User:Sherrilledwards/sandbox: Difference between revisions
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—Norman Mailer (Harlot’s Ghost 1287–8) | —Norman Mailer (Harlot’s Ghost 1287–8) | ||
{{dc|dc=W|hat is the rhetoric of modernism?}} Is the Modern novel “the epic of a world that has been abandoned by | {{dc|dc=W|hat is the rhetoric of modernism?}} Is the Modern novel “the epic of a world that has been abandoned by God?”{{sfn|Lukács|1971|p=88}} If so,why do religious themes still appear? Are they the Cheshire Cat’s grin, nostalgic echoes of a vanished age, cosmic footprints left in the wasteland of Modernity? Or are | ||
they rumors of grace? How does God-language function in the work of | they rumors of grace? How does God-language function in the work of | ||
Ernest Hemingway (1899–1961) and Norman Mailer (1923–2007)? | Ernest Hemingway (1899–1961) and Norman Mailer (1923–2007)? | ||
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{{Refbegin}} | {{Refbegin}} | ||
* {{cite book |last= |first= |date= |title= | * {{cite book |last=Lucáks |first=George |date=1971 |title=The Theory of the Novel: A Historico-Philosophical Essay on the Forms of Great Literature|location=Trans. Anna Bostock. Cambridge |publisher=MIT Press |pages= |ref=harv }} | ||
* {{cite journal |last= |first= |title= |url= |journal= |volume= |issue= |date= |pages= |access-date= |ref=harv }} | * {{cite journal |last= |first= |title= |url= |journal= |volume= |issue= |date= |pages= |access-date= |ref=harv }} | ||