The Mailer Review/Volume 4, 2010: Difference between revisions
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* '''[[Donald L. Kaufmann]]'''<br />{{Big|[[/Ernest and Norman (Exit Music)/]]}} | * '''[[Donald L. Kaufmann]]'''<br />{{Big|[[/Ernest and Norman (Exit Music)/]]}} | ||
* '''[[Hilary K. Justice]]'''<br />{{Big|[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']]}} | * '''[[Hilary K. Justice]]'''<br />{{Big|[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']]}} | ||
* '''[[Allen Josephs]]'''<br />{{Big|[[/ | * '''[[Allen Josephs]]'''<br />{{Big|[[/Mailer’s “Footnote to Death in the Afternoon”|Mailer’s “Footnote to Death in the Afternoon”]]}} | ||
* '''[[Peter Hays]]'''<br />{{Big|[[/Battles for Regard, Writerly and Otherwise/]]}} | * '''[[Peter Hays]]'''<br />{{Big|[[/Battles for Regard, Writerly and Otherwise/]]}} | ||
* '''[[Mimi R. Gladstein]]'''<br />{{Big|[[/Norman, Papa, and the Autoerotic Construction of Woman/]]}} | * '''[[Mimi R. Gladstein]]'''<br />{{Big|[[/Norman, Papa, and the Autoerotic Construction of Woman/]]}} | ||