The Big Comeback of Norman Mailer: Difference between revisions

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But even more importantly, it is the expression of devastatingly alive and original creative mind at work in a language capable of responding with seismographic sensitivity to an enormously wide range of impressions. There seems to be no limit to what Mailer is now suddenly able to do with words, particularly in recording the physical and psychological realities of people as they impinge upon the mind of a man constantly flagellating himself to new heights of awareness. In fact, it is possible to say that Mailer has developed a prose idiom of richer sensitivity to the exact condition of contemporary consciousness than any we have had in fiction since the best work of Faulkner. And he has managed through that idiom to create an image of our time which will undoubtedly stand as authoritative for this generation.  
But even more importantly, it is the expression of devastatingly alive and original creative mind at work in a language capable of responding with seismographic sensitivity to an enormously wide range of impressions. There seems to be no limit to what Mailer is now suddenly able to do with words, particularly in recording the physical and psychological realities of people as they impinge upon the mind of a man constantly flagellating himself to new heights of awareness. In fact, it is possible to say that Mailer has developed a prose idiom of richer sensitivity to the exact condition of contemporary consciousness than any we have had in fiction since the best work of Faulkner. And he has managed through that idiom to create an image of our time which will undoubtedly stand as authoritative for this generation.  


DH Lawrence once said that “the world doesn't fear a new idea. It can pigeonhole any idea. But it can't pigeonhole a real new experience.” ''An American Dream'' is such a new experience. In fact, it may well represent the first significant step current American novel has taken into fresh territories of the imagination.  
D. H. Lawrence once said that “the world doesn't fear a new idea. It can pigeonhole any idea. But it can’t pigeonhole a real new experience.” ''An American Dream'' is such a new experience. In fact, it may well represent the first significant step current American novel has taken into fresh territories of the imagination.  
 


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