User talk:CVinson/sandbox: Difference between revisions
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In ''Tough Guys Don’t Dance'', several of the seven violent deaths are carried | In ''Tough Guys Don’t Dance'', several of the seven violent deaths are carried | ||
out by the three matching . | out by the three matching .22 automatic pistols bought by Meeks Wardley | ||
Hilby III, including his own suicide and that of his doppelgänger Lonnie | Hilby III, including his own suicide and that of his doppelgänger Lonnie | ||
Pangborn. These parallels in death echo the sexual parallels in the lives of | Pangborn. These parallels in death echo the sexual parallels in the lives of | ||
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every character is attached carnally to several others. | every character is attached carnally to several others. | ||
In a more significant book, The Executioner’s Song ( | In a more significant book, ''The Executioner’s Song'' (1979), the career criminal Gary Gilmore traffics in guns and murders with one. He is inept with the | ||
. | .32 automatic he uses in his two cold-blooded assassinations, for he shoots | ||
himself in the hand after the second murder, and the bleeding wound casts | himself in the hand after the second murder, and the bleeding wound casts | ||
immediate suspicion upon him and leads to his quick capture by the police. | immediate suspicion upon him and leads to his quick capture by the police. | ||
This episode is in line with Gary’s failures throughout the book and his entire life. | This episode is in line with Gary’s failures throughout the book and his entire life. | ||
In Why Are We in Vietnam? ( | In ''Why Are We in Vietnam?'' (1967), the metaphorical juxtaposition of | ||
over-armed Texans hunting in Alaska, and the parallel depredations of the | over-armed Texans hunting in Alaska, and the parallel depredations of the | ||
U.S. Army upon the population of Vietnam is best expressed in the passage | U.S. Army upon the population of Vietnam is best expressed in the passage |