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Jules Carry (talk | contribs) m (Reverted edits by MSanders (talk) to last revision by Jules Carry) Tag: Rollback |
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{{cite journal |last=Rampton |first=David |date=2007 |title=Plexed Artistry: The Formal Case for Mailer’s ''Harlot’s Ghost'' |url=https://www.jstor.org/stable/4619312 |url-access=subscription |work=Journal of Modern Literature |volume=30 |issue=1 |pages=47–63 |access-date=2020-10-05 |ref=harv }} | {{cite journal |last=Rampton |first=David |date=2007 |title=Plexed Artistry: The Formal Case for Mailer’s ''Harlot’s Ghost'' |url=https://www.jstor.org/stable/4619312 |url-access=subscription |work=Journal of Modern Literature |volume=30 |issue=1 |pages=47–63 |access-date=2020-10-05 |ref=harv }} | ||
{{cite news |last=Rollyson |first=Carl |title=Mailer’s Other Career |url=https://www.villagevoice.com/2007/07/10/norman-mailers-other-career/ |work=Village Voice |issue=52.29 |date=July 18, 2007 |page=68 |access-date=2020-10-05 |ref=harv }} On the occasion of the New York exhibit, “The Mistress and the Muse: The Films of Norman Mailer.” | {{cite news |last=Rollyson |first=Carl |title=Mailer’s Other Career |url=https://www.villagevoice.com/2007/07/10/norman-mailers-other-career/ |work=Village Voice |issue=52.29 |date=July 18, 2007 |page=68 |access-date=2020-10-05 |ref=harv }} On the occasion of the New York exhibit, “The Mistress and the Muse: The Films of Norman Mailer.” |