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Norman Mailer: Works and Days/Bibliography/Criticism: Difference between revisions
Norman Mailer: Works and Days/Bibliography/Criticism (view source)
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* {{Anchor|Bailey (1979)}}{{cite book |last=Bailey |first=Jennifer |date=1979 |title=Norman Mailer: Quick-Change Artist |url=https://archive.org/details/normanmailerquic0000bail |location=New York |publisher=Harper and Row |page= |isbn= |author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work. | * {{Anchor|Bailey (1979)}}{{cite book |last=Bailey |first=Jennifer |date=1979 |title=Norman Mailer: Quick-Change Artist |url=https://archive.org/details/normanmailerquic0000bail |location=New York |publisher=Harper and Row |page= |isbn= |author-link= }} Provides extended summaries of his work from a feminist perspective. Bailey sees ''Advertisements for Myself'' ([[59.13]]) as the key transitional work. | ||
* {{Anchor|Balbert (1990)}}{{cite journal |last1=Balbert |first1=Peter |date=1990 |title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk |url= |journal=Studies in the Novel |volume=22 |issue=spring |pages=67–81 |doi= |access-date= }} Best study of Lawrence’s influence. See [[90.2]]. | * {{Anchor|Balbert (1990)}}{{cite journal |last1=Balbert |first1=Peter |date=1990 |title=From ''Lady Chatterly’s Lover'' to ''The Deer Park'': Lawrence, Mailer, and the Dialectic of Erotic Risk |url= |journal=Studies in the Novel |volume=22 |issue=spring |pages=67–81 |doi= |access-date= }} Best study of Lawrence’s influence. See [[90.2]]. | ||
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* {{Anchor|Wilson (2008)}}{{cite book |last=Wilson |first=Andrew |date=2008 |title=Norman Mailer: An American Aesthetic |url= |location=Oxford, England |publisher=Peter Lang |page= |isbn= |author-link= }} | * {{Anchor|Wilson (2008)}}{{cite book |last=Wilson |first=Andrew |date=2008 |title=Norman Mailer: An American Aesthetic |url= |location=Oxford, England |publisher=Peter Lang |page= |isbn= |author-link= }} | ||
* {{Anchor|Zavarzadeh (1976)}}{{cite book |last=Zavarzadeh |first=Mas'ud |date=1976 |title=The Mythopoeic Reality: The Postwar American Nonfiction Novel |url=https://archive.org/details/mythopoeicrealit0000zava |location=Urbana |publisher=University of Illinois Press |pages=153–176 and passim |isbn= |author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality. | * {{Anchor|Zavarzadeh (1976)}}{{cite book |last=Zavarzadeh |first=Mas'ud |date=1976 |title=The Mythopoeic Reality: The Postwar American Nonfiction Novel |url=https://archive.org/details/mythopoeicrealit0000zava |location=Urbana |publisher=University of Illinois Press |pages=153–176 and passim |isbn= |author-link= }} Attempts to prove, unconvincingly, that ''The Armies of the Night'' ([[68.8]]) has a “zero degree of interpretation” of reality. | ||
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