User:KMullins/sandbox: Difference between revisions

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{{user sandbox|plain=yes}}
{{user sandbox|plain=yes}}
SOME PRELIMINARY SPECULATION ON NORMAN MAILER'S LEGACY reminds
me of a media-fixed auto derby that has already predetermined a Mailer finish as a questionable non-winner at the starting-gate.


Such derby flux began with the news of Mailer’s recent demise and
{{cite web |url= https://seminoles.com/brenda-cliette-bio/|title=Brenda Cliett Bio  |author=<!--Not stated--> |date=September 19, 2014 |website=Seminoles.com|publisher= |access-date= |quote=}}
became fast-tracked into obvious truth that Mailer’s Legacy Quotient (LQ) is
unique in that his “character” supersedes and eclipses his canon of work A
writer’s behavior, in short, is all that matters to some critics. The LQ axiom,
in Mailer’s case, remains commonplace: character overshadows canon.


Imagine such absurdity, historically speaking. To hell with ''The Ring'',Wagner was such a rotter. And up the LQ of Will Shakespeare with his blank bio,
{{cite web |url= http://www.nolefan.org/summary/wtf1984.html |title= 1983-84 Women's Track and Field - Year In Review |author=<!--Not stated--> |date= |website= nolefan.org |publisher= |access-date= |quote=}}
but down the LQ of the thuggish Ben Jonson. And give a zero read to Ezra
Pound, that Fascist. And don’t forget that old goat, Theodore Dreiser, and his
whorehouse antics. And, yes, Papa Hemingway, that macho bundle of character flaws. Heraclitus said that “Character is Destiny.” Enter Norman Mailer,
a literary bundle of flux, perhaps destined to have his ego read more than his
books. Also enter the ubiquitous media that increasingly preside over a
nation of gawkers rather than readers.


In 1948, a curtain rose and out trots an unknown with a big war book, an
{{cite web |url= https://www.ghsa.net/sites/default/files/documents/Constitution/GHSA_RR_1981-1982.pdf |title= Results Of State Meet |author=<!--Not stated--> |date= |website= gsha.net |publisher= |access-date= |quote=}}
overnight best seller and a corresponding big-eyed media. What a readymade twosome, Mailer and the media, mutual enablers, and Norman Mailer
 
becomes America’s leading literary celebrity. Unlike his two nearest competitors, Truman Capote and Gore Vidal, Mailer was typecast as ruffian
{{cite web |url=http://georgiasportshalloffame.com/site/meet-the-inductees/meet-the-inductees-brenda-cliette/ |title= Meet the Inductees: Brenda Cliett|author=<!--Not stated--> |date= |website= georgiasportshalloffame.com|publisher= |access-date= |quote=}}
extraordinaire—a 24/7 bully-brawler in salons and saloons, the epitome of
 
egghead violence. Overnight, Mailer became the undisputed bad boy of
{{cite web |url=https://www.macon.com/news/local/article58377848.html |title= 33 Macon-Bibb firefighters promoted after exodus of officers |last= Fabian |first= Liz|date= February 4, 2016 |website= macon.com|publisher= |access-date= |quote=}}
American letters, so said the drooling, yet chiding media.

Latest revision as of 20:12, 4 July 2021

"Brenda Cliett Bio". Seminoles.com. September 19, 2014.

"1983-84 Women's Track and Field - Year In Review". nolefan.org.

"Results Of State Meet" (PDF). gsha.net.

"Meet the Inductees: Brenda Cliett". georgiasportshalloffame.com.

Fabian, Liz (February 4, 2016). "33 Macon-Bibb firefighters promoted after exodus of officers". macon.com.