with every thought of beginning a certain big novel which had been promised for a long time, the moot desire to have one’s immediate say on contemporary matters kept diverting the novelistic impulse into journalism.|author=Mailer|source=72.7}} | {{cquote|This collection covers pieces written almost entirely in the last five years, a period in which ''The Deer Park'' as a play<ref>[[67.13]]</ref> was given its last draft and then produced, ''Why Are We in Vietnam?''<ref>[[67.15]]</ref> was written and then ''The Armies of the Night,''<ref>[[68.8]]</ref> ''Miami and the Siege of Chicago,''<ref>[[68.25]]</ref> ''Of a Fire on the Moon''<ref>[[71.1]]</ref> and ''The Prisoner of Sex''.<ref>[[71.20]]</ref> Three movies<ref>''Wild 90'', ''Beyond the Law'' and ''Maidstone</ref> were also made. So it is a period when, with every thought of beginning a certain big novel which had been promised for a long time, the moot desire to have one’s immediate say on contemporary matters kept diverting the novelistic impulse into journalism.|author=Mailer|source=72.7}} | ||
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File:72-7.jpg|Cover of the first edition. | File:72-7.jpg|Cover of the first edition. | ||
</gallery> | </gallery> | ||
== Notes == | |||
{{Reflist|20em}} | |||
== Bibliography == | == Bibliography == | ||
{{Refbegin|40em}} | {{Refbegin|40em}} | ||
'''Reviews''' | '''Reviews''' | ||
* {{cite news |last=Buchanan |first=Cynthia |date=April 16, 1972 |title=We Read | * {{cite news |last=Buchanan |first=Cynthia |date=April 16, 1972 |title=We Read Mailer because He Is Our Genius |url=https://nyti.ms/2GtJjf3 |url-access=limited |work=New York Times Book Review |pages=27–28 |access-date=2018-12-18 }} Positive. | ||
* {{cite news |last=Edwards |first=Thomas |date=June 15, 1972 |title=Keeping Up with Mailer |url=https://www.nybooks.com/articles/1972/06/15/keeping-up-with-norman-mailer/ |url-access=subscription |work=New York Review of Books |pages=21–22 |access-date=2018-12-18 }} Mixed. | |||
* {{cite news |last=Lask |first=Thomas |date=May 5, 1972 |title=Review of ''Existential Errands'' |url=https://nyti.ms/2Gu7PMQ |work=New York Times |page=38 |access-date=2018-12-18 }} Mixed. | |||
'''Essays''' | '''Essays''' | ||