The Mailer Review/Volume 4, 2010/Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead: Difference between revisions
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{{cite book |last= Meredith|first= James|author-mask=1|date= 1999|chapter = Understanding Hemingway’s Multiple Voices of War: A Rhetorical Study|title= Understanding the Literature of World War II: A Student Casebook to Issues, Sources, and Historical Documents |location= Westport, CT| publisher= Greenwood Press |ref=harv}} | {{cite book |last= Meredith|first= James|author-mask=1|date= 1999|chapter = Understanding Hemingway’s Multiple Voices of War: A Rhetorical Study|title= Understanding the Literature of World War II: A Student Casebook to Issues, Sources, and Historical Documents |location= Westport, CT| publisher= Greenwood Press |ref=harv}} | ||
* {{cite book |last1= Nagel|first1= James|last2= Villard|first2= Henry S.|date=1989 |title= Hemingway in Love and War: The Lost Diary of Agnes von Kurowsky|url= |location= Boston|publisher= Northeastern UP|pages= |ref=harv }} | |||
* {{cite book |last= Ouditt|first= Sharon|date= 2005|chapter= Myths, Memories, and Monuments: Reimagining the Great War|title= The Literature of the First World War|url= |location= Cambridge|publisher= Cambridge UP|pages= |ref=harv }} | |||
* {{cite book |last= Russo|first= John Paul|date= 1990|chapter= To Die is Not Enough; Hemingway’s Venetian Novel|title= Hemingway in Italy and Other Essays|url= |location= New York|editor-last= Lewis |editor-first= Robert W.|publisher= Praeger |pages= 153-80|ref=harv }} | |||
* {{cite book |last= Scarry|first= Elaine|date= 2000|chapter= Introduction|title= Memory, Brain, and Belief|url= |location= Cambridge, MA|editor-last1= Scarry|editor-first1= Elaine|editor-last2= Schacter|editor-first2= Daniel L.|publisher= Harvard UP|pages= |ref=harv }} | |||