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The Mailer Review/Volume 5, 2011/Hemingway and Women at the Front: Blowing Bridges in The Fifth Column, For Whom the Bell Tolls, and Other Works: Difference between revisions

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The Republican propaganda effort had a harsher side as well, the ''milicianas'' soon publicly redefined as prostitutes who endangered the army by transmitting sexual diseases. Allen Guttmann notes that the contemporary British and American publics were “fascinated by the females who fought {{pg|378|379}} with the Spanish militia in the early days of the war,”{{sfn|Guttman|1962|p=11}} and he notes the pornographic combination of sex and violence in the overheated press descriptions of the ''milicianas'' as “Red Amazons, many of them actually stripped to the waist, carrying modern rifles, and with blood in their eye,” and as “supple-hipped Carmens of the Revolution, [who] for want of roses, toss bombs as they whirl.”{{sfn|Guttman|1962|p=11-12}} Hemingway offers a variation on this perspective in ''For Whom the Bell Tolls'': “The twenty-three-year-old mistress [of the Republican officer] was having a baby, as were nearly all the other girls who had started out as ''milicianas'' in the July of the year before.”{{sfn|Hemingway|1968|p=399}}
The Republican propaganda effort had a harsher side as well, the ''milicianas'' soon publicly redefined as prostitutes who endangered the army by transmitting sexual diseases. Allen Guttmann notes that the contemporary British and American publics were “fascinated by the females who fought {{pg|378|379}} with the Spanish militia in the early days of the war,”{{sfn|Guttman|1962|p=11}} and he notes the pornographic combination of sex and violence in the overheated press descriptions of the ''milicianas'' as “Red Amazons, many of them actually stripped to the waist, carrying modern rifles, and with blood in their eye,” and as “supple-hipped Carmens of the Revolution, [who] for want of roses, toss bombs as they whirl.”{{sfn|Guttman|1962|p=11-12}} Hemingway offers a variation on this perspective in ''For Whom the Bell Tolls'': “The twenty-three-year-old mistress [of the Republican officer] was having a baby, as were nearly all the other girls who had started out as ''milicianas'' in the July of the year before.”{{sfn|Hemingway|1968|p=399}}


After a Republican decree was issued that forbade women from fighting at the front, the “''miliciana'' icon” reappeared, now a “symbol of Republican resistance” rather than a celebration of military heroines, which was used “to inspire men to serve their patriotic duty” (Coleman 50). The balance between the female home front and the male war front was thus reestablished, at least as a useful fiction.
After a Republican decree was issued that forbade women from fighting at the front, the “''miliciana'' icon” reappeared, now a “symbol of Republican resistance” rather than a celebration of military heroines, which was used “to inspire men to serve their patriotic duty.”{{sfn|Coleman|1999|p=50}} The balance between the female home front and the male war front was thus reestablished, at least as a useful fiction.


But in point of fact, the “total war” strategy that Nazi Germany was practicing in Spain meant that besieged Madrid (and later Barcelona, as well as the infamous Guernica and other less famous towns) was itself a war front where women died daily without the opportunity to fight for the Cause or even to defend themselves. Martha Gellhorn observes in ''The Face of War'', a collection of her war correspondence, that “what was new and prophetic about the war in Spain was the life of the civilians, who stayed at home and had war brought to them  The people of the Republic of Spain were the first to suffer the relentless totality of modern war” (22). Gellhorn describes her arrival in Madrid as follows: “I had not felt as if I were at a war until now. [The] whole city was a battlefield” (20-21). Marion Merriman describes the combination of terror and frustration engendered by her own trip to Madrid: “In the trenches I had been nervous but not afraid. That was war. In the city I felt defenseless, trapped. In the city the bombing was a deep personal affront, with no reprisals except a soul-shaking hatred  There was no way to fight back”(139). Gellhorn similarly describes “this helpless war in the city,” where women cannot fight back but can only scatter for cover “professionally, like soldiers” (Face 32, 43).
But in point of fact, the “total war” strategy that Nazi Germany was practicing in Spain meant that besieged Madrid (and later Barcelona, as well as the infamous Guernica and other less famous towns) was itself a war front where women died daily without the opportunity to fight for the Cause or even to defend themselves. Martha Gellhorn observes in ''The Face of War'', a collection of her war correspondence, that “what was new and prophetic about the war in Spain was the life of the civilians, who stayed at home and had war brought to them  The people of the Republic of Spain were the first to suffer the relentless totality of modern war” (22). Gellhorn describes her arrival in Madrid as follows: “I had not felt as if I were at a war until now. [The] whole city was a battlefield” (20-21). Marion Merriman describes the combination of terror and frustration engendered by her own trip to Madrid: “In the trenches I had been nervous but not afraid. That was war. In the city I felt defenseless, trapped. In the city the bombing was a deep personal affront, with no reprisals except a soul-shaking hatred  There was no way to fight back”(139). Gellhorn similarly describes “this helpless war in the city,” where women cannot fight back but can only scatter for cover “professionally, like soldiers” (Face 32, 43).
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