The White Negro/6: Difference between revisions

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{{dc|dc=N|o matter what its horrors the Twentieth Century}} is a vastly exciting century for its tendency is to reduce all of life to its ultimate alternatives. One can well wonder if the last war of them all will be between the blacks and the whites, or between the women and the men, or between the beautiful and ugly, the pillagers and managers, or the rebels and the regulators. Which of course is carrying speculation beyond the point where speculation is still serious, and yet despair at the monotony and bleakness of the future have become so engrained in the radical temper that the radical is in danger of abdicating from all imagination. What a man feels is the impulse for his creative effort, and if an alien but nonetheless passionate instinct about the meaning of life has come so unexpectedly from a virtually illiterate people, come out of the most intense conditions of exploitation, cruelty, violence, frustration, and lust, and yet has succeeded as an instinct in keeping this tortured people alive, then it is perhaps possible that the Negro holds more of the tail of the expanding elephant of truth than the radical, and if this is so, the radical humanist could do worse than to brood upon the phenomenon. For if a revolutionary time should come again, there would be a crucial difference if someone had already delineated a neo-Marxian calculus aimed at comprehending every circuit and process of society from ukase to kiss as the communications of human energy — a calculus capable of translating the economic relations of man into his psychological relations and then back again, his productive relations thereby embracing his sexual relations as well, until the crises of capitalism in the Twentieth Century would yet be understood as the unconscious adaptations of a society to solve its economic imbalance at the expense of a new mass psychological imbalance. It is almost beyond the imagination to conceive of a work in which the drama of human energy is engaged, and a theory of its social currents and dissipations, its imprisonments, expressions, and tragic wastes are fitted into some gigantic synthesis of human action where the body of Marxist thought, and particularly the epic grandeur of ''Das Kapital'' (that first of the major psychologies to approach the mystery of social cruelty so simply and practically as to say that we are a collective body of humans whose life-energy is wasted, displaced, and procedurally stolen as it passes from one of us to another) — where particularly the epic grandeur of ''Das Kapital'' would find its place in an even more Godlike view of human justice and injustice, in some more excruciating vision of those intimate and institutional processes which lead to our creations and disasters, our growth, our attrition, and our rebellion.