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Grade Douglas barrel, ivory and ebony inlays in the stock, basket weave carving on both sides of the forearm and pistol grip,
Grade Douglas barrel, ivory and ebony inlays in the stock, basket weave carving on both sides of the forearm and pistol grip,
Redfield Jr. mounts, Redfield  X – X variable scope. (–)
Redfield Jr. mounts, Redfield  X – X variable scope. (–)
Despite this impressive array of weaponry, Rusty selfishly fails his son by his
lack of a sportsmanlike hunter’s ethics. Later in the novel, it is only by divesting themselves of all weapons and other equipment that DJ and his best
friend Tex Hyde are able to experience a transcendent oneness with nature.
In a similar situation but without the devastating irony, Hemingway
equips the title character in “The Short Happy Life of Francis Macomber”
with a - rifle and  grain solid slugs for lion and Cape buffalo. The
professional hunter, Robert Wilson, based on the famous Philip Percival with
whom Hemingway had hunted in Africa, carries a “shockingly big-bored”
. Gibbs “with a muzzle velocity of two tons” (). Here, Hemingway
makes an error in nomenclature and physics, since muzzle velocity is measured in feet per second, and muzzle energy in foot pounds.Yet the . Gibbs,
a highly specialized big game hunting rifle of which only eighty were ever
manufactured, presents a very impressive picture in the mind’s eye. Finally,
in one of the greatest examples of controlled ambiguity in literature, Macomber’s wife Margot, “shot at the buffalo with the . Mannlicher” (),
killing her husband. This . mm Mannlicher (a fine sporting arm quite different from the rough, mass-produced Mannlicher Carcano of Farewell and
Oswald’s Tale) is the instrument of a death which lives forever in the shadowy ambiguity of Margot Macomber’s true intent, and which brings to a
close the short, happy, existential life of the protagonist.
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