Talk:Lipton’s Journal
Appearance
Entry Dates
December 1, 1954
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 1 | 1 | Perhaps the artist is less | |||
| 2 | 2 | Lipton's seems to open one | |||
| 3 | 3 | Fucking is perhaps an approach | |||
| 4 | 4 | In relation to (1) | L1 | Note. | |
| 5 | 5 | The concentration camp novel | Note. Unclear x-ref # in note. | ||
| 6 | 6 | One should always listen attentively | Note. | ||
| 7 | 7 | Herbert A[ptheker]. said of Lipton’s | Note. | ||
| 8 | 8 | In modern jazz, one feels | Note. | ||
| 9 | 9 | Thoreau’s beautiful remark | Note. | ||
| 10 | 10 | I upset Herbert [Aptheker] by saying | |||
| 11 | 11 | In a short novel | Note. |
December 8, 1954
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 12 | 12 | One should always try to | |||
| 13 | 13 | It seems to me that | |||
| 14 | 14 | It is possible that many | Note. | ||
| 15 | 15 | All of my life with Adele | |||
| 16 | 16 | If there is that other world | |||
| 17 | 17 | Listening to a child | |||
| 18 | 18 | I advertise to everyone | |||
| 19 | 19 | Six and Four are close | |||
| 20 | 20 | Knowledge is systematized ignorance | |||
| 21 | 21 | A novel is slowly emerging | |||
| 22 | 22 | It may be that the | |||
| 23 | 23 | In the conc. camp novel | L17 | ||
| 24 | 24 | There may actually be such | |||
| 25 | 25 | Every word sets up | L24 | Note. | |
| 26 | 26 | Television may have some extraordinary | Note. | ||
| 27 | 27 | Possibly the spasmodic nervous system | |||
| 28 | 28 | Vomiting may be the orgasm | |||
| 29 | 29 | No saint can be a teacher | |||
| 30 | 30 | Infants may be enormously wise | |||
| 31 | 31 | The saint and the psychopath | Note. | ||
| 32 | 32 | No one is more unreligious | |||
| 33 | 33 | Medicine may be witchcraft | end: [and] its emphasis on progress. | ||
| 34 | 34 | The aggressive instinct | |||
| 35 | 35 | Psychoanalysis, liberalism, etc. etc. | |||
| 36 | 36 | I have learned more from | |||
| 37 | 37 | In The Deer Park after the | Note. | ||
| 38 | 38 | If the more saintly people | |||
| 39 | 39 | In a Collier’s article | Note. | ||
| 40 | 40 | Words are not entirely bad | |||
| 41 | 41 | Death may be the price | |||
| 42 | 42 | I know nothing about semantics | |||
| 43 | 43 | Talk with Rhoda L. | Note. |
December 17, 1954
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 44 | 44 | The saint and the churchman | |||
| 45 | 45 | There is no death-instinct | |||
| 46 | 46 | What worries me today | |||
| 47 | 47 | Spengler is a great writer | L48 | Notes. | |
| 48 | 48 | Swing in jazz is different | |||
| 49 | 49 | When Susie speaks of “war” | |||
| 50 | 50 | There is a lesson for me | L47 | ||
| 51 | 51 | A remark on why psychoanalysts | |||
| 52 | 52 | When the businessman thinks | |||
| 53 | 53 | Perhaps the reason Susy | Note. | ||
| 54 | 54 | I understand now what Danny | Notes. | ||
| 55 | 55 | The word is a flat | |||
| 56 | 56 | In the larger sense | Note. | ||
| 57 | 57 | The Stalinists have sneered | Note. | ||
| 58 | 58 | My characters in The Deer Park | |||
| 59 | 58 | Equations: Man is born | Added punctuation in ¶3. | ||
| 60 | 59 | The big novel could | Note. | ||
| 61 | 60 | I learned a practical matter | |||
| 62 | 61 | I have always hated sentimentality | |||
| 63 | 62 | The measurement of time | |||
| 64 | 63 | Advertising and television and radio | Note. | ||
| 65 | 64 | Because the desire for material | |||
| 66 | 65 | Almost always experts can never |
December 28, 1954
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 67 | 66 | At its best, my mind | |||
| 68 | 67 | Over and over again |
December 29, 1954
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 69 | 68 | “Vested interest” is enormously more | |||
| 70 | 69 | Get beneath words | |||
| 71 | 70 | The gossip is the great | |||
| 72 | 71 | Words have not only echoes | |||
| 73 | 72 | The concealments of language | |||
| 74 | 73 | The sensual is the soul’s | |||
| 75 | 74 | The Sense of the Past | |||
| 76 | 75 | There are two kinds of hatred | |||
| 77 | 76 | The power of the word | Note. | ||
| 78 | 77 | They key to Sergius’ character | |||
| 79 | 78 | The breakup with Lulu | Note. | ||
| 80 | 79 | Jokes. Charley Wiener just said | Note needed?: Charley Wiener | ||
| 81 | 80 | Eitel in court | Note. | ||
| 82 | 81 | In error there is also truth | |||
| 83 | 82 | Eitel and Elena—last chapter | Note. Use partial w/ L81, too. | ||
| 84 | 83 | Don Beda | Note. | ||
| 85 | 84 | Interpretations of present events | Notes. | ||
| 86 | 85 | My feeling about semantics | L42 | Note. | |
| 87 | 86 | One thing must be said | L85, L71 | ||
| 88 | 87 | Stories of dreams | |||
| 89 | 88 | Bombing as the great shitting | |||
| 90 | 89 | Comedians and comic writers | |||
| 91 | 90 | Women who always hate | |||
| 92 | 91 | The more knowledge | |||
| 93 | 92 | Possibly, bad works of art | |||
| 94 | 93 | The spy (another adventurer) | Note. | ||
| 95 | 94 | Actors and spies | |||
| 96 | 95 | When a friend says | |||
| 97 | 96 | “Am I boring you?” | |||
| 98 | 97 | So, boredom, depression, laughter | |||
| 99 | 98 | Saints and psychopaths | |||
| 100 | 99 | Laughter is spiritual | |||
| 101 | 100 | The psychopath sees the present | |||
| 102 | 101 | So the hipster is the adventurer | |||
| 103 | 102 | Given my intellectual verbal mind | |||
| 104 | 103 | A possibility occurs to me | Note. | ||
| 105 | 104 | Marion Faye note | |||
| 106 | 105 | Note 103 could be | L103 | Could the x-ref actually be L105? | |
| 107 | 106 | Marion Faye note | Note. | ||
| 108 | 107 | Marion Faye on Eitel | |||
| 109 | 108 | Marion Faye in prison | |||
| 110 | 109 | Sergius is my brother | |||
| 111 | 110 | Marion F Journal | |||
| 112 | 111 | My journal again | |||
| 113 | 112 | False humility | Seems like this should not be cut, as L115 alludes to it. | ||
| 114 | 113 | Marion Faye journal | |||
| 115 | 114 | (My journal) Arrogance | |||
| 116 | 115 | Humor is more than wit | |||
| 117 | 116 | Marion Faye’s note | |||
| 118 | 117 | Man may be terrible | |||
| 119 | 118 | The fear of being ridiculous | |||
| 120 | 119 | Toward the end of Marion | |||
| 121 | 120 | Marion Faye’s note about | |||
| 122 | 121 | Any art-work which | |||
| 123 | 122 | “Do you know, Sergius?” | |||
| 124 | 123 | Dorothea O’Faye could figure |
December 31, 1954
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 125 | 124 | I am getting whole bodies | |||
| 126 | 125 | Thoughts. All thoughts in words | Note. | ||
| 127 | 126 | People who make love | |||
| 128 | 127 | Get a tape recorder | Note. [add tea time info] still needed | ||
| 129 | 128 | Word echoes: We have | |||
| 130 | 129 | On the understanding of genius | |||
| 131 | 130 | Word echoes. Mother and smother | |||
| 132 | 131 | Seriously, truly, just simply | |||
| 133 | 132 | In Marion Faye’s journal | |||
| 134 | 133 | Jazz is more creative | |||
| 135 | 134 | I used to be outwardly | |||
| 136 | 135 | Years ago, working with Malaquais | |||
| 137 | 136 | The world allows us to express | |||
| 138 | 137 | My ambition remains | |||
| 139 | 138 | I think that the new | |||
| 140 | 139 | Sexual psychopathy would be normal | Note. | ||
| 141 | 140 | What I learn about The Deer Park | |||
| 142 | 141 | Most celebrities are people | |||
| 143 | 142 | Marion Faye’s journal | |||
| 144 | 143 | Anyone reading these notes | |||
| 145 | 144 | At the point where Eitel | |||
| 146 | 145 | The universe is a vast puzzle | |||
| 147 | 146 | In N.Y. if we want | Note. | ||
| 148 | 147 | Time is the sense of society | |||
| 149 | 148 | The so-called decadent writers | |||
| 150 | 149 | Wild thought. The atom bomb | Note. | ||
| 151 | 150 | Don Beda should be | |||
| 152 | 151 | What Stalinists see | |||
| 153 | 152 | Don Beda should be | |||
| 154 | 153 | Time as the sense of society | Hand-written note not included. | ||
| 155 | 154 | Bob Lindner. As he reads | Notes. | ||
| 156 | 155 | The homo-erotic corollary | Notes. | ||
| 157 | 156 | The corollary of this | Note. | ||
| 158 | 157 | What courage Adele has | Notes. | ||
| 159 | 158 | What terrifies me is exactly | |||
| 160 | 159 | The fuck novel, “Antacid Analgesique.” | Note. |
January 3, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 161 | 160 | If this record is to have | |||
| 162 | 161 | One of the curious effects | |||
| 163 | 162 | What I dislike so much | |||
| 164 | 163 | Perhaps a man kills | |||
| 165 | 164 | With Marion Faye this took | |||
| 166 | 165 | A psychopath expands | |||
| 167 | 166 | Any human scene | |||
| 168 | 167 | Precise speech appeals | |||
| 169 | 168 | Our fear of ghosts | |||
| 170 | 169 | On the other hand | |||
| 171 | 170 | The sensitivity spectrum | Note. | ||
| 172 | 171 | Does telepathic mean sick telepathy? | |||
| 173 | 172 | On television, many of the ads | |||
| 174 | 173 | There is also the possibility | |||
| 175 | 174 | Listening to Dizzy Gillespie | Note. | ||
| 176 | 175 | Word echoes | |||
| 177 | 176 | I suspect that an index | |||
| 178 | 177 | Psychopathic love | |||
| 179 | 178 | Consider whether Elena after | |||
| 180 | 179 | Sports and sex | |||
| 181 | 180 | Musicians. The saxophonist | |||
| 182 | 181 | Steve Allen talking while | Note. | ||
| 183 | 182 | I heard “The Star-Spangled Banner” | |||
| 184 | 183 | Competition of personality marks | |||
| 185 | 184 | Name for a Negro | |||
| 186 | 185 | Be-bop chorus | |||
| 187 | 186 | We may all have a social | Notes. | ||
| 188 | 187 | Perhaps the secret | Note. | ||
| 189 | 188 | This is the age | |||
| 190 | 189 | Memory may be a layer | Mailer underlined the first two sentences and wrote “Expand” in the margin. | ||
| 191 | 190 | There’s no such thing | |||
| 192 | 191 | How do you like my | |||
| 193 | 192 | Fatty foods are cunt foods | |||
| 194 | 193 | Bob told the pickle factory joke | |||
| 195 | 194 | Obscenity substitutes | |||
| 196 | 195 | Obscenity echoes | |||
| 197 | 196 | In Barbary Shore I planted |
January 20, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 198 | 197 | The poor drawing | |||
| 199 | 198 | Looking at myself | Note. | ||
| 200 | 199 | This is the age | Notes. | ||
| 201 | 200 | When we run across | Note. | ||
| 202 | 201 | The tragic air of Mexico | Note. | ||
| 203 | 202 | Rich boys are proud | |||
| 204 | 203 | “Instants” and “moments” | |||
| 205 | 204 | John Walsh is a homosexual | Note. NM wrote “expand” in the margin-left of the last paragraph. | ||
| 206 | 205 | If I have qualities of genius | |||
| 207 | 206 | The Perfect Secretary | See NM’s written gloss. | ||
| 208 | 207 | The night Bob spoke | Note. | ||
| 209 | 208 | The affected person | |||
| 210 | 209 | How much real hatred | |||
| 211 | 210 | What we do on the surface | |||
| 212 | 211 | Homeostasis may be true | |||
| 213 | 212 | Our perception of others | |||
| 214 | 213 | Word echoes. Son is sin |
January 24, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 215 | 214 | Word echoes. Possible way | |||
| 216 | 215 | Friday, Saturday, and Sunday | Note. | ||
| 217 | 216 | To begin with, one | Notes. | ||
| 218 | 217 | How I’m getting to love | |||
| 219 | 218 | Spies are takers | |||
| 220 | 219 | Thoughts about The Deer Park | |||
| 221 | 220 | When Elena is first introduced | |||
| 222 | 221 | Wrestlers and boxers | |||
| 223 | 222 | Homeostasis and sociostasis | Note. | ||
| 224 | 223 | What I have noticed | Note. | ||
| 225 | 224 | My character. I have always | Notes. | ||
| 226 | 225 | Remember: The fear of being | |||
| 227 | 226 | In The Journal of Marion Faye | |||
| 228 | 227 | The movement of my writing | Should McLeod be glossed? | ||
| 229 | 228 | I have always been the romantic | |||
| 230 | 229 | To condemn | L205, L228 | ||
| 231 | 230 | Our resistance about changing | Note. | ||
| 232 | 231 | Rojo and ojo | |||
| 233 | 232 | Man and his dog | |||
| 234 | 233 | For three years while writing | |||
| 235 | 234 | Romance and realism | Note. | ||
| 236 | 235 | The saint and the psychopath | |||
| 237 | 236 | In the saint-psychopath sense | |||
| 238 | 237 | This is the best day | |||
| 239 | 238 | I was deeply instinctively right | |||
| 240 | 239 | Yet the course of human history | |||
| 241 | 240 | For years, unknowingly | |||
| 242 | 241 | Bebop. P and B are sibling consonants | Notes. | ||
| 244 | 243 | Golfers are people who take | |||
| 245 | 244 | Put another way, the sociostatic | |||
| 246 | 245 | But look at the philosophical | |||
| 247 | 246 | It also suggests that action | |||
| 248 | 247 | Which leads me to | Note. | ||
| 249 | 248 | English is so magnificently blunt | |||
| 250 | 249 | To go back to note 245 | L245 | Notes. | |
| 251 | 250 | Joyful thought | |||
| 252 | 251 | Children’s eating | Note. | ||
| 253 | 252 | Everybody is both male and female | Should NM’s spelling be made consistent: e.g., bi-sexual or bisexual? |
January 25, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 254 | 253 | The advances in medicine | |||
| 255 | 254 | The predictor, the prophet | Note. | ||
| 256 | 255 | The above note | L255 | ||
| 257 | 256 | Bob is the dishonest man | |||
| 258 | 257 | I wonder if one doesn’t | |||
| 259 | 258 | Typing errors | |||
| 260 | 259 | But I wanted to finish | Note. | ||
| 261 | 260 | What I wrote about Sergius | |||
| 262 | 261 | This Journal in so far | |||
| 263 | 262 | I realized so many funny | |||
| 264 | 263 | Since I started this Journal | Notes. | ||
| 265 | 264 | The sense of time | |||
| 266 | 265 | Old people don’t slow down | |||
| 267 | 266 | To continue 265 I wonder | L265 | ||
| 268 | 268 | The interesting confirmation | L267 | ||
| 269 | 269 | Fed up. We stuff ourselves | |||
| 270 | 270 | Radicals. Particularly socialists | |||
| 271 | 271 | Prose on wings, tra-la, tra-la | L270 | Note. | |
| 272 | 272 | So, modestly, I see my mission | |||
| 273 | 273 | Jews hated Hitler violently | |||
| 274 | 274 | What is a monster? |
January 26, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 275 | 275 | I am coming to believe | |||
| 276 | 276 | I have noticed in analytic | Note. | ||
| 277 | 277 | Let me put it this way | Should "basis" be "basic" in sentence 1? | ||
| 278 | 278 | I know now why I | |||
| 279 | 279 | Clues, mysteries, puns | |||
| 280 | 280 | In this sense, we are all | |||
| 281 | 281 | If the above sounds very fancy | L280 | ||
| 282 | 282 | Sociostasis and sociostasis | Notes. | ||
| 283 | 283 | So in that sense | L282 | Note. | |
| 284 | 284 | Little confirmations of 282 | L282 | ||
| 285 | 285 | I have to face something | Note. | ||
| 286 | 286 | Dialogue: Yesterday, Hiram Haydn | Note. | ||
| 287 | 287 | Word echoes: Go, man, go | |||
| 288 | 288 | Bob Lindner is in the dramatic | Note. | ||
| 289 | 289 | Let me try 283 again | L283 | Note. | |
| 290 | 290 | Now I come back | |||
| 291 | 291 | The all-out Marxist | |||
| 292 | 292 | Now, back to 290 | L290, L395 (in note) | Note. | |
| 293 | 293 | I’m getting exhausted | |||
| 294 | 294 | One takes in order to understand | |||
| 295 | 295 | But wrestlers who are givers | |||
| 296 | 296 | Talk is cheap, action is hard | |||
| 297 | 297 | Jokes. Argo. | |||
| 298 | 298 | No wonder I’ve always been | |||
| 299 | 299 | Back to x Jargon | |||
| 300 | 300 | B is the first consonant | |||
| 301 | 301 | Infant and I am faint | |||
| 302 | 302 | Ant and and | |||
| 303 | 303 | Obscenities: 69 | |||
| 304 | 304 | Jazz. Z and s are sibling components | |||
| 305 | 305 | At this moment I’m sick | |||
| 306 | 306 | But what a compulsion | L305 | ||
| 307 | 307 | I’m getting weary | Note. | ||
| 308 | 308 | Fuck, piss, cock, shit, cunt | |||
| 309 | 309 | I have heard writers say | |||
| 310 | 310 | When I was a kid | Note. | ||
| 311 | 311 | My pompous man again | |||
| 312 | 312 | It seems obvious that insanity | |||
| 313 | 313 | Word echoes. Job | |||
| 314 | 314 | Aristocrats are usually takers |
January 27, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 315 | 315 | As was evident in the notes | |||
| 316 | 316 | But what is also interesting | |||
| 317 | 317 | What I distrust of course. | |||
| 318 | 318 | On the positive side | |||
| 319 | 319 | Letter echoes: Be | |||
| 320 | 320 | For some time I have wanted | Note. | ||
| 321 | 321 | The business of putting | |||
| 322 | 322 | Corollary. Whenever one reads |
January 31, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 323 | 323 | My birthday today | |||
| 324 | 324 | A few word echoes | |||
| 325 | 325 | Give-and-take | |||
| 326 | 326 | The possibility of other | Notes. | ||
| 327 | 327 | The voice of radio and recordings | |||
| 328 | 328 | But, carry this a step further | |||
| 329 | 329 | One’s own voice | |||
| 330 | 330 | One other observation | |||
| 331 | 331 | Mimics are always psychopaths | |||
| 332 | 332 | Last week I wrote | Search | Note. | |
| 333 | 333 | I have the feeling these days | How should the 3rd sentence read? | ||
| 334 | 334 | A great deal of this journal | |||
| 335 | 335 | Jealousy. But what a mountain | |||
| 336 | 336 | The cynic | |||
| 337 | 337 | The conservatism of the female | |||
| 338 | 338 | Word echoes. Breath, stripped | |||
| 339 | 339 | Exceptional people | Notes. | ||
| 340 | 340 | Which brings me to Bob Lidner | Note. | ||
| 341 | 341 | Page 100 | |||
| 342 | 342 | Stimulants. My ideas which started | |||
| 343 | 343 | Fascination keeps us on | |||
| 344 | 344 | What I neglected to say | |||
| 345 | 345 | Half-way stations | |||
| 346 | 346 | Journalists—another variety of psychopath | |||
| 347 | 347 | An interesting confirmation | |||
| 348 | 348 | Pro and con—prick and cunt | |||
| 349 | 349 | The Catholic Church | |||
| 350 | 350 | Word echoes. The and he | |||
| 351 | 350A | Word mirrors: | |||
| 352 | 351 | I cannot say it often enough | Should “od” be corrected? | ||
| 353 | 352 | Horse-racing. An article | Note. | ||
| 354 | 353 | Word echoes: Defense | |||
| 355 | 354 | Word echoes. Good, God | |||
| 356 | 355 | Good. Go to d, Go | |||
| 357 | 356 | Modern painting | |||
| 358 | 357 | The key to Bill Styron’s nature | Note. | ||
| 359 | 358 | The inter-fecundation is starting | |||
| 360 | 359 | Which gives an insight into | |||
| 361 | 360 | I am always inept at arguing | |||
| 362 | 361 | More typing errors deliver | |||
| 363 | 362 | God and Jehovah, goal and jail | |||
| 364 | 363 | Word echo: By—By | |||
| 365 | 364 | A lot of this is probably | |||
| 366 | 365 | A corroborating proof | |||
| 367 | 366 | The reformer’s liberal ideas | |||
| 368 | 367 | Nat Halper. His work on the Joyce | Note. | ||
| 369 | 368 | Modern art. Liberals, social democrats | |||
| 370 | 369 | Elena is a failure | |||
| 371 | 370 | Cancer. I believe instinctively | |||
| 372 | 371 | For The Deer Park | |||
| 373 | 372 | Word echoes: If and Is | |||
| 374 | 373 | I wrote the last note | |||
| 375 | 374 | Consonant echoes: X | |||
| 376 | 375 | The cross was where man | |||
| 377 | 376 | Adele’s qualities | |||
| 378 | 377 | The voice | |||
| 379 | 378 | A note on my Self-Analysis | Notes. Is “sociismus” supposed to be “socialismus” (socialism)? | ||
| 380 | 379 | Word echoes. Son and sun | |||
| 381 | 380 | What-the-hell | |||
| 382 | 381 | Word echoes. Her and err | |||
| 383 | 382 | What I am doing with letters | |||
| 384 | 383 | Is W the world? | |||
| 385 | 384 | Son of a bitch | |||
| 386 | 385 | Simply, directly, I excited | |||
| 387 | 386 | Once in a while | |||
| 388 | 387 | f and v. F is fuck | |||
| 389 | 388 | I’m getting a little tired now | |||
| 390 | 389 | Anyway, I think I’ll finish | Notes. |
February 1, 1955
| # | NM# | First Words | x-Refs | Cut | Notes |
|---|---|---|---|---|---|
| 391 | 390 | Today makes two months | |||
| 392 | 391 | Last night, having dinner | |||
| 393 | 392 | Later, today, if I can | |||
| 394 | 393 | What appears to me right | |||
| 395 | 394 | Word echoes. (I suppose | |||
| 396 | 395 | Another word echo here | |||
| 397 | 396 | The Burglar again | |||
| 398 | 397 | Disagreeable as it is | Notes. | ||
| 399 | 398 | I suppose the last note | |||
| 400 | 399 | To finish note 390 | 390 | Notes. | |
| 401 | 400 | One addition to this | |||
| 402 | 401 | Back from lunch | |||
| 403 | 402 | A comment on the above | 402 |
February 2, 1955
February 7, 1955
February 10, 1955
February 14, 1955
February 21, 1955
February 22, 1955
March 4, 1955
Questions
- What do we want to do with omitted entry numbers? Just skip them? Or should they be included in the digital version but not the printed?
- Are the numbers on Donna’s transcript the new, correct numbers? (I know Mike said that Mailer mis-numbered some entries.)
- Should each entry date have its own index page? Perhaps each numbered entry could be summarized here?
- Should each numbered entry should have its own (sub)page? I think yes.
- Should each numbered entry have a title other than a number? Each could have a shortcut, so if the title is
Lipton’s Journal/December 1, 1954/1, the shortcut could beLJ1or justL1. - Should we categorize numbered entries? Thematically? Style of entry?