User:KForeman/sandbox: Difference between revisions
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which bares its interior title, “Footnote to Death in the Afternoon,” deals | which bares its interior title, “Footnote to Death in the Afternoon,” deals | ||
with one Mexican torero, Amado Ramírez, who used the nom de guerre, El | with one Mexican torero, Amado Ramírez, who used the nom de guerre, El | ||
Loco, while the photo section portrays the corrida exclusively in Spain, the photographs and the text do not correspond. | Loco, while the photo section portrays the corrida exclusively in Spain, the photographs and the text do not correspond. The intent might have been to influence the Mexican elites (1). Non-aficionados may | ||
not appreciate the gravity of this impropriety to get an idea imagine | not appreciate the gravity of this impropriety to get an idea imagine | ||
an essay about an Indy car driver at the Indianapolis 500, with photos | an essay about an Indy car driver at the Indianapolis 500, with photos | ||