Talk:Lipton’s Journal: Difference between revisions

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__NOTOC__
__NOTOC__
'''Project citation''': {{cite web |url=https://prmlr.us/liptons |title=Lipton’s Journal |last=Mailer |first=Norman |editor1-last=Lennon |editor1-first=J. Michael |editor2-last=Lucas |editor2-first=Gerald R. |editor3-last=Mailer |editor3-first=Susan |date=2020 |website=Project Mailer |publisher=The Norman Mailer Society |access-date=2020-12-20 |quote= |ref=harv }}
==Entry Dates==
==Entry Dates==
===December 1, 1954===
===December 1, 1954===
Line 14: Line 17:
| 4 || 4 || In relation to (1) || L1 || || Note.
| 4 || 4 || In relation to (1) || L1 || || Note.
|-
|-
| 5 || 5 || The concentration camp novel || x || || Note. Unclear x-ref # in note.
| 5 || 5 || The concentration camp novel || {{icon|DYK2}} || || Note. Unclear x-ref # in note.
|-
|-
| 6 || 6 || One should always listen attentively ||  || || Note.
| 6 || 6 || One should always listen attentively ||  || || Note.
Line 26: Line 29:
| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
| 10 || 10 || I upset Herbert [Aptheker] by saying || || ||
|-
|-
| 11 || 11 || In a short novel || || x || Note.
| 11 || 11 || In a short novel || || {{icon|NO}} || Note.
|}
|}


Line 34: Line 37:
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
|-
| 12 || 12 || One should always try to ||  || x ||
| 12 || 12 || One should always try to ||  || {{icon|NO}} ||
|-
|-
| 13 || 13 || It seems to me that || || ||
| 13 || 13 || It seems to me that || || ||
Line 168: Line 171:
| 69 || 68 || “Vested interest” is enormously more || || ||
| 69 || 68 || “Vested interest” is enormously more || || ||
|-
|-
| 70 || 69 || Get beneath words || || x || Partial cut.
| 70 || 69 || Get beneath words || || {{icon|NO}} (partial) ||  
|-
|-
| 71 || 70 || The gossip is the great || || ||
| 71 || 70 || The gossip is the great || || ||
Line 188: Line 191:
| 79 || 78 || The breakup with Lulu || || || Note.
| 79 || 78 || The breakup with Lulu || || || Note.
|-
|-
| 80 || 79 || Jokes. Charley Wiener just said || || x || Note needed?: Charley Wiener
| 80 || 79 || Jokes. Charley Wiener just said || || {{icon|NO}} || Note needed?: Charley Wiener
|-
|-
| 81 || 80 || Eitel in court || || x || Note.
| 81 || 80 || Eitel in court || || {{icon|NO}} || Note.
|-
|-
| 82 || 81 || In error there is also truth || || ||
| 82 || 81 || In error there is also truth || || ||
Line 204: Line 207:
| 87 || 86 || One thing must be said || L85, L71 || ||  
| 87 || 86 || One thing must be said || L85, L71 || ||  
|-
|-
| 88 || 87 || Stories of dreams || || x ||
| 88 || 87 || Stories of dreams || || {{icon|NO}} ||
|-
|-
| 89 || 88 || Bombing as the great shitting || || x ||
| 89 || 88 || Bombing as the great shitting || || {{icon|NO}} ||
|-
|-
| 90 || 89 || Comedians and comic writers || || x ||
| 90 || 89 || Comedians and comic writers || || {{icon|NO}} ||
|-
|-
| 91 || 90 || Women who always hate || || ||
| 91 || 90 || Women who always hate || || ||
Line 214: Line 217:
| 92 || 91 || The more knowledge || || ||
| 92 || 91 || The more knowledge || || ||
|-
|-
| 93 || 92 || Possibly, bad works of art || || x ||
| 93 || 92 || Possibly, bad works of art || || {{icon|NO}} ||
|-
|-
| 94 || 93 || The spy (another adventurer) || || || Note.
| 94 || 93 || The spy (another adventurer) || || || Note.
Line 220: Line 223:
| 95 || 94 || Actors and spies || || ||
| 95 || 94 || Actors and spies || || ||
|-
|-
| 96 || 95 || When a friend says || || x ||
| 96 || 95 || When a friend says || || {{icon|NO}} ||
|-
|-
| 97 || 96 || “Am I boring you?” || || ||
| 97 || 96 || “Am I boring you?” || || ||
Line 254: Line 257:
| 112 || 111 || My journal again || || ||
| 112 || 111 || My journal again || || ||
|-
|-
| 113 || 112 || False humility || || x || Seems like this should not be cut, as L115 alludes to it.
| 113 || 112 || False humility || || {{icon|NO}} || Seems like this should not be cut, as L115 alludes to it.
|-
|-
| 114 || 113 || Marion Faye journal || || ||
| 114 || 113 || Marion Faye journal || || ||
Line 262: Line 265:
| 116 || 115 || Humor is more than wit || || ||
| 116 || 115 || Humor is more than wit || || ||
|-
|-
| 117 || 116 || Marion Faye’s note || || x ||
| 117 || 116 || Marion Faye’s note || || {{icon|NO}} ||
|-
|-
| 118 || 117 || Man may be terrible || || x ||
| 118 || 117 || Man may be terrible || || {{icon|NO}} ||
|-
|-
| 119 || 118 || The fear of being ridiculous || || ||
| 119 || 118 || The fear of being ridiculous || || ||
|-
|-
| 120 || 119 || Toward the end of Marion || || x ||
| 120 || 119 || Toward the end of Marion || || {{icon|NO}} ||
|-
|-
| 121 || 120 || Marion Faye’s note about || || x ||
| 121 || 120 || Marion Faye’s note about || || {{icon|NO}} ||
|-
|-
| 122 || 121 || Any art-work which || || ||
| 122 || 121 || Any art-work which || || ||
Line 300: Line 303:
| 132 || 131 || Seriously, truly, just simply || || ||
| 132 || 131 || Seriously, truly, just simply || || ||
|-
|-
| 133 || 132 || In Marion Faye’s journal || || x ||
| 133 || 132 || In Marion Faye’s journal || || {{icon|NO}} ||
|-
|-
| 134 || 133 || Jazz is more creative || || ||
| 134 || 133 || Jazz is more creative || || ||
Line 306: Line 309:
| 135 || 134 || I used to be outwardly || || ||
| 135 || 134 || I used to be outwardly || || ||
|-
|-
| 136 || 135 || Years ago, working with Malaquais || || x ||
| 136 || 135 || Years ago, working with Malaquais || || {{icon|NO}} ||
|-
|-
| 137 || 136 || The world allows us to express || || ||
| 137 || 136 || The world allows us to express || || ||
Line 342: Line 345:
| 153 || 152 || Don Beda should be || || ||
| 153 || 152 || Don Beda should be || || ||
|-
|-
| 154 || 153 || Time as the sense of society || || || Hand-written note not included.
| 154 || 153 || Time as the sense of society || || || Added hand-written note, but need to check last two words.
|-
|-
| 155 || 154 || Bob Lindner. As he reads || || || Notes.
| 155 || 154 || Bob Lindner. As he reads || || || Notes.
Line 370: Line 373:
| 164 || 163 || Perhaps a man kills || || ||
| 164 || 163 || Perhaps a man kills || || ||
|-
|-
| 165 || 164 || With Marion Faye this took || || x ||
| 165 || 164 || With Marion Faye this took || || {{icon|NO}} ||
|-
|-
| 166 || 165 || A psychopath expands || || ||
| 166 || 165 || A psychopath expands || || ||
Line 384: Line 387:
| 171 || 170 || The sensitivity spectrum || || || Note.
| 171 || 170 || The sensitivity spectrum || || || Note.
|-
|-
| 172 || 171 || Does telepathic mean sick telepathy? || || x ||
| 172 || 171 || Does telepathic mean sick telepathy? || || {{icon|NO}} ||
|-
|-
| 173 || 172 || On television, many of the ads || || ||
| 173 || 172 || On television, many of the ads || || ||
Line 392: Line 395:
| 175 || 174 || Listening to Dizzy Gillespie || || || Note.
| 175 || 174 || Listening to Dizzy Gillespie || || || Note.
|-
|-
| 176 || 175 || Word echoes || || x ||
| 176 || 175 || Word echoes || || {{icon|NO}} ||
|-
|-
| 177 || 176 || I suspect that an index || || ||
| 177 || 176 || I suspect that an index || || ||
Line 424: Line 427:
| 191 || 190 || There’s no such thing || || ||
| 191 || 190 || There’s no such thing || || ||
|-
|-
| 192 || 191 || How do you like my || || x ||
| 192 || 191 || How do you like my || || {{icon|NO}} ||
|-
|-
| 193 || 192 || Fatty foods are cunt foods || || x ||
| 193 || 192 || Fatty foods are cunt foods || || {{icon|NO}} ||
|-
|-
| 194 || 193 || Bob told the pickle factory joke || || ||
| 194 || 193 || Bob told the pickle factory joke || || ||
|-
|-
| 195 || 194 || Obscenity substitutes || || x ||
| 195 || 194 || Obscenity substitutes || || {{icon|NO}} ||
|-
|-
| 196 || 195 || Obscenity echoes || || ||
| 196 || 195 || Obscenity echoes || || ||
|-
|-
| 197 || 196 || In ''Barbary Shore'' I planted || || x ||
| 197 || 196 || In ''Barbary Shore'' I planted || || {{icon|NO}} ||
|}
|}


===January 20, 1955===
===January 20, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 198 || 197 || The poor drawing || || {{icon|NO}} ||
|-
| 199 || 198 || Looking at myself || || || Note.
|-
| 200 || 199 || This is the age || || || Notes.
|-
| 201 || 200 || When we run across || || || Note.
|-
| 202 || 201 || The tragic air of Mexico || || || Note.
|-
| 203 || 202 || Rich boys are proud || || ||
|-
| 204 || 203 || “Instants” and “moments” || || ||
|-
| 205 || 204 || John Walsh is a homosexual || || || Note. NM wrote “expand” in the margin-left of the last paragraph.
|-
| 206 || 205 || If I have qualities of genius || || ||
|-
| 207 || 206 || The Perfect Secretary || || || See NM’s written gloss.
|-
| 208 || 207 || The night Bob spoke || || || Note.
|-
| 209 || 208 || The affected person || || {{icon|NO}} ||
|-
| 210 || 209 || How much real hatred || || ||
|-
| 211 || 210 || What we do on the surface || || ||
|-
| 212 || 211 || Homeostasis may be true || || {{icon|NO}} (partial) ||
|-
| 213 || 212 || Our perception of others || || ||
|-
| 214 || 213 || Word echoes. Son is sin || || ||
|}
===January 24, 1955===
===January 24, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 215 || 214 || Word echoes. Possible way || || ||
|-
| 216 || 215 || Friday, Saturday, and Sunday || || || Note.
|-
| 217 || 216 || To begin with, one || || || Notes.
|-
| 218 || 217 || How I’m getting to love || || ||
|-
| 219 || 218 || Spies are takers || || ||
|-
| 220 || 219 || Thoughts about ''The Deer Park'' || || {{icon|NO}} ||
|-
| 221 || 220 || When Elena is first introduced || || {{icon|NO}} ||
|-
| 222 || 221 || Wrestlers and boxers || || ||
|-
| 223 || 222 || Homeostasis and sociostasis || || || Note.
|-
| 224 || 223 || What I have noticed || || || Note.
|-
| 225 || 224 || My character. I have always || || || Notes.
|-
| 226 || 225 || Remember: The fear of being || || ||
|-
| 227 || 226 || In The Journal of Marion Faye || || ||
|-
| 228 || 227 || The movement of my writing || || || Should McLeod be glossed?
|-
| 229 || 228 || I have always been the romantic || || ||
|-
| 230 || 229 || To condemn || L205, L228 || ||
|-
| 231 || 230 || Our resistance about changing || || || Note.
|-
| 232 || 231 || Rojo and ojo || || ||
|-
| 233 || 232 || Man and his dog || || ||
|-
| 234 || 233 || For three years while writing || || ||
|-
| 235 || 234 || Romance and realism || || || Note.
|-
| 236 || 235 || The saint and the psychopath || || ||
|-
| 237 || 236 || In the saint-psychopath sense || || ||
|-
| 238 || 237 || This is the best day || || ||
|-
| 239 || 238 || I was deeply instinctively right || || ||
|-
| 240 || 239 || Yet the course of human history || || ||
|-
| 241 || 240 || For years, unknowingly || || ||
|-
| 242 || 241 || Bebop. P and B are sibling consonants || || || Notes.
|-
| 244 || 243 || Golfers are people who take || || ||
|-
| 245 || 244 || Put another way, the sociostatic || || ||
|-
| 246 || 245 || But look at the philosophical || || ||
|-
| 247 || 246 || It also suggests that action || || ||
|-
| 248 || 247 || Which leads me to || || || Note.
|-
| 249 || 248 || English is so magnificently blunt || || ||
|-
| 250 || 249 || To go back to note 245 || L245 || || Notes.
|-
| 251 || 250 || Joyful thought || || ||
|-
| 252 || 251 || Children’s eating || || || Note.
|-
| 253 || 252 || Everybody is both male and female || || || Should NM’s spelling be made consistent: e.g., bi-sexual or bisexual?
|}
===January 25, 1955===
===January 25, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 254 || 253 || The advances in medicine || || ||
|-
| 255 || 254 || The predictor, the prophet || || || Note.
|-
| 256 || 255 || The above note || L255 || ||
|-
| 257 || 256 || Bob is the dishonest man || || ||
|-
| 258 || 257 || I wonder if one doesn’t || || ||
|-
| 259 || 258 || Typing errors || || {{icon|NO}} ||
|-
| 260 || 259 || But I wanted to finish || || {{icon|NO}} (partial) || Note.
|-
| 261 || 260 || What I wrote about Sergius || || ||
|-
| 262 || 261 || This Journal in so far || || ||
|-
| 263 || 262 || I realized so many funny || || ||
|-
| 264 || 263 || Since I started this Journal || || || Notes.
|-
| 265 || 264 || The sense of time || || ||
|-
| 266 || 265 || Old people don’t slow down || || ||
|-
| 267 || 266 || To continue 265 I wonder || L265 || ||
|-
| 268 || style="background: red;" | 268 || The interesting confirmation || L267 || ||
|-
| 269 || 269 || Fed up. We stuff ourselves || || {{icon|NO}} || Joe Rosenthal should be glossed?
|-
| 270 || 270 || Radicals. Particularly socialists || || || Fra Jean?
|-
| 271 || 271 || Prose on wings, tra-la, tra-la || L270 || || Note.
|-
| 272 || 272 || So, modestly, I see my mission || || ||
|-
| 273 || 273 || Jews hated Hitler violently || || ||
|-
| 274 || 274 || What is a monster? || || {{icon|NO}} ||
|}
===January 26, 1955===
===January 26, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 275 || 275 || I am coming to believe || || ||
|-
| 276 || 276 || I have noticed in analytic || || || Note.
|-
| 277 || 277 || Let me put it this way || || || Should "basis" be "basic" in sentence 1?
|-
| 278 || 278 || I know now why I || || ||
|-
| 279 || 279 || Clues, mysteries, puns || || ||
|-
| 280 || 280 || In this sense, we are all || || ||
|-
| 281 || 281 || If the above sounds very fancy || L280 || ||
|-
| 282 || 282 || Sociostasis and sociostasis || || || Notes.
|-
| 283 || 283 || So in that sense || L282 || || Note.
|-
| 284 || 284 || Little confirmations of 282 || L282 || {{icon|NO}} ||
|-
| 285 || 285 || I have to face something || || || Note.
|-
| 286 || 286 || Dialogue: Yesterday, Hiram Haydn || || || Note.
|-
| 287 || 287 || Word echoes: Go, man, go || || {{icon|NO}} ||
|-
| 288 || 288 || Bob Lindner is in the dramatic || || || Note.
|-
| 289 || 289 || Let me try 283 again || L283 || || Note.
|-
| 290 || 290 || Now I come back || || ||
|-
| 291 || 291 || The all-out Marxist || || {{icon|NO}} ||
|-
| 292 || 292 || Now, back to 290 || L290, L395 (in note) || || Note.
|-
| 293 || 293 || I’m getting exhausted || || {{icon|NO}} ||
|-
| 294 || 294 || One takes in order to understand || || ||
|-
| 295 || 295 || But wrestlers who are givers || || ||
|-
| 296 || 296 || Talk is cheap, action is hard || || ||
|-
| 297 || 297 || Jokes. Argo. || || {{icon|NO}} ||
|-
| 298 || 298 || No wonder I’ve always been || || {{icon|NO}} ||
|-
| 299 || 299 || Back to x Jargon || || {{icon|NO}} ||
|-
| 300 || 300 || B is the first consonant || || {{icon|NO}} ||
|-
| 301 || 301 || Infant and I am faint || || {{icon|NO}} ||
|-
| 302 || 302 || Ant and ''and'' || || ||
|-
| 303 || 303 || Obscenities: 69 || || ||
|-
| 304 || 304 || Jazz. Z and s are sibling components || || ||
|-
| 305 || 305 || At this moment I’m sick || || ||
|-
| 306 || 306 || But what a compulsion || L305 || ||
|-
| 307 || 307 || I’m getting weary || || || Note.
|-
| 308 || 308 || Fuck, piss, cock, shit, cunt || || ||
|-
| 309 || 309 || I have heard writers say || || {{icon|NO}} ||
|-
| 310 || 310 || When I was a kid || || || Note.
|-
| 311 || 311 || My pompous man again || || ||
|-
| 312 || 312 || It seems obvious that insanity || || ||
|-
| 313 || 313 || Word echoes. Job || || {{icon|NO}} ||
|-
| 314 || 314 || Aristocrats are usually takers || || ||
|}
===January 27, 1955===
===January 27, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 315 || 315 || As was evident in the notes || || ||
|-
| 316 || 316 || But what is also interesting || || ||
|-
| 317 || 317 || What I distrust of course. || || ||
|-
| 318 || 318 || On the positive side || || ||
|-
| 319 || 319 || Letter echoes: Be || || {{icon|NO}} ||
|-
| 320 || 320 || For some time I have wanted || || || Note.
|-
| 321 || 321 || The business of putting || || ||
|-
| 322 || 322 || Corollary. Whenever one reads || || ||
|}
===January 31, 1955===
===January 31, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 323 || 323 || My birthday today || || ||
|-
| 324 || 324 || A few word echoes || || {{icon|NO}} ||
|-
| 325 || 325 || Give-and-take || || ||
|-
| 326 || 326 || The possibility of other || || || Notes.
|-
| 327 || 327 || The voice of radio and recordings || || ||
|-
| 328 || 328 || But, carry this a step further || || ||
|-
| 329 || 329 || One’s own voice || || ||
|-
| 330 || 330 || One other observation || || ||
|-
| 331 || 331 || Mimics are always psychopaths || || ||
|-
| 332 || 332 || Last week I wrote || Search || || Note.
|-
| 333 || 333 || I have the feeling these days || || || How should the 3rd sentence read?
|-
| 334 || 334 || A great deal of this journal || || ||
|-
| 335 || 335 || Jealousy. But what a mountain || || ||
|-
| 336 || 336 || The cynic || || ||
|-
| 337 || 337 || The conservatism of the female || || ||
|-
| 338 || 338 || Word echoes. Breath, stripped || || ||
|-
| 339 || 339 || Exceptional people || || || Notes.
|-
| 340 || 340 || Which brings me to Bob Lidner || || || Note.
|-
| 341 || 341 || Page 100 || || ||
|-
| 342 || 342 || Stimulants. My ideas which started || || ||
|-
| 343 || 343 || Fascination keeps us on || || ||
|-
| 344 || 344 || What I neglected to say || || ||
|-
| 345 || 345 || Half-way stations || || ||
|-
| 346 || 346 || Journalists—another variety of psychopath || || ||
|-
| 347 || 347 || An interesting confirmation || || ||
|-
| 348 || 348 || Pro and con—prick and cunt || || ||
|-
| 349 || 349 || The Catholic Church || || ||
|-
| 350 || 350 || Word echoes. The and he || || {{icon|NO}} ||
|-
| 351 || style="background: red;" | 350A || Word mirrors: || || ||
|-
| 352 || 351 || I cannot say it often enough || || || Should “od” be corrected?
|-
| 353 || 352 || Horse-racing. An article || || || Note.
|-
| 354 || 353 || Word echoes: Defense || || ||
|-
| 355 || 354 || Word echoes. Good, God || || ||
|-
| 356 || 355 || Good. Go to d, Go || || ||
|-
| 357 || 356 || Modern painting || || ||
|-
| 358 || 357 || The key to Bill Styron’s nature || || || Note.
|-
| 359 || 358 || The inter-fecundation is starting || || ||
|-
| 360 || 359 || Which gives an insight into || || ||
|-
| 361 || 360 || I am always inept at arguing || || ||
|-
| 362 || 361 || More typing errors deliver || || {{icon|NO}} ||
|-
| 363 || 362 || God and Jehovah, goal and jail || || {{icon|NO}} ||
|-
| 364 || 363 || Word echo: By—By || || {{icon|NO}} ||
|-
| 365 || 364 || A lot of this is probably || || ||
|-
| 366 || 365 || A corroborating proof || || ||
|-
| 367 || 366 || The reformer’s liberal ideas || || ||
|-
| 368 || 367 || Nat Halper. His work on the Joyce || || || Note.
|-
| 369 || 368 || Modern art. Liberals, social democrats || || ||
|-
| 370 || 369 || Elena is a failure || || ||
|-
| 371 || 370 || Cancer. I believe instinctively || || ||
|-
| 372 || 371 || For ''The Deer Park'' || || ||
|-
| 373 || 372 || Word echoes: If and Is || || {{icon|NO}} ||
|-
| 374 || 373 || I wrote the last note || || {{icon|NO}} ||
|-
| 375 || 374 || Consonant echoes: X || || ||
|-
| 376 || 375 || The cross was where man || || ||
|-
| 377 || 376 || Adele’s qualities || || ||
|-
| 378 || 377 || The voice || || ||
|-
| 379 || 378 || A note on my Self-Analysis || || || Notes. Is “sociismus” supposed to be “socialismus” (socialism)?
|-
| 380 || 379 || Word echoes. Son and sun || || {{icon|NO}} ||
|-
| 381 || 380 || What-the-hell || || ||
|-
| 382 || 381 || Word echoes. Her and err || || ||
|-
| 383 || 382 || What I am doing with letters || || ||
|-
| 384 || 383 || Is W the world? || || ||
|-
| 385 || 384 || Son of a bitch || || ||
|-
| 386 || 385 || Simply, directly, I excited || || ||
|-
| 387 || 386 || Once in a while || || ||
|-
| 388 || 387 || f and v. F is fuck || || ||
|-
| 389 || 388 || I’m getting a little tired now || || ||
|-
| 390 || 389 || Anyway, I think I’ll finish || || || Notes.
|}
===February 1, 1955===
===February 1, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 391 || 390 || Today makes two months || || ||
|-
| 392 || 391 || Last night, having dinner || || ||
|-
| 393 || 392 || Later, today, if I can || || {{Icon|NO}} ||
|-
| 394 || 393 || What appears to me right || || ||
|-
| 395 || 394 || Word echoes. (I suppose || || ||
|-
| 396 || 395 || Another word echo here || || ||
|-
| 397 || 396 || The Burglar again || || ||
|-
| 398 || 397 || Disagreeable as it is || || || Notes.
|-
| 399 || 398 || I suppose the last note || || ||
|-
| 400 || 399 || To finish note 390 || 390 || || Notes.
|-
| 401 || 400 || One addition to this || || ||
|-
| 402 || 401 || Back from lunch || || ||
|-
| 403 || 402 || A comment on the above || 402 || ||
|-
| 404 || 403 || At the other end || || || Note.
|-
| 405 || 404 || The Catholic would argue || || || Note.
|-
| 406 || 405 || I may have a clue || || ||
|-
| 407 || 406 || Word echoes. I’ve discussed jazz || || ||
|-
| 408 || 407 || If my identification of red || || ||
|-
| 409 || 408 || Gate. And r: Great. || || ||
|-
| 410 || 409 || The strength of the Church. || || || Note.
|-
| 411 || 410 || A note on my father. || || || Note.
|-
| 412 || 411 || And now I understand Monroe || || || Note.
|-
| 413 || 412 || On how I can’t destroy love. || || || Note.
|-
| 414 || 413 || One thing bothers me. || || ||
|-
| 415 || 414 || A lay analyst. || || ||
|-
| 416 || 415 || I have a hunch || || ||
|-
| 417 || 416 || My sexual scar. || 207 || ||
|-
| 418 || 417 || Depression is coming on || || ||
|-
| 419 || 418 || Perhaps the sexual explanation || || ||
|-
| 420 || 419 || Jesus, I’d rather be || || ||
|-
| 421 || 420 || A little interesting and || || {{Icon|NO}} ||
|-
| 422 || 421 || Decadence. I wonder || || ||
|-
| 423 || 422 || The above note was written || 422 || ||
|-
| 424 || 423 || Echoes and opposites. || || ||
|-
| 425 || 424 || The spectrum of the saint-psychopath. || || || Note.
|-
| 426 || 425 || The above not ought || 425 || ||
|-
| 427 || 426 || Before I quit, I want to list || || {{Icon|NO}} ||
|}
===February 2, 1955===
===February 2, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 428 || 427 || Continuing on H || || {{icon|NO}} ||
|-
| 429 || 428 || The horrible thought occurs || || ||
|-
| 430 || 429 || The artist and his paranoia. || || ||
|-
| 431 || 430 || Note 214 was about the || 215 || {{icon|NO}} ||
|-
| 432 || 431 || It is really incredible that || || ||
|-
| 433 || 432 || Each of the Church’s dictums || || ||
|-
| 434 || 433 || The gambler’s debt || || ||
|-
| 435 || 434 || I’ve spent the last few hours  || || || Notes. Where should the open parenthesis end? I don’t see the last sentence in the original.
|}
===February 7, 1955===
===February 7, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 436 || 435 || The opening into myself || || || The first parenthesis does not close.
|-
| 437 || 436 || One idea in this || || {{icon|NO}} || Text added to 436.
|-
| 438 || style="background: red;" | 436 || The intellectual is antipathetic || || {{icon|NO}} ||
|-
| 439 || 437 || At any rate each time || || {{icon|NO}} ||
|-
| 440 || 438 || I have to explain what || || ||
|-
| 441 || 439 || But I go at this || || ||
|-
| 442 || 440 || Besides I may discover || || ||
|-
| 443 || 441 || Anyway, let’s go back || || {{icon|NO}} ||
|-
| 444 || 442 || Parenthesis after parenthesis || || {{icon|NO}} ||
|-
| 445 || 443 || The anarchist as he exists || || {{icon|NO}} ||
|-
| 446 || 444 || But, again, back to give-and-take || || ||
|-
| 447 || 445 || Now, give-san-take || || ||
|-
| 448 || 446 || Give-and take is the secret || || {{icon|NO}} ||
|-
| 449 || 447 || Marriage, every marriage || || {{icon|NO}} ||
|-
| 450 || 448 || Up and down, in and out || || {{icon|NO}} ||
|-
| 451 || 449 || The world of commerce || || {{icon|NO}} ||
|-
| 452 || 450 || Action is one of the enigmas || || {{icon|NO}} ||
|-
| 453 || 451 || Yet to stay alive we || || ||
|-
| 454 || style="background: red;" | 451 || Let me put it another way || || {{icon|NO}} ||
|-
| 455 || 452 || So, a partial justification || || {{icon|NO}} ||
|-
| 456 || 453 || Just above I wrote 42 || || {{icon|NO}}  ||
|-
| 457 || 454 || Perhaps the clue || || ||
|-
| 458 || 455 || The crook in Bob Lindner || || || Note.
|-
| 459 || 456 || Sesame. The sex of me || || ||
|-
| 460 || 457 || But why can I understand || || || Note.
|-
| 461 || 458 || After lunch, and how || || ||
|-
| 462 || 459 || Crooks are interested || || || Note.
|-
| 463 || 460 || What I started to say || || {{icon|NO}} ||
|-
| 464 || 461 || Japanese: Their word for yes || || {{icon|NO}} ||
|-
| 465 || 462 || Chinese: A very primitive language || || {{icon|NO}} ||
|-
| 466 || 463 || I’m one of the first || || || Note.
|-
| 467 || 464 || There is so much to be said || || {{icon|NO}} ||
|-
| 468 || 465 || The art of the playwright || || || Note.
|-
| 469 || 466 || Beating and being || || {{icon|NO}} ||
|-
| 470 || 467 || German. The Germans are philosophers || || {{icon|NO}} ||
|-
| 471 || 469 || Anyway, the Germans || || || Note.
|-
| 472 || 470 || eeeeeeeeeeeeeee || || {{icon|NO}} ||
|-
| 473 || 471 || V becomes closer || || {{icon|NO}} ||
|-
| 474 || 472 || Double V is WW ||  || {{icon|NO}} ||
|-
| 475 || 473 || VVVVVVV is close ||  || {{icon|NO}} ||
|-
| 476 || 474 || Vomiting. I see ||  || {{icon|NO}} ||
|-
| 477 || 475 || Mother. The masculine other ||  || {{icon|NO}} ||
|-
| 478 || 476 || Er would be a far ||  ||  ||
|-
| 479 || 477 || Super. To sup and to er ||  ||  ||
|-
| 480 || 478 || I’m getting tired again ||  ||  ||
|-
| 481 || 479 || But I haven’t even begun ||  ||  || Note.
|-
| 482 || 480 || Any rationalist reading ||  ||  ||
|-
| 483 || 481 || For the first time I ||  ||  ||
|-
| 484 || 482 || In the middle of the cliché ||  || {{icon|NO}} ||
|-
| 485 || 483 || But I just can’t get ||  || {{icon|NO}} ||
|-
| 486 || 484 || Let’s start with orgasm ||  ||  ||
|-
| 487 || 485 || To attempt to go on ||  ||  ||
|-
| 488 || 486 || To be continued tomorrow ||  || {{icon|NO}} ||
|-
| 489 || style="background: red;" | 486a || Before I go on with ||  || {{icon|NO}} ||
|-
| 490 || 487 || So, if my premise ||  ||  || Note.
|-
| 491 || 488 || I keep trying to write ||  ||  ||
|-
| 492 || 489 || Which is why I have ||  ||  ||
|-
| 493 || 490 || Mom. A cunt O ||  ||  ||
|-
| 494 || 491 || I’ve spent the last || 423 || {{icon|NO}} ||
|-
| 495 || 492 || Following my Clue ||  || {{icon|NO}} ||
|-
| 496 || 493 || Back to bisexuals ||  || {{icon|NO}} ||
|-
| 497 || 494 || So, the bisexual in society ||  ||  ||
|-
| 498 || 495 || I’m getting hipped ||  || {{icon|NO}} ||
|-
| 499 || 496 || The next “idea” ||  || {{icon|NO}} ||
|-
| 500 || 497 || What characterizes the power-mad ||  || {{icon|NO}} ||
|-
| 501 || 498 || I’ve just been out for lunch ||  ||  ||
|-
| 502 || style="background: red;" | 496 || This has all been a preface || 499 ||  ||
|-
| 503 || 497 || At any rate, I still believe ||  ||  ||
|-
| 504 || 498 || And, of course, the little ||  || {{note|NO}} ||
|-
| 505 || 499 || What a jewel of a word ||  || {{icon|NO}} ||
|-
| 506 || 500 || But what remains ||  ||  || Note.
|-
| 507 || 501 || The cop is getting stronger ||  ||  ||
|-
| 508 || 502 || I’ve got to shake this off ||  ||  ||
|-
| 509 || 503 || The family dinner ||  ||  ||
|-
| 510 || 504 || I don’t have the patience ||  ||  ||
|-
| 511 || 505 || Dynamo. Dine at mom’s ||  || {{icon|NO}} ||
|-
| 512 || 506 || While we’re on consonants ||  || {{icon|NO}} ||
|-
| 513 || 507 || Example: Formalize (Fuck of ||  || {{icon|NO}} ||
|-
| 514 || 508 || From time to time I worry ||  ||  ||
|-
| 515 || 509 || Course of events ||  ||  ||
|-
| 516 || 510 || I have postulated unisexuality ||  ||  || Note.
|-
| 517 || 511 || We and Us ||  || {{icon|NO}} ||
|-
| 518 || 512 || World. It is a prettier ||  || {{icon|NO}} ||
|-
| 519 || 513 || But ‘rectal’ I’m sure ||  || {{icon|NO}} ||
|-
| 520 || 514 || RL again. Relish ||  || {{icon|NO}} ||
|-
| 521 || 515 || The difficulty in consonant ||  || {{icon|NO}} ||
|-
| 522 || 516 || An old cliché is called ||  || {{icon|NO}} ||
|-
| 523 || 517 || Regal—egal ||  || {{icon|NO}} ||
|-
| 524 || 518 || Acts of the body ||  ||  ||
|-
| 525 || 519 || The is and the ing. ||  || {{icon|NO}} ||
|-
| 526 || 520 || When an intelligent person ||  ||  || Note.
|-
| 527 || 521 || Adele gets furious these days ||  ||  ||
|-
| 528 || 522 || Actually, there’s no contradiction ||  ||  || Note.
|-
| 529 || 523 || But this opens the peculiar ||  ||  ||
|-
| 530 || 524 || Excelsior! Hardons onward ||  ||  ||
|-
| 531 || 525 || Excelsior: What I’m getting at ||  ||  ||
|-
| 532 || 526 || Now, of course, an analyst ||  ||  ||
|-
| 533 || 527 || Yet, we cannot deny it ||  ||  ||
|-
| 534 || 528 || I’m very dissatisfied ||  ||  ||
|-
| 535 || 529 || Time is Number ||  || {{icon|NO}} ||
|-
| 536 || 530 || Toynbee’s challenge ||  || {{icon|NO}} ||
|-
| 537 || 531 || We and wee ||  || {{icon|NO}} ||
|-
| 538 || 532 || The beggar-king ||  || {{icon|NO}} ||
|-
| 539 || 533 || The reason the common people ||  ||  ||
|-
| 540 || 534 || And so the enigma ||  ||  ||
|-
| 541 || 535 || And that is why certain ||  || {{icon|NO}} ||
|-
| 542 || 536 || A dick is a cock ||  || {{icon|NO}} ||
|-
| 543 || 537 || Twot. The thing of what? ||  || {{icon|NO}} ||
|-
| 544 || 538 || Man and society ||  || {{icon|NO}} ||
|-
| 545 || 539 || I just realized that the reason ||  ||  || Note.
|-
| 546 || 540 || Anybody who’s really ||  ||  ||
|-
| 547 || 541 || I have to explore ||  ||  ||
|-
| 548 || 542 || Hemingway’s peculiar weakness ||  ||  ||
|-
| 549 || 543 || Depressants and stimulants ||  ||  ||
|-
| 550 || 544 || The above was hardly ||  || {{icon|NO}} ||
|-
| 551 || 545 || So, to begin with, ||  || {{icon|NO}} ||
|-
| 552 || 546 || I’m written out ||  ||  ||
|}
===February 10, 1955===
===February 10, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 553 || 547 || A new typewriter ribbon ||  ||  ||
|-
| 554 || 548 || Today is L plus 1 ||  ||  ||
|-
| 555 || 549 || But what I want to try ||  ||  ||
|-
| 556 || 550 || This can help to explain ||  ||  ||
|-
| 557 || 551 || For the analyst and the analysand ||  ||  ||
|-
| 558 || 552 || I have come to a conclusion ||  ||  || Note.
|-
| 559 || 553 || The fluoridation of water ||  || {{icon|NO}} ||
|-
| 560 || 554 || Investigating the consonants ||  ||  ||
|-
| 561 || 555 || On the vowels ||  ||  ||
|-
| 562 || 556 || I have an idea ||  ||  || Note.
|}
===February 14, 1955===
===February 14, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 563 || 557 || Again I start work ||  ||  ||
|-
| 564 || 558 || The kick-off was ||  ||  || Note.
|-
| 565 || 559 || I have not warmed up ||  ||  ||
|-
| 566 || 560 || I’ve come up with something ||  || {{icon|NO}} ||
|-
| 567 || 561 || For days I’ve been working ||  || {{icon|NO}} ||
|-
| 568 || 562 || A lover of music ||  || {{icon|NO}} ||
|-
| 569 || 563 || But I am the person ||  || {{icon|NO}} ||
|-
| 570 || 564 || It can be stated ||  ||  ||
|-
| 571 || 565 || Pain and pleasure ||  || {{icon|NO}} ||
|-
| 572 || 566 || “Stupid” people find ||  ||  || Note.
|-
| 573 || style="background:red;" | 565 || Antacid Analgesic ||  ||  || Note.
|-
| 574 || 566 || What a title ||  ||  || Note.
|-
| 575 || 567 || Yes, I am a rationalist ||  || {{icon|NO}} ||
|-
| 576 || 568 || And isn’t that the Devil? ||  || {{icon|NO}} ||
|-
| 577 || 569 || My nose has stopped running ||  ||  ||
|-
| 578 || 570 || A truly great man ||  ||  ||
|-
| 579 || 571 || Ruthless and Truthful ||  || {{icon|NO}} ||
|-
| 580 || 572 || What I’ve been avoiding ||  || {{icon|NO}} ||
|-
| 581 || 573 || I got the D.T.’s ||  || {{icon|NO}} ||
|-
| 582 || 574 || Last night taking my Seconal ||  ||  ||
|-
| 583 || 575 || What bothered me about ||  ||  || Notes.
|-
| 584 || 576 || Kill or be killed ||  ||  ||
|-
| 585 || 577 || Ted Amussen cannot express ||  ||  || Notes.
|-
| 586 || 578 || The and He ||  || {{icon|NO}} ||
|-
| 587 || 579 || Antacid Analgesic is filled ||  || {{icon|NO}} ||
|-
| 588 || 580 || P, I believe, signifies ||  || {{icon|NO}} ||
|-
| 589 || 581 || Energy spent on solving ||  || {{icon|NO}} ||
|-
| 590 || 582 || The curve is life ||  ||  ||
|-
| 591 || 583 || Classicist and Romantic ||  ||  ||
|-
| 592 || 584 || Last night on the train ||  || {{icon|NO}} ||
|-
| 593 || 585 || My throat is sore again ||  ||  ||
|-
| 594 || 586 || Patience and impatience ||  ||  ||
|-
| 595 || 587 || The reason this journal ||  ||  ||
|-
| 596 || 588 || To understand a neurotic ||  || {{icon|NO}} ||
|-
| 597 || 589 || (ENTERING_and_LEAVING) ||  || {{icon|NO}} ||
|-
| 598 || 590 || Impatience—patience ||  ||  ||
|-
| 599 || 591 || I’m really beginning to dig ||  || {{icon|NO}} ||
|-
| 600 || 592 || The malfunction of entering-leaving ||  || {{icon|NO}} ||
|-
| 601 || style="background:red;" | 592 || The phallic-narcissist (Jim Jones) ||  ||  ||
|-
| 602 || 593 || Back from lunch ||  || {{icon|NO}} ||
|-
| 603 || style="background:red;" | 593 || But another revelatory contradiction ||  || {{icon|NO}} ||
|-
| 604 || 594 || “Freedom is the recognition ||  || {{icon|NO}} ||
|-
| 605 || 595 || I don’t know if I agree || 604 || {{icon|NO}} ||
|-
| 606 || 596 || Let me make as assumption ||  ||  ||
|-
| 607 || 597 || Yet, this is still true ||  ||  ||
|-
| 608 || 598 || Which is where an understanding ||  ||  || Note.
|-
| 609 || 599 || I lost weight all last summer ||  ||  ||
|-
| 610 || 600 || I wonder if once smoking ||  ||  ||
|-
| 611 || 601 || The rationalist says ||  ||  ||
|-
| 612 || 602 || What I suspect about Lipton’s ||  ||  ||
|-
| 613 || 603 || My sore throat seems gone ||  ||  || Note.
|-
| 614 || 604 || One healthy thing I am ||  ||  ||
|-
| 615 || 605 || The part and the whole ||  || {{icon|NO}} ||
|-
| 616 || 606 || As I said to Bob ||  || {{icon|NO}} ||
|-
| 617 || 607 || Reason, the logic on One ||  || {{icon|NO}} ||
|-
| 618 || 608 || One thing to say ||  || {{icon|NO}} ||
|-
| 619 || 609 || A thousand things yet ||  ||  ||
|}
===February 21, 1955===
===February 21, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 620 || 610 || Avery (Men with the name ||  || {{icon|NO}} ||
|-
| 621 || 611 || Here we go again ||  ||  ||
|-
| 622 || 612 || Out of curiosity ||  ||  ||
|-
| 623 || 613 || I truly have the feeling ||  ||  ||
|-
| 624 || 614 || The reason I believe ||  ||  ||
|-
| 625 || 615 || Saw Mutiny on the Bounty ||  ||  || Notes.
|-
| 626 || 616 || And Laughton ||  ||  ||
|-
| 627 || 617 || Over and over I come ||  ||  ||
|-
| 628 || 618 || Sup, x er, lerve, and the Juggler ||  || {{icon|NO}} ||
|-
| 629 || 619 || Back to Laughton ||  ||  || Notes.
|-
| 630 || 620 || A few word echoes ||  ||  ||
|-
| 631 || 621 || My sore throat ||  ||  ||
|-
| 632 || 622 || I have an enormously tense ||  ||  ||
|-
| 633 || 623 || Cigarette smoking ||  ||  ||
|-
| 634 || 624 || The cigarette is society’s substitute ||  ||  ||
|-
| 635 || style="background:red;" | 624 || A shit-eating grin ||  ||  ||
|-
| 636 || 625 || Before I go to lunch ||  ||  ||
|-
| 637 || 626 || Hatred is the defense ||  || {{icon|NO}} ||
|-
| 638 || 627 || Semen. How it appears everywhere ||  || {{icon|NO}} ||
|-
| 639 || 628 || Milk. Another semen-substitute ||  || {{icon|NO}} ||
|-
| 640 || 629 || Last night I caught a piece ||  ||  || Note.
|-
| 641 || 630 || Tears and semen ||  ||  || Note.
|-
| 642 || 631 || I realized during lunch ||  ||  ||
|-
| 643 || 632 || Psychoanalyzing names ||  ||  ||
|-
| 644 || 633 || Homosexuality ||  ||  || Note.
|-
| 645 || 634 || The Burglar [Edmund Bergler] ||  ||  ||
|-
| 646 || 635 || The phallic narcissist ||  ||  ||
|-
| 647 || 636 || All day I have been holding ||  ||  ||
|-
| 648 || style="background:red;" | 635 || There, Now, I like him again ||  ||  ||
|-
| 649 || 636 || What’s in a name ||  || {{icon|NO}} ||
|-
| 650 || 637 || Three and tree ||  || {{icon|NO}} ||
|-
| 651 || 638 || Out of sight, out of mind ||  || {{icon|NO}} ||
|-
| 652 || 639 || I have a feeling that ||  ||  ||
|-
| 653 || 635 || What occurs to me ||  ||  ||
|-
| 654 || 636 || Over the weekend I took ||  ||  || Note.
|-
| 655 || 637 || An article in Scientific American ||  || {{icon|NO}} ||
|-
| 656 || 638 || Word echoes and tag lines ||  || {{icon|NO}} ||
|}
===February 22, 1955===
===February 22, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 657 || 639 || Today, I’m completely down ||  || Part {{icon|NO}} ||
|-
| 658 || 640 || I feel fairly barren of ideas ||  || {{icon|NO}} ||
|-
| 659 || 641 || First comes “back and front” ||  || {{icon|NO}} ||
|-
| 660 || 642 || A corollary. Refrigerators ||  || {{icon|NO}} ||
|-
| 661 || 643 || I have postulated consciousness ||  || {{icon|NO}} ||
|-
| 662 || 644 || There is only one revolution ||  ||  ||
|-
| 663 || 645 || The revolutionary and the mystic ||  ||  ||
|-
| 664 || 646 || Time. Our idea of it ||  ||  ||
|-
| 665 || 647 || Thus, the future exists ||  ||  ||
|-
| 666 || 648 || The value of commodities ||  ||  ||
|-
| 667 || 649 || Has anyone remarked ||  ||  ||
|-
| 668 || 650 || Actor’s say of an emotional ||  || {{icon|NO}} ||
|-
| 669 || 651 || Steve Allen obeys Joyce’s ||  || {{icon|NO}} ||
|-
| 670 || 652 || Social forms: We say ||  || {{icon|NO}} ||
|-
| 671 || 653 || Obscenity ||  || {{icon|NO}} ||
|-
| 672 || 654 || The double meaning of consonants ||  || {{icon|NO}} ||
|-
| 673 || 655 || They. Th ay Instantaneity ||  || {{icon|NO}} ||
|-
| 674 || 656 || When I take Lipton’s ||  ||  ||
|-
| 675 || 657 || Psyche. Sigh—Key ||  || {{icon|NO}} ||
|-
| 676 || 658 || All business partnerships ||  || {{icon|NO}} ||
|-
| 677 || 659 || Shakespeare is the decadent genius ||  ||  ||
|-
| 678 || 660 || The relation of h to f ||  || {{icon|NO}} ||
|-
| 679 || 661 || Chess. The dramatization ||  || {{icon|NO}} ||
|-
| 680 || 662 || The aviator is a hipster too ||  || {{icon|NO}} ||
|-
| 681 || 663 || Adele, as only I have seen her ||  ||  || Note.
|-
| 682 || 664 || The salesman has to sell ||  ||  ||
|-
| 683 || 665 || The foot-note leads ||  ||  ||
|-
| 684 || 666 || I glimpse a form ||  ||  ||
|-
| 685 || 667 || I suspect that the form ||  || {{icon|NO}} ||
|-
| 686 || 668 || Psyche Soma ||  || {{icon|NO}} ||
|-
| 687 || 669 || I can hardly complain ||  ||  ||
|-
| 688 || 670 || I suspect that the frequency ||  ||  ||
|-
| 689 || 671 || I still haven’t expressed ||  || {{icon|NO}} ||
|-
| 690 || 672 || The hush ||  || {{icon|NO}} ||
|-
| 691 || style="background:red;" | 672 || Laughter. We laugh when we ||  ||  ||
|-
| 692 || 673 || The root ''oom'' ||  || {{icon|NO}} ||
|-
| 693 || 674 || V contain the opposed ||  || {{icon|NO}} ||
|-
| 694 || 675 || More on laughter ||  ||  ||
|-
| 695 || 676 || Exh''iliar''ation and depression in writing ||  ||  ||
|-
| 696 || 677 || Those periods in history ||  ||  ||
|-
| 697 || 678 || In the course of this journal ||  ||  ||
|-
| 698 || 679 || Ideas and thought ||  ||  ||
|-
| 699 || 680 || People who are in ||  || {{icon|NO}} ||
|-
| 700 || 681 || Reversals. From Legman ||  || {{icon|NO}} ||
|}
===March 4, 1955===
===March 4, 1955===
{| class="wikitable" style="width: 100%;"
|-
! # !! NM# !! First Words !! x-Refs !! Cut !! Notes
|-
| 701 || 682 || This is going to be tough ||  ||  ||
|-
| 702 || 683 || Laughton came to town ||  ||  || Note.
|-
| 703 || 684 || This typewriter is giving me ||  || {{icon|NO}} ||
|-
| 704 || 685 || shit shit shit shit shit shit ||  ||  ||
|-
| 705 || 686 || I do want to say ||  ||  ||
|-
| 706 || 687 || In the interim ||  ||  ||
|-
| 707 || 688 || Also I have been going ||  ||  || Note.
|-
| 708 || 689 || Tonight people are coming ||  ||  ||
|}


==Questions==
==Questions==

Latest revision as of 07:42, 30 July 2022


Project citation: Mailer, Norman (2020). Lennon, J. Michael; Lucas, Gerald R.; Mailer, Susan, eds. "Lipton's Journal". Project Mailer. The Norman Mailer Society. Retrieved 2020-12-20.

Entry Dates

December 1, 1954

# NM# First Words x-Refs Cut Notes
1 1 Perhaps the artist is less
2 2 Lipton's seems to open one
3 3 Fucking is perhaps an approach
4 4 In relation to (1) L1 Note.
5 5 The concentration camp novel Did You Know? Note. Unclear x-ref # in note.
6 6 One should always listen attentively Note.
7 7 Herbert A[ptheker]. said of Lipton’s Note.
8 8 In modern jazz, one feels Note.
9 9 Thoreau’s beautiful remark Note.
10 10 I upset Herbert [Aptheker] by saying
11 11 In a short novel Unknown-Class article Note.

December 8, 1954

# NM# First Words x-Refs Cut Notes
12 12 One should always try to Unknown-Class article
13 13 It seems to me that
14 14 It is possible that many Note.
15 15 All of my life with Adele
16 16 If there is that other world
17 17 Listening to a child
18 18 I advertise to everyone
19 19 Six and Four are close
20 20 Knowledge is systematized ignorance
21 21 A novel is slowly emerging
22 22 It may be that the
23 23 In the conc. camp novel L17
24 24 There may actually be such
25 25 Every word sets up L24 Note.
26 26 Television may have some extraordinary Note.
27 27 Possibly the spasmodic nervous system
28 28 Vomiting may be the orgasm
29 29 No saint can be a teacher
30 30 Infants may be enormously wise
31 31 The saint and the psychopath Note.
32 32 No one is more unreligious
33 33 Medicine may be witchcraft end: [and] its emphasis on progress.
34 34 The aggressive instinct
35 35 Psychoanalysis, liberalism, etc. etc.
36 36 I have learned more from
37 37 In The Deer Park after the Note.
38 38 If the more saintly people
39 39 In a Collier’s article Note.
40 40 Words are not entirely bad
41 41 Death may be the price
42 42 I know nothing about semantics
43 43 Talk with Rhoda L. Note.

December 17, 1954

# NM# First Words x-Refs Cut Notes
44 44 The saint and the churchman
45 45 There is no death-instinct
46 46 What worries me today
47 47 Spengler is a great writer L48 Notes.
48 48 Swing in jazz is different
49 49 When Susie speaks of “war”
50 50 There is a lesson for me L47
51 51 A remark on why psychoanalysts
52 52 When the businessman thinks
53 53 Perhaps the reason Susy Note.
54 54 I understand now what Danny Notes.
55 55 The word is a flat
56 56 In the larger sense Note.
57 57 The Stalinists have sneered Note.
58 58 My characters in The Deer Park
59 58 Equations: Man is born Added punctuation in ¶3.
60 59 The big novel could Note.
61 60 I learned a practical matter
62 61 I have always hated sentimentality
63 62 The measurement of time
64 63 Advertising and television and radio Note.
65 64 Because the desire for material
66 65 Almost always experts can never

December 28, 1954

# NM# First Words x-Refs Cut Notes
67 66 At its best, my mind
68 67 Over and over again

December 29, 1954

# NM# First Words x-Refs Cut Notes
69 68 “Vested interest” is enormously more
70 69 Get beneath words Unknown-Class article (partial)
71 70 The gossip is the great
72 71 Words have not only echoes
73 72 The concealments of language
74 73 The sensual is the soul’s
75 74 The Sense of the Past
76 75 There are two kinds of hatred
77 76 The power of the word Note.
78 77 They key to Sergius’ character
79 78 The breakup with Lulu Note.
80 79 Jokes. Charley Wiener just said Unknown-Class article Note needed?: Charley Wiener
81 80 Eitel in court Unknown-Class article Note.
82 81 In error there is also truth
83 82 Eitel and Elena—last chapter Note. Use partial w/ L81, too.
84 83 Don Beda Note.
85 84 Interpretations of present events Notes.
86 85 My feeling about semantics L42 Note.
87 86 One thing must be said L85, L71
88 87 Stories of dreams Unknown-Class article
89 88 Bombing as the great shitting Unknown-Class article
90 89 Comedians and comic writers Unknown-Class article
91 90 Women who always hate
92 91 The more knowledge
93 92 Possibly, bad works of art Unknown-Class article
94 93 The spy (another adventurer) Note.
95 94 Actors and spies
96 95 When a friend says Unknown-Class article
97 96 “Am I boring you?”
98 97 So, boredom, depression, laughter
99 98 Saints and psychopaths
100 99 Laughter is spiritual
101 100 The psychopath sees the present
102 101 So the hipster is the adventurer
103 102 Given my intellectual verbal mind
104 103 A possibility occurs to me Note.
105 104 Marion Faye note
106 105 Note 103 could be L103 Could the x-ref actually be L105?
107 106 Marion Faye note Note.
108 107 Marion Faye on Eitel
109 108 Marion Faye in prison
110 109 Sergius is my brother
111 110 Marion F Journal
112 111 My journal again
113 112 False humility Unknown-Class article Seems like this should not be cut, as L115 alludes to it.
114 113 Marion Faye journal
115 114 (My journal) Arrogance
116 115 Humor is more than wit
117 116 Marion Faye’s note Unknown-Class article
118 117 Man may be terrible Unknown-Class article
119 118 The fear of being ridiculous
120 119 Toward the end of Marion Unknown-Class article
121 120 Marion Faye’s note about Unknown-Class article
122 121 Any art-work which
123 122 “Do you know, Sergius?”
124 123 Dorothea O’Faye could figure

December 31, 1954

# NM# First Words x-Refs Cut Notes
125 124 I am getting whole bodies
126 125 Thoughts. All thoughts in words Note.
127 126 People who make love
128 127 Get a tape recorder Note. [add tea time info] still needed
129 128 Word echoes: We have
130 129 On the understanding of genius
131 130 Word echoes. Mother and smother
132 131 Seriously, truly, just simply
133 132 In Marion Faye’s journal Unknown-Class article
134 133 Jazz is more creative
135 134 I used to be outwardly
136 135 Years ago, working with Malaquais Unknown-Class article
137 136 The world allows us to express
138 137 My ambition remains
139 138 I think that the new
140 139 Sexual psychopathy would be normal Note.
141 140 What I learn about The Deer Park
142 141 Most celebrities are people
143 142 Marion Faye’s journal
144 143 Anyone reading these notes
145 144 At the point where Eitel
146 145 The universe is a vast puzzle
147 146 In N.Y. if we want Note.
148 147 Time is the sense of society
149 148 The so-called decadent writers
150 149 Wild thought. The atom bomb Note.
151 150 Don Beda should be
152 151 What Stalinists see
153 152 Don Beda should be
154 153 Time as the sense of society Added hand-written note, but need to check last two words.
155 154 Bob Lindner. As he reads Notes.
156 155 The homo-erotic corollary Notes.
157 156 The corollary of this Note.
158 157 What courage Adele has Notes.
159 158 What terrifies me is exactly
160 159 The fuck novel, “Antacid Analgesique.” Note.

January 3, 1955

# NM# First Words x-Refs Cut Notes
161 160 If this record is to have
162 161 One of the curious effects
163 162 What I dislike so much
164 163 Perhaps a man kills
165 164 With Marion Faye this took Unknown-Class article
166 165 A psychopath expands
167 166 Any human scene
168 167 Precise speech appeals
169 168 Our fear of ghosts
170 169 On the other hand
171 170 The sensitivity spectrum Note.
172 171 Does telepathic mean sick telepathy? Unknown-Class article
173 172 On television, many of the ads
174 173 There is also the possibility
175 174 Listening to Dizzy Gillespie Note.
176 175 Word echoes Unknown-Class article
177 176 I suspect that an index
178 177 Psychopathic love
179 178 Consider whether Elena after
180 179 Sports and sex
181 180 Musicians. The saxophonist
182 181 Steve Allen talking while Note.
183 182 I heard “The Star-Spangled Banner”
184 183 Competition of personality marks
185 184 Name for a Negro
186 185 Be-bop chorus
187 186 We may all have a social Notes.
188 187 Perhaps the secret Note.
189 188 This is the age
190 189 Memory may be a layer Mailer underlined the first two sentences and wrote “Expand” in the margin.
191 190 There’s no such thing
192 191 How do you like my Unknown-Class article
193 192 Fatty foods are cunt foods Unknown-Class article
194 193 Bob told the pickle factory joke
195 194 Obscenity substitutes Unknown-Class article
196 195 Obscenity echoes
197 196 In Barbary Shore I planted Unknown-Class article

January 20, 1955

# NM# First Words x-Refs Cut Notes
198 197 The poor drawing Unknown-Class article
199 198 Looking at myself Note.
200 199 This is the age Notes.
201 200 When we run across Note.
202 201 The tragic air of Mexico Note.
203 202 Rich boys are proud
204 203 “Instants” and “moments”
205 204 John Walsh is a homosexual Note. NM wrote “expand” in the margin-left of the last paragraph.
206 205 If I have qualities of genius
207 206 The Perfect Secretary See NM’s written gloss.
208 207 The night Bob spoke Note.
209 208 The affected person Unknown-Class article
210 209 How much real hatred
211 210 What we do on the surface
212 211 Homeostasis may be true Unknown-Class article (partial)
213 212 Our perception of others
214 213 Word echoes. Son is sin

January 24, 1955

# NM# First Words x-Refs Cut Notes
215 214 Word echoes. Possible way
216 215 Friday, Saturday, and Sunday Note.
217 216 To begin with, one Notes.
218 217 How I’m getting to love
219 218 Spies are takers
220 219 Thoughts about The Deer Park Unknown-Class article
221 220 When Elena is first introduced Unknown-Class article
222 221 Wrestlers and boxers
223 222 Homeostasis and sociostasis Note.
224 223 What I have noticed Note.
225 224 My character. I have always Notes.
226 225 Remember: The fear of being
227 226 In The Journal of Marion Faye
228 227 The movement of my writing Should McLeod be glossed?
229 228 I have always been the romantic
230 229 To condemn L205, L228
231 230 Our resistance about changing Note.
232 231 Rojo and ojo
233 232 Man and his dog
234 233 For three years while writing
235 234 Romance and realism Note.
236 235 The saint and the psychopath
237 236 In the saint-psychopath sense
238 237 This is the best day
239 238 I was deeply instinctively right
240 239 Yet the course of human history
241 240 For years, unknowingly
242 241 Bebop. P and B are sibling consonants Notes.
244 243 Golfers are people who take
245 244 Put another way, the sociostatic
246 245 But look at the philosophical
247 246 It also suggests that action
248 247 Which leads me to Note.
249 248 English is so magnificently blunt
250 249 To go back to note 245 L245 Notes.
251 250 Joyful thought
252 251 Children’s eating Note.
253 252 Everybody is both male and female Should NM’s spelling be made consistent: e.g., bi-sexual or bisexual?

January 25, 1955

# NM# First Words x-Refs Cut Notes
254 253 The advances in medicine
255 254 The predictor, the prophet Note.
256 255 The above note L255
257 256 Bob is the dishonest man
258 257 I wonder if one doesn’t
259 258 Typing errors Unknown-Class article
260 259 But I wanted to finish Unknown-Class article (partial) Note.
261 260 What I wrote about Sergius
262 261 This Journal in so far
263 262 I realized so many funny
264 263 Since I started this Journal Notes.
265 264 The sense of time
266 265 Old people don’t slow down
267 266 To continue 265 I wonder L265
268 268 The interesting confirmation L267
269 269 Fed up. We stuff ourselves Unknown-Class article Joe Rosenthal should be glossed?
270 270 Radicals. Particularly socialists Fra Jean?
271 271 Prose on wings, tra-la, tra-la L270 Note.
272 272 So, modestly, I see my mission
273 273 Jews hated Hitler violently
274 274 What is a monster? Unknown-Class article

January 26, 1955

# NM# First Words x-Refs Cut Notes
275 275 I am coming to believe
276 276 I have noticed in analytic Note.
277 277 Let me put it this way Should "basis" be "basic" in sentence 1?
278 278 I know now why I
279 279 Clues, mysteries, puns
280 280 In this sense, we are all
281 281 If the above sounds very fancy L280
282 282 Sociostasis and sociostasis Notes.
283 283 So in that sense L282 Note.
284 284 Little confirmations of 282 L282 Unknown-Class article
285 285 I have to face something Note.
286 286 Dialogue: Yesterday, Hiram Haydn Note.
287 287 Word echoes: Go, man, go Unknown-Class article
288 288 Bob Lindner is in the dramatic Note.
289 289 Let me try 283 again L283 Note.
290 290 Now I come back
291 291 The all-out Marxist Unknown-Class article
292 292 Now, back to 290 L290, L395 (in note) Note.
293 293 I’m getting exhausted Unknown-Class article
294 294 One takes in order to understand
295 295 But wrestlers who are givers
296 296 Talk is cheap, action is hard
297 297 Jokes. Argo. Unknown-Class article
298 298 No wonder I’ve always been Unknown-Class article
299 299 Back to x Jargon Unknown-Class article
300 300 B is the first consonant Unknown-Class article
301 301 Infant and I am faint Unknown-Class article
302 302 Ant and and
303 303 Obscenities: 69
304 304 Jazz. Z and s are sibling components
305 305 At this moment I’m sick
306 306 But what a compulsion L305
307 307 I’m getting weary Note.
308 308 Fuck, piss, cock, shit, cunt
309 309 I have heard writers say Unknown-Class article
310 310 When I was a kid Note.
311 311 My pompous man again
312 312 It seems obvious that insanity
313 313 Word echoes. Job Unknown-Class article
314 314 Aristocrats are usually takers

January 27, 1955

# NM# First Words x-Refs Cut Notes
315 315 As was evident in the notes
316 316 But what is also interesting
317 317 What I distrust of course.
318 318 On the positive side
319 319 Letter echoes: Be Unknown-Class article
320 320 For some time I have wanted Note.
321 321 The business of putting
322 322 Corollary. Whenever one reads

January 31, 1955

# NM# First Words x-Refs Cut Notes
323 323 My birthday today
324 324 A few word echoes Unknown-Class article
325 325 Give-and-take
326 326 The possibility of other Notes.
327 327 The voice of radio and recordings
328 328 But, carry this a step further
329 329 One’s own voice
330 330 One other observation
331 331 Mimics are always psychopaths
332 332 Last week I wrote Search Note.
333 333 I have the feeling these days How should the 3rd sentence read?
334 334 A great deal of this journal
335 335 Jealousy. But what a mountain
336 336 The cynic
337 337 The conservatism of the female
338 338 Word echoes. Breath, stripped
339 339 Exceptional people Notes.
340 340 Which brings me to Bob Lidner Note.
341 341 Page 100
342 342 Stimulants. My ideas which started
343 343 Fascination keeps us on
344 344 What I neglected to say
345 345 Half-way stations
346 346 Journalists—another variety of psychopath
347 347 An interesting confirmation
348 348 Pro and con—prick and cunt
349 349 The Catholic Church
350 350 Word echoes. The and he Unknown-Class article
351 350A Word mirrors:
352 351 I cannot say it often enough Should “od” be corrected?
353 352 Horse-racing. An article Note.
354 353 Word echoes: Defense
355 354 Word echoes. Good, God
356 355 Good. Go to d, Go
357 356 Modern painting
358 357 The key to Bill Styron’s nature Note.
359 358 The inter-fecundation is starting
360 359 Which gives an insight into
361 360 I am always inept at arguing
362 361 More typing errors deliver Unknown-Class article
363 362 God and Jehovah, goal and jail Unknown-Class article
364 363 Word echo: By—By Unknown-Class article
365 364 A lot of this is probably
366 365 A corroborating proof
367 366 The reformer’s liberal ideas
368 367 Nat Halper. His work on the Joyce Note.
369 368 Modern art. Liberals, social democrats
370 369 Elena is a failure
371 370 Cancer. I believe instinctively
372 371 For The Deer Park
373 372 Word echoes: If and Is Unknown-Class article
374 373 I wrote the last note Unknown-Class article
375 374 Consonant echoes: X
376 375 The cross was where man
377 376 Adele’s qualities
378 377 The voice
379 378 A note on my Self-Analysis Notes. Is “sociismus” supposed to be “socialismus” (socialism)?
380 379 Word echoes. Son and sun Unknown-Class article
381 380 What-the-hell
382 381 Word echoes. Her and err
383 382 What I am doing with letters
384 383 Is W the world?
385 384 Son of a bitch
386 385 Simply, directly, I excited
387 386 Once in a while
388 387 f and v. F is fuck
389 388 I’m getting a little tired now
390 389 Anyway, I think I’ll finish Notes.

February 1, 1955

# NM# First Words x-Refs Cut Notes
391 390 Today makes two months
392 391 Last night, having dinner
393 392 Later, today, if I can Unknown-Class article
394 393 What appears to me right
395 394 Word echoes. (I suppose
396 395 Another word echo here
397 396 The Burglar again
398 397 Disagreeable as it is Notes.
399 398 I suppose the last note
400 399 To finish note 390 390 Notes.
401 400 One addition to this
402 401 Back from lunch
403 402 A comment on the above 402
404 403 At the other end Note.
405 404 The Catholic would argue Note.
406 405 I may have a clue
407 406 Word echoes. I’ve discussed jazz
408 407 If my identification of red
409 408 Gate. And r: Great.
410 409 The strength of the Church. Note.
411 410 A note on my father. Note.
412 411 And now I understand Monroe Note.
413 412 On how I can’t destroy love. Note.
414 413 One thing bothers me.
415 414 A lay analyst.
416 415 I have a hunch
417 416 My sexual scar. 207
418 417 Depression is coming on
419 418 Perhaps the sexual explanation
420 419 Jesus, I’d rather be
421 420 A little interesting and Unknown-Class article
422 421 Decadence. I wonder
423 422 The above note was written 422
424 423 Echoes and opposites.
425 424 The spectrum of the saint-psychopath. Note.
426 425 The above not ought 425
427 426 Before I quit, I want to list Unknown-Class article

February 2, 1955

# NM# First Words x-Refs Cut Notes
428 427 Continuing on H Unknown-Class article
429 428 The horrible thought occurs
430 429 The artist and his paranoia.
431 430 Note 214 was about the 215 Unknown-Class article
432 431 It is really incredible that
433 432 Each of the Church’s dictums
434 433 The gambler’s debt
435 434 I’ve spent the last few hours Notes. Where should the open parenthesis end? I don’t see the last sentence in the original.

February 7, 1955

# NM# First Words x-Refs Cut Notes
436 435 The opening into myself The first parenthesis does not close.
437 436 One idea in this Unknown-Class article Text added to 436.
438 436 The intellectual is antipathetic Unknown-Class article
439 437 At any rate each time Unknown-Class article
440 438 I have to explain what
441 439 But I go at this
442 440 Besides I may discover
443 441 Anyway, let’s go back Unknown-Class article
444 442 Parenthesis after parenthesis Unknown-Class article
445 443 The anarchist as he exists Unknown-Class article
446 444 But, again, back to give-and-take
447 445 Now, give-san-take
448 446 Give-and take is the secret Unknown-Class article
449 447 Marriage, every marriage Unknown-Class article
450 448 Up and down, in and out Unknown-Class article
451 449 The world of commerce Unknown-Class article
452 450 Action is one of the enigmas Unknown-Class article
453 451 Yet to stay alive we
454 451 Let me put it another way Unknown-Class article
455 452 So, a partial justification Unknown-Class article
456 453 Just above I wrote 42 Unknown-Class article
457 454 Perhaps the clue
458 455 The crook in Bob Lindner Note.
459 456 Sesame. The sex of me
460 457 But why can I understand Note.
461 458 After lunch, and how
462 459 Crooks are interested Note.
463 460 What I started to say Unknown-Class article
464 461 Japanese: Their word for yes Unknown-Class article
465 462 Chinese: A very primitive language Unknown-Class article
466 463 I’m one of the first Note.
467 464 There is so much to be said Unknown-Class article
468 465 The art of the playwright Note.
469 466 Beating and being Unknown-Class article
470 467 German. The Germans are philosophers Unknown-Class article
471 469 Anyway, the Germans Note.
472 470 eeeeeeeeeeeeeee Unknown-Class article
473 471 V becomes closer Unknown-Class article
474 472 Double V is WW Unknown-Class article
475 473 VVVVVVV is close Unknown-Class article
476 474 Vomiting. I see Unknown-Class article
477 475 Mother. The masculine other Unknown-Class article
478 476 Er would be a far
479 477 Super. To sup and to er
480 478 I’m getting tired again
481 479 But I haven’t even begun Note.
482 480 Any rationalist reading
483 481 For the first time I
484 482 In the middle of the cliché Unknown-Class article
485 483 But I just can’t get Unknown-Class article
486 484 Let’s start with orgasm
487 485 To attempt to go on
488 486 To be continued tomorrow Unknown-Class article
489 486a Before I go on with Unknown-Class article
490 487 So, if my premise Note.
491 488 I keep trying to write
492 489 Which is why I have
493 490 Mom. A cunt O
494 491 I’ve spent the last 423 Unknown-Class article
495 492 Following my Clue Unknown-Class article
496 493 Back to bisexuals Unknown-Class article
497 494 So, the bisexual in society
498 495 I’m getting hipped Unknown-Class article
499 496 The next “idea” Unknown-Class article
500 497 What characterizes the power-mad Unknown-Class article
501 498 I’ve just been out for lunch
502 496 This has all been a preface 499
503 497 At any rate, I still believe
504 498 And, of course, the little ^
505 499 What a jewel of a word Unknown-Class article
506 500 But what remains Note.
507 501 The cop is getting stronger
508 502 I’ve got to shake this off
509 503 The family dinner
510 504 I don’t have the patience
511 505 Dynamo. Dine at mom’s Unknown-Class article
512 506 While we’re on consonants Unknown-Class article
513 507 Example: Formalize (Fuck of Unknown-Class article
514 508 From time to time I worry
515 509 Course of events
516 510 I have postulated unisexuality Note.
517 511 We and Us Unknown-Class article
518 512 World. It is a prettier Unknown-Class article
519 513 But ‘rectal’ I’m sure Unknown-Class article
520 514 RL again. Relish Unknown-Class article
521 515 The difficulty in consonant Unknown-Class article
522 516 An old cliché is called Unknown-Class article
523 517 Regal—egal Unknown-Class article
524 518 Acts of the body
525 519 The is and the ing. Unknown-Class article
526 520 When an intelligent person Note.
527 521 Adele gets furious these days
528 522 Actually, there’s no contradiction Note.
529 523 But this opens the peculiar
530 524 Excelsior! Hardons onward
531 525 Excelsior: What I’m getting at
532 526 Now, of course, an analyst
533 527 Yet, we cannot deny it
534 528 I’m very dissatisfied
535 529 Time is Number Unknown-Class article
536 530 Toynbee’s challenge Unknown-Class article
537 531 We and wee Unknown-Class article
538 532 The beggar-king Unknown-Class article
539 533 The reason the common people
540 534 And so the enigma
541 535 And that is why certain Unknown-Class article
542 536 A dick is a cock Unknown-Class article
543 537 Twot. The thing of what? Unknown-Class article
544 538 Man and society Unknown-Class article
545 539 I just realized that the reason Note.
546 540 Anybody who’s really
547 541 I have to explore
548 542 Hemingway’s peculiar weakness
549 543 Depressants and stimulants
550 544 The above was hardly Unknown-Class article
551 545 So, to begin with, Unknown-Class article
552 546 I’m written out

February 10, 1955

# NM# First Words x-Refs Cut Notes
553 547 A new typewriter ribbon
554 548 Today is L plus 1
555 549 But what I want to try
556 550 This can help to explain
557 551 For the analyst and the analysand
558 552 I have come to a conclusion Note.
559 553 The fluoridation of water Unknown-Class article
560 554 Investigating the consonants
561 555 On the vowels
562 556 I have an idea Note.

February 14, 1955

# NM# First Words x-Refs Cut Notes
563 557 Again I start work
564 558 The kick-off was Note.
565 559 I have not warmed up
566 560 I’ve come up with something Unknown-Class article
567 561 For days I’ve been working Unknown-Class article
568 562 A lover of music Unknown-Class article
569 563 But I am the person Unknown-Class article
570 564 It can be stated
571 565 Pain and pleasure Unknown-Class article
572 566 “Stupid” people find Note.
573 565 Antacid Analgesic Note.
574 566 What a title Note.
575 567 Yes, I am a rationalist Unknown-Class article
576 568 And isn’t that the Devil? Unknown-Class article
577 569 My nose has stopped running
578 570 A truly great man
579 571 Ruthless and Truthful Unknown-Class article
580 572 What I’ve been avoiding Unknown-Class article
581 573 I got the D.T.’s Unknown-Class article
582 574 Last night taking my Seconal
583 575 What bothered me about Notes.
584 576 Kill or be killed
585 577 Ted Amussen cannot express Notes.
586 578 The and He Unknown-Class article
587 579 Antacid Analgesic is filled Unknown-Class article
588 580 P, I believe, signifies Unknown-Class article
589 581 Energy spent on solving Unknown-Class article
590 582 The curve is life
591 583 Classicist and Romantic
592 584 Last night on the train Unknown-Class article
593 585 My throat is sore again
594 586 Patience and impatience
595 587 The reason this journal
596 588 To understand a neurotic Unknown-Class article
597 589 (ENTERING_and_LEAVING) Unknown-Class article
598 590 Impatience—patience
599 591 I’m really beginning to dig Unknown-Class article
600 592 The malfunction of entering-leaving Unknown-Class article
601 592 The phallic-narcissist (Jim Jones)
602 593 Back from lunch Unknown-Class article
603 593 But another revelatory contradiction Unknown-Class article
604 594 “Freedom is the recognition Unknown-Class article
605 595 I don’t know if I agree 604 Unknown-Class article
606 596 Let me make as assumption
607 597 Yet, this is still true
608 598 Which is where an understanding Note.
609 599 I lost weight all last summer
610 600 I wonder if once smoking
611 601 The rationalist says
612 602 What I suspect about Lipton’s
613 603 My sore throat seems gone Note.
614 604 One healthy thing I am
615 605 The part and the whole Unknown-Class article
616 606 As I said to Bob Unknown-Class article
617 607 Reason, the logic on One Unknown-Class article
618 608 One thing to say Unknown-Class article
619 609 A thousand things yet

February 21, 1955

# NM# First Words x-Refs Cut Notes
620 610 Avery (Men with the name Unknown-Class article
621 611 Here we go again
622 612 Out of curiosity
623 613 I truly have the feeling
624 614 The reason I believe
625 615 Saw Mutiny on the Bounty Notes.
626 616 And Laughton
627 617 Over and over I come
628 618 Sup, x er, lerve, and the Juggler Unknown-Class article
629 619 Back to Laughton Notes.
630 620 A few word echoes
631 621 My sore throat
632 622 I have an enormously tense
633 623 Cigarette smoking
634 624 The cigarette is society’s substitute
635 624 A shit-eating grin
636 625 Before I go to lunch
637 626 Hatred is the defense Unknown-Class article
638 627 Semen. How it appears everywhere Unknown-Class article
639 628 Milk. Another semen-substitute Unknown-Class article
640 629 Last night I caught a piece Note.
641 630 Tears and semen Note.
642 631 I realized during lunch
643 632 Psychoanalyzing names
644 633 Homosexuality Note.
645 634 The Burglar [Edmund Bergler]
646 635 The phallic narcissist
647 636 All day I have been holding
648 635 There, Now, I like him again
649 636 What’s in a name Unknown-Class article
650 637 Three and tree Unknown-Class article
651 638 Out of sight, out of mind Unknown-Class article
652 639 I have a feeling that
653 635 What occurs to me
654 636 Over the weekend I took Note.
655 637 An article in Scientific American Unknown-Class article
656 638 Word echoes and tag lines Unknown-Class article

February 22, 1955

# NM# First Words x-Refs Cut Notes
657 639 Today, I’m completely down Part Unknown-Class article
658 640 I feel fairly barren of ideas Unknown-Class article
659 641 First comes “back and front” Unknown-Class article
660 642 A corollary. Refrigerators Unknown-Class article
661 643 I have postulated consciousness Unknown-Class article
662 644 There is only one revolution
663 645 The revolutionary and the mystic
664 646 Time. Our idea of it
665 647 Thus, the future exists
666 648 The value of commodities
667 649 Has anyone remarked
668 650 Actor’s say of an emotional Unknown-Class article
669 651 Steve Allen obeys Joyce’s Unknown-Class article
670 652 Social forms: We say Unknown-Class article
671 653 Obscenity Unknown-Class article
672 654 The double meaning of consonants Unknown-Class article
673 655 They. Th ay Instantaneity Unknown-Class article
674 656 When I take Lipton’s
675 657 Psyche. Sigh—Key Unknown-Class article
676 658 All business partnerships Unknown-Class article
677 659 Shakespeare is the decadent genius
678 660 The relation of h to f Unknown-Class article
679 661 Chess. The dramatization Unknown-Class article
680 662 The aviator is a hipster too Unknown-Class article
681 663 Adele, as only I have seen her Note.
682 664 The salesman has to sell
683 665 The foot-note leads
684 666 I glimpse a form
685 667 I suspect that the form Unknown-Class article
686 668 Psyche Soma Unknown-Class article
687 669 I can hardly complain
688 670 I suspect that the frequency
689 671 I still haven’t expressed Unknown-Class article
690 672 The hush Unknown-Class article
691 672 Laughter. We laugh when we
692 673 The root oom Unknown-Class article
693 674 V contain the opposed Unknown-Class article
694 675 More on laughter
695 676 Exhiliaration and depression in writing
696 677 Those periods in history
697 678 In the course of this journal
698 679 Ideas and thought
699 680 People who are in Unknown-Class article
700 681 Reversals. From Legman Unknown-Class article

March 4, 1955

# NM# First Words x-Refs Cut Notes
701 682 This is going to be tough
702 683 Laughton came to town Note.
703 684 This typewriter is giving me Unknown-Class article
704 685 shit shit shit shit shit shit
705 686 I do want to say
706 687 In the interim
707 688 Also I have been going Note.
708 689 Tonight people are coming

Questions

  1. What do we want to do with omitted entry numbers? Just skip them? Or should they be included in the digital version but not the printed?
  2. Are the numbers on Donna’s transcript the new, correct numbers? (I know Mike said that Mailer mis-numbered some entries.)
  3. Should each entry date have its own index page? Perhaps each numbered entry could be summarized here?
  4. Should each numbered entry should have its own (sub)page? I think yes.
  5. Should each numbered entry have a title other than a number? Each could have a shortcut, so if the title is Lipton’s Journal/December 1, 1954/1, the shortcut could be LJ1 or just L1.
  6. Should we categorize numbered entries? Thematically? Style of entry?
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