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Mythic Mailer in An American Dream: Difference between revisions
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<blockquote>The material of myth is the material of our life, the material of our body, and the material of our environment, and a living, vital mythology deals with these in terms that are appropriate to the nature of knowledge of the time.{{sfn|Campbell|1990|p=1}}</blockquote> | <blockquote>The material of myth is the material of our life, the material of our body, and the material of our environment, and a living, vital mythology deals with these in terms that are appropriate to the nature of knowledge of the time.{{sfn|Campbell|1990|p=1}}</blockquote> | ||
''An American Dream'' is a dramatization of 20th-century New York City. This intensely urban conglomerate | ''An American Dream'' is a dramatization of 20th-century New York City. This intensely urban conglomerate takes on mythic dimensions as the setting for Mailer’s mythic dialectic: the existential strengths of good and evil. Chase addresses the need for mythic literature to encompass this dialectic: “the creative artist must recapture a certain magical quality, a richness of imagery, a deeper sense of primeval forces, a larger order of aesthetic experience.”{{sfn|Chase|1949|p=110}} In ''An American Dream>'', Mailer develops a modern myth which incorporates all these elements. | ||
By placing Rojack in New York City, Mailer puts his hero in a well-known urban area. This setting creates an antithetical environment from which Rojack can flee towards the ultimate spatial end, the jungles of South America. Tony Tanner emphasizes Mailer’s incorporation of metaphor in the settings: | By placing Rojack in New York City, Mailer puts his hero in a well-known urban area. This setting creates an antithetical environment from which Rojack can flee towards the ultimate spatial end, the jungles of South America. Tony Tanner emphasizes Mailer’s incorporation of metaphor in the settings: | ||