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  • Baldwin, whom Mailer had met in Paris at the home of Jean Malaquais, was a man he respected for his “fantastic ...iked to conclude my appreciation of the biography by quoting Joan Didion’s review of ''The Executioner’s Song'': “This is an absolutely astonishing book.
    19 KB (3,254 words) - 07:40, 6 July 2020
  • {{cite letter |last=Mailer |first=Norman |recipient=''New York Review of Books'' |subject=Protest |location=10:5 |date=March 4, 1968 |url= |acces ...ast=Mailer |first=Norman |author-mask=1 |recipient=the Editors, ''New York Review of Books'' |subject=Violence in Oakland |location=10:9 |date=May 9, 1968 |u
    77 KB (10,389 words) - 09:06, 8 July 2021
  • {{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/Volume 10, 2016/</span>People Who Look Alike Are Alike}} ...ow were Dad and I alike? Well, there were some small things. We both loved Paris. We both loved lemon drops. We both disliked intensely Modern Architecture.
    25 KB (4,949 words) - 08:43, 5 July 2020
  • ...lebrity and notoriety. Assessing ''Marilyn'' for the ''New York Times Book Review'', Pauline Kael recognized that its author had inherited Hemingway’s titl ...[[w:Le Bonheur de Vivre|Le Bonheur de Vivre]]'' (1905–1906), hailed by the Paris art world as a bold embodiment of the modern (it was bought by Leo Stein wh
    41 KB (6,838 words) - 09:49, 8 July 2021
  • ...an style="font-size:22px;">{{BASEPAGENAME}}/</span>''When We Were Kings'': Review and Commentary}} ...by rowdy soldiers.”{{sfn|Goldstein|2000|p=108}} Foreman had hoped to go to Paris for medical attention and then have the fight rescheduled to take place in
    43 KB (7,246 words) - 10:05, 24 May 2022
  • ...power of art when it pushes beyond the boundaries. Art during the 1920s in Paris became, as Archibald MacLeish described it, a “conflagration,” primaril {{Review}}
    17 KB (2,956 words) - 09:47, 28 June 2021
  • ...facts. “The library was la bibliothèque Sainte-Genevieve, the only one in Paris that stayed open till 10 P.M. I’d remain there all day long (10–12 hour
    33 KB (5,868 words) - 09:24, 21 December 2019
  • ...rint. When they got out they would start satanic motorcycle gangs or go to Paris to paint or become gigolos. {{Review}}
    24 KB (4,096 words) - 09:05, 4 July 2021
  • ...reviewed Brando’s last major film, ''Last Tango in Paris'', in ''New York Review of Books'' (May 17, 1973), rpt. ''Pieces and Pontifications'' (1982). After ...ity Author in Maidstone |url=https://prmlr.us/mr12bish |journal=The Mailer Review |volume=6 |issue=1 |date=2012 |pages=288–309 |access-date= |ref=harv }}
    33 KB (5,221 words) - 09:25, 15 July 2022
  • ...d Riesman for an article I wrote for ''Dissent'',{{refn|In his ''Dissent'' review (summer {{date|1954}}), NM called Reisman’s ''Individualism Reconsidered' ...''Last Tango in Paris'' ({{date|1972}}), which appeared in the ''New York Review of Books'' ({{date|1972-05-17|MDY}}) and is reprinted in ''PAP'' 114–133.
    77 KB (14,243 words) - 08:27, 8 July 2021
  • ...eering degree from Harvard University in 1943 and attended the Sorbonne in Paris in 1947–48 He served in the Army during World War II, from 1944 to 1946. ...ler favorably with Hemingway, and others. The second state dustwrapper has review blurbs on front and rear flaps from ''The New York Herald Tribune'', ''the
    83 KB (10,805 words) - 10:16, 28 June 2021
  • ...ailer campaigned with Matthiessen for Henry Wallace in 1948; and Mailer in Paris in 1948 reconnected with Stanley Geist, a Harvard acquaintance and author o ...for Wholeness and Renewal |url=http://prmlr.us/mr12beg |journal=The Mailer Review |volume=12 |issue=1 |date=2018 |pages=51–71 |access-date=2021-05-25 |ref=
    45 KB (7,063 words) - 14:11, 8 June 2021
  • ...eful student of continental philosophy. In a 1965 interview in ''The Paris Review'', Mailer explained, {{Review}}
    42 KB (6,766 words) - 08:59, 4 July 2021
  • ...not Princess Diana and Dodi Fayed decided to leave the Ritz Hotel for his Paris apartment that night in August 1997, and had their inebriated driver not be ...he Executioner’s Song'' |url=https://prmlr.us/mr08rick |journal=The Mailer Review |volume=2 |issue=1 |date=2009 |pages=483–493 |access-date= |ref=harv }}
    40 KB (6,790 words) - 07:55, 1 July 2021
  • would come into Pennebaker’s studio and review the material on the Steenbeck. He would make decisions on what to cut and w ...acock-Pennebaker Films. I was a language major and spent my junior year in Paris. After college, I went to the Boston Museum of Fine Arts School. At the tim
    52 KB (9,369 words) - 07:59, 29 June 2021
  • ...e steps. And the pictures were not only published in the French magazine ''Paris Match'', they were published in the ''Herald-Examiner'' in L.A. I was cited ...d about ''The Executioner’s Song'' was Didion’s glowing ''New York Times'' review of it.
    89 KB (16,887 words) - 08:32, 8 July 2021
  • {{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/Volume 10, 2016/</span>Norman Mailer’s Reception of Inherited Sociocult ...t appeared in the fall 1957 issue of ''Dissent'', a political and cultural review (Mailer served on ''Dissent''’s editorial board for more than three decad
    65 KB (9,811 words) - 09:44, 11 October 2020
  • ...men on Mars were, after all, Russians. The two leaders met immediately in Paris for a conference which was brief and critical in its effect. The President {{Review|state=expanded}}
    48 KB (8,606 words) - 13:05, 1 March 2021
  • ...rather harsh about Hemingway. George Plimpton, who was editing the ''Paris Review'' at the time, had mentioned it to Hem and he had dragged Plimpton to a boo {{Review}}
    66 KB (12,360 words) - 09:38, 8 July 2021
  • ...often produced as answering that polished kind of question in ''The Paris Review'', in ''Rolling Stone''. I instead let his tone lead to conversation about {{Review|state=expanded}}
    72 KB (12,589 words) - 07:58, 6 July 2020
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