The Mailer Review/Volume 4, 2010/Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls: Difference between revisions
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{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span> | {{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls''}} | ||
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{{byline|last=Batchelor|first=Bob|abstract=An examination of [https://en.wikipedia.org/wiki/Nostalgia nostalgia] as technique in ''[[The Naked and the Dead]]'' and ''[[w:For Whom the Bell Tolls|For Whom the Bell Tolls]]''. |url=. | {{byline|last=Batchelor|first=Bob|abstract=An examination of [https://en.wikipedia.org/wiki/Nostalgia nostalgia] as technique in ''[[The Naked and the Dead]]'' and ''[[w:For Whom the Bell Tolls|For Whom the Bell Tolls]]''. |url=http://prmlr.us/mr04bat}} | ||
{{dc|dc=B|reit quotes Mailer in ''The New York Times'' in 1951}}: "A great writer always goes to the root, he is always coming up with the contradictions, the impasses, the insoluble dilemmas of the particular time he lives in. The result is not to cement society but to question it and destroy it.” {{sfn|Breit|1951|p=20}} | {{dc|dc=B|reit quotes Mailer in ''The New York Times'' in 1951}}: "A great writer always goes to the root, he is always coming up with the contradictions, the impasses, the insoluble dilemmas of the particular time he lives in. The result is not to cement society but to question it and destroy it.” {{sfn|Breit|1951|p=20}} | ||
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==Citations== | ==Citations== | ||
{{reflist| | {{reflist|15em}} | ||
==Works Cited== | ==Works Cited== | ||
{{refbegin| | {{refbegin|20em|indent=yes}} | ||
* {{cite book |last=Breit |first=Harvey |date=1951 |chapter=Talk with Norman Mailer |title=The New York Times, ''3 June 1951'', ''late ed., sec 7:20'' |location=Print }} | * {{cite book |last=Breit |first=Harvey |date=1951 |chapter=Talk with Norman Mailer |title=The New York Times, ''3 June 1951'', ''late ed., sec 7:20'' |location=Print }} | ||
* {{cite journal |last=Charnes |first=Linda |date=2009 |title=Anticipating Nostalgia: Finding Temporal Logic in a Textual Anomaly | |journal=Textual Cultures: Text, Contexts, Interpretation |volume='''4''''' |issue=1 |pages=72–83. Print. }} | * {{cite journal |last=Charnes |first=Linda |date=2009 |title=Anticipating Nostalgia: Finding Temporal Logic in a Textual Anomaly | |journal=Textual Cultures: Text, Contexts, Interpretation |volume='''4''''' |issue=1 |pages=72–83. Print. }} | ||
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* {{cite journal |last=Solow |first=Michael |date=2009 |title=A Clash of Certainties, Old and New: ''For Whom the Bell Tolls'' and the Inner War of Ernest Hemingway| | journal=Journal of American Studies |volume='''29''''' |issue=1 |pages=103–122. Print. }} | * {{cite journal |last=Solow |first=Michael |date=2009 |title=A Clash of Certainties, Old and New: ''For Whom the Bell Tolls'' and the Inner War of Ernest Hemingway| | journal=Journal of American Studies |volume='''29''''' |issue=1 |pages=103–122. Print. }} | ||
* {{cite book |last=Sprengler |first=Christine |date=2009 |title=Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film. ''New York: Berghahn Books. |location=Print }} | * {{cite book |last=Sprengler |first=Christine |date=2009 |title=Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film. ''New York: Berghahn Books. |location=Print }} | ||
* {{cite journal |date= |title=War & No Peace | * {{cite journal |date= |title=War & No Peace | journal=''Rev. of'' The Naked and The Dead, ''by Norman Mailer. Time. ''Time Inc.'', 10 May 1948. Web. 30 March 2010. www.time.com/time/magazine/article/0,9171,804699,00. }} | ||
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[[Category:Articles (MR)]] | [[Category:Articles (MR)]] | ||