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= | interpret the tragic end of Hemingway? The angst that Hemingway fought against would eventually catch up with him. Yet the demons that Hemingway fought were both part of his humanity and an in- tegral part of his genius. Jackson Benson, referring to the wound that Hem- ingway received on the Italian Front, makes this important point, | ||
{{quote|It may be that the wounding itself led to the dark thoughts that characterize Hemingway’s best fictions (a canon in which the centerpieces would be “Big Two-Hearted River” and “A Clean, Well-Lighted Place”). But the shock of a lost immortality seems to have been magnified by an inherited depressive, paranoid per- sonality. The latter was part of his genius, although it was an in- heritance that at last he could not bear.{{sfn|Benson|1989|p=352}}. }} | |||
Revision as of 21:31, 28 February 2021
interpret the tragic end of Hemingway? The angst that Hemingway fought against would eventually catch up with him. Yet the demons that Hemingway fought were both part of his humanity and an in- tegral part of his genius. Jackson Benson, referring to the wound that Hem- ingway received on the Italian Front, makes this important point,
It may be that the wounding itself led to the dark thoughts that characterize Hemingway’s best fictions (a canon in which the centerpieces would be “Big Two-Hearted River” and “A Clean, Well-Lighted Place”). But the shock of a lost immortality seems to have been magnified by an inherited depressive, paranoid per- sonality. The latter was part of his genius, although it was an in- heritance that at last he could not bear.[1].
- ↑ Benson 1989, p. 352.