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Talk:Lipton’s Journal: Difference between revisions

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Talk:Lipton’s Journal (view source)

Revision as of 09:41, 6 June 2019

250 bytes added ,  6 June 2019
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Format tweaks.
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| 4 || 4 || In relation to (1) || L1 || || Note.
| 4 || 4 || In relation to (1) || L1 || || Note.
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| 5 || 5 || The concentration camp novel || x || || Note. Unclear x-ref # in note.
| 5 || 5 || The concentration camp novel || {{icon|DYK2}} || || Note. Unclear x-ref # in note.
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| 6 || 6 || One should always listen attentively ||  || || Note.
| 6 || 6 || One should always listen attentively ||  || || Note.
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| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
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| 11 || 11 || In a short novel || || x || Note.
| 11 || 11 || In a short novel || || {{icon|NO}} || Note.
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! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
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| 12 || 12 || One should always try to ||  || x ||
| 12 || 12 || One should always try to ||  || {{icon|NO}} ||
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| 13 || 13 || It seems to me that || || ||
| 13 || 13 || It seems to me that || || ||
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| 69 || 68 || “Vested interest” is enormously more || || ||
| 69 || 68 || “Vested interest” is enormously more || || ||
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| 70 || 69 || Get beneath words || || x || Partial cut.
| 70 || 69 || Get beneath words || || {{icon|NO}} (partial) ||  
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| 71 || 70 || The gossip is the great || || ||
| 71 || 70 || The gossip is the great || || ||
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| 79 || 78 || The breakup with Lulu || || || Note.
| 79 || 78 || The breakup with Lulu || || || Note.
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| 80 || 79 || Jokes. Charley Wiener just said || || x || Note needed?: Charley Wiener
| 80 || 79 || Jokes. Charley Wiener just said || || {{icon|NO}} || Note needed?: Charley Wiener
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| 81 || 80 || Eitel in court || || x || Note.
| 81 || 80 || Eitel in court || || {{icon|NO}} || Note.
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| 82 || 81 || In error there is also truth || || ||
| 82 || 81 || In error there is also truth || || ||
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| 87 || 86 || One thing must be said || L85, L71 || ||  
| 87 || 86 || One thing must be said || L85, L71 || ||  
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| 88 || 87 || Stories of dreams || || x ||
| 88 || 87 || Stories of dreams || || {{icon|NO}} ||
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| 89 || 88 || Bombing as the great shitting || || x ||
| 89 || 88 || Bombing as the great shitting || || {{icon|NO}} ||
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| 90 || 89 || Comedians and comic writers || || x ||
| 90 || 89 || Comedians and comic writers || || {{icon|NO}} ||
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| 91 || 90 || Women who always hate || || ||
| 91 || 90 || Women who always hate || || ||
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| 92 || 91 || The more knowledge || || ||
| 92 || 91 || The more knowledge || || ||
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| 93 || 92 || Possibly, bad works of art || || x ||
| 93 || 92 || Possibly, bad works of art || || {{icon|NO}} ||
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| 94 || 93 || The spy (another adventurer) || || || Note.
| 94 || 93 || The spy (another adventurer) || || || Note.
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| 95 || 94 || Actors and spies || || ||
| 95 || 94 || Actors and spies || || ||
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| 96 || 95 || When a friend says || || x ||
| 96 || 95 || When a friend says || || {{icon|NO}} ||
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| 97 || 96 || “Am I boring you?” || || ||
| 97 || 96 || “Am I boring you?” || || ||
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| 112 || 111 || My journal again || || ||
| 112 || 111 || My journal again || || ||
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| 113 || 112 || False humility || || x || Seems like this should not be cut, as L115 alludes to it.
| 113 || 112 || False humility || || {{icon|NO}} || Seems like this should not be cut, as L115 alludes to it.
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| 114 || 113 || Marion Faye journal || || ||
| 114 || 113 || Marion Faye journal || || ||
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| 116 || 115 || Humor is more than wit || || ||
| 116 || 115 || Humor is more than wit || || ||
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| 117 || 116 || Marion Faye’s note || || x ||
| 117 || 116 || Marion Faye’s note || || {{icon|NO}} ||
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| 118 || 117 || Man may be terrible || || x ||
| 118 || 117 || Man may be terrible || || {{icon|NO}} ||
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| 119 || 118 || The fear of being ridiculous || || ||
| 119 || 118 || The fear of being ridiculous || || ||
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| 120 || 119 || Toward the end of Marion || || x ||
| 120 || 119 || Toward the end of Marion || || {{icon|NO}} ||
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| 121 || 120 || Marion Faye’s note about || || x ||
| 121 || 120 || Marion Faye’s note about || || {{icon|NO}} ||
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| 122 || 121 || Any art-work which || || ||
| 122 || 121 || Any art-work which || || ||
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| 132 || 131 || Seriously, truly, just simply || || ||
| 132 || 131 || Seriously, truly, just simply || || ||
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| 133 || 132 || In Marion Faye’s journal || || x ||
| 133 || 132 || In Marion Faye’s journal || || {{icon|NO}} ||
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| 134 || 133 || Jazz is more creative || || ||
| 134 || 133 || Jazz is more creative || || ||
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| 135 || 134 || I used to be outwardly || || ||
| 135 || 134 || I used to be outwardly || || ||
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| 136 || 135 || Years ago, working with Malaquais || || x ||
| 136 || 135 || Years ago, working with Malaquais || || {{icon|NO}} ||
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| 137 || 136 || The world allows us to express || || ||
| 137 || 136 || The world allows us to express || || ||
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| 164 || 163 || Perhaps a man kills || || ||
| 164 || 163 || Perhaps a man kills || || ||
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| 165 || 164 || With Marion Faye this took || || x ||
| 165 || 164 || With Marion Faye this took || || {{icon|NO}} ||
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| 166 || 165 || A psychopath expands || || ||
| 166 || 165 || A psychopath expands || || ||
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| 171 || 170 || The sensitivity spectrum || || || Note.
| 171 || 170 || The sensitivity spectrum || || || Note.
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| 172 || 171 || Does telepathic mean sick telepathy? || || x ||
| 172 || 171 || Does telepathic mean sick telepathy? || || {{icon|NO}} ||
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| 173 || 172 || On television, many of the ads || || ||
| 173 || 172 || On television, many of the ads || || ||
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| 175 || 174 || Listening to Dizzy Gillespie || || || Note.
| 175 || 174 || Listening to Dizzy Gillespie || || || Note.
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| 176 || 175 || Word echoes || || x ||
| 176 || 175 || Word echoes || || {{icon|NO}} ||
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| 177 || 176 || I suspect that an index || || ||
| 177 || 176 || I suspect that an index || || ||
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| 191 || 190 || There’s no such thing || || ||
| 191 || 190 || There’s no such thing || || ||
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| 192 || 191 || How do you like my || || x ||
| 192 || 191 || How do you like my || || {{icon|NO}} ||
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| 193 || 192 || Fatty foods are cunt foods || || x ||
| 193 || 192 || Fatty foods are cunt foods || || {{icon|NO}} ||
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| 194 || 193 || Bob told the pickle factory joke || || ||
| 194 || 193 || Bob told the pickle factory joke || || ||
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| 195 || 194 || Obscenity substitutes || || x ||
| 195 || 194 || Obscenity substitutes || || {{icon|NO}} ||
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| 196 || 195 || Obscenity echoes || || ||
| 196 || 195 || Obscenity echoes || || ||
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| 197 || 196 || In ''Barbary Shore'' I planted || || x ||
| 197 || 196 || In ''Barbary Shore'' I planted || || {{icon|NO}} ||
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