The Mailer Review/Volume 4, 2010: Difference between revisions
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{{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/</span>Volume 4, 2010}} | {{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/</span>Volume 4, 2010}} | ||
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{{Big|[[/Reflections/]]}} | |||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''Ernest Hemingway'''<br />[Letter to Norman Mailer, August 12, 1959] | * '''Ernest Hemingway'''<br />{{Big|[Letter to Norman Mailer, August 12, 1959]}} | ||
* '''[[Norman Mailer]]'''<br />[[/Postscript to the Fourth Advertisement for Myself/]] | * '''[[Norman Mailer]]'''<br />{{Big|[[/Postscript to the Fourth Advertisement for Myself/]]}} | ||
* '''Norman Mailer'''<br />[[/Hemingway Revisited/]] | * '''Norman Mailer'''<br />{{Big|[[/Hemingway Revisited/]]}} | ||
* '''[[J. Michael Lennon]]'''<br />[[/Hemingway to Mailer — A Delayed Response to The Deer Park|Hemingway to Mailer — A Delayed Response to ''The Deer Park'']] | * '''[[J. Michael Lennon]]'''<br />{{Big|[[/Hemingway to Mailer — A Delayed Response to The Deer Park|Hemingway to Mailer — A Delayed Response to ''The Deer Park'']]}} | ||
* '''[[John Hemingway]]'''<br />[[/Norman, Ernest, and Greg/]] | * '''[[John Hemingway]]'''<br />{{Big|[[/Norman, Ernest, and Greg/]]}} | ||
* '''[[Robert J. Begiebing]]'''<br />[[/Ernest and Norman: A Dialogue in Two Acts/]] | * '''[[Robert J. Begiebing]]'''<br />{{Big|[[/Ernest and Norman: A Dialogue in Two Acts/]]}} | ||
* '''[[Philip Bufithis]]''' and '''[[Kirk Curnutt]]'''<br />[[/A Dialogue Essay on Mailer and Hemingway/]] | * '''[[Philip Bufithis]]''' and '''[[Kirk Curnutt]]'''<br />{{Big|[[/A Dialogue Essay on Mailer and Hemingway/]]}} | ||
* '''[[James H. Meredith]]'''<br />[[/The American Civil War in The Naked and the Dead and Across the River and Into the Trees|The American Civil War in ''The Naked and the Dead'' and ''Across the River and Into the Trees'']] | * '''[[James H. Meredith]]'''<br />{{Big|[[/The American Civil War in The Naked and the Dead and Across the River and Into the Trees|The American Civil War in ''The Naked and the Dead'' and ''Across the River and Into the Trees'']]}} | ||
* '''[[Michael L. Shuman]]'''<br />[[/Norman vs. Ernest: Influence and Identity/]] | * '''[[Michael L. Shuman]]'''<br />{{Big|[[/Norman vs. Ernest: Influence and Identity/]]}} | ||
* '''[[Bill Lowenburg]]'''<br />[[/Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing/]] | * '''[[Bill Lowenburg]]'''<br />{{Big|[[/Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing/]]}} | ||
* '''[[Mark Cirino]]'''<br />[[/Norman Mailer's The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing|Norman Mailer’s ''The Fight'': Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing]] | * '''[[Mark Cirino]]'''<br />{{Big|[[/Norman Mailer's The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing|Norman Mailer’s ''The Fight'': Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing]]}} | ||
* '''[[Kasia Boddy]]'''<br />[[/Mailer, Hemingway, and Boxing/]] | * '''[[Kasia Boddy]]'''<br />{{Big|[[/Mailer, Hemingway, and Boxing/]]}} | ||
* '''[[Barry H. Leeds]]'''<br />[[/Firearms in the Works of Hemingway and Mailer/]] | * '''[[Barry H. Leeds]]'''<br />{{Big|[[/Firearms in the Works of Hemingway and Mailer/]]}} | ||
* '''[[Erik Nakjavani]]'''<br />[[/A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer/]] | * '''[[Erik Nakjavani]]'''<br />{{Big|[[/A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer/]]}} | ||
* '''[[James Plath]]'''<br />[[/Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway's Moral Code|Jive-Ass Aficionado: ''Why Are We in Vietnam?'' and Hemingway’s Moral Code]] | * '''[[James Plath]]'''<br />{{Big|[[/Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway's Moral Code|Jive-Ass Aficionado: ''Why Are We in Vietnam?'' and Hemingway’s Moral Code]]}} | ||
* '''[[Ezra Cappell]]'''<br />[[/Hemingway's Jewish Progeny: Roth and Goldstein in ''The Naked and the Dead''|Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead]] | * '''[[Ezra Cappell]]'''<br />{{Big|[[/Hemingway's Jewish Progeny: Roth and Goldstein in ''The Naked and the Dead''|Hemingway’s Jewish Progeny: Roth and Goldstein in ''The Naked and the Dead'']]}} | ||
* '''[[Victor Peppard]]'''<br />[[/Mailer, Hemingway, and the “Reds”/]] | * '''[[Victor Peppard]]'''<br />{{Big|[[/Mailer, Hemingway, and the “Reds”/]]}} | ||
* '''[[Donald L. Kaufmann]]'''<br />[[/Ernest and Norman (Exit Music)/]] | * '''[[Donald L. Kaufmann]]'''<br />{{Big|[[/Ernest and Norman (Exit Music)/]]}} | ||
* '''[[Hilary K. Justice]]'''<br />[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']] | * '''[[Hilary K. Justice]]'''<br />{{Big|[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']]}} | ||
* '''[[Allen Josephs]]'''<br />[[/ | * '''[[Allen Josephs]]'''<br />{{Big|[[/Mailer’s “Footnote to Death in the Afternoon”|Mailer’s “Footnote to Death in the Afternoon”]]}} | ||
* '''[[Peter Hays]]'''<br />[[/Battles for Regard, Writerly and Otherwise/]] | * '''[[Peter Hays]]'''<br />{{Big|[[/Battles for Regard, Writerly and Otherwise/]]}} | ||
* '''[[Mimi R. Gladstein]]'''<br />[[/Norman, Papa, and the Autoerotic Construction of Woman/]] | * '''[[Mimi R. Gladstein]]'''<br />{{Big|[[/Norman, Papa, and the Autoerotic Construction of Woman/]]}} | ||
* '''[[Bob Batchelor]]'''<br />[[/Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | * '''[[Bob Batchelor]]'''<br />{{Big|[[/Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']]}} | ||
* '''[[Kathleen Robinson]]'''<br />[[/Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']] | * '''[[Kathleen Robinson]]'''<br />{{Big|[[/Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']]}} | ||
* '''[[Raymond M. Vince]]'''<br />[[/Rumors of Grace: God-Language in Hemingway and Mailer/]] | * '''[[Raymond M. Vince]]'''<br />{{Big|[[/Rumors of Grace: God-Language in Hemingway and Mailer/]]}} | ||
* '''[[J’aimé L. Sanders]]'''<br />[[/Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing/]] | * '''[[J’aimé L. Sanders]]'''<br />{{Big|[[/Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing/]]}} | ||
* '''[[H. R. Stoneback]]'''<br />[[/"Oohh Normie — You're Sooo Hemingway": Mailer Memories and Encounters|“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters]] | * '''[[H. R. Stoneback]]'''<br />{{Big|[[/"Oohh Normie — You're Sooo Hemingway": Mailer Memories and Encounters|“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters]]}} | ||
* '''[[Thomas Jacomo]]'''<br />[[/Sparring with Norman/]] | * '''[[Thomas Jacomo]]'''<br />{{Big|[[/Sparring with Norman/]]}} | ||
* '''[[Andrew Gordon]]'''<br />[[/Encounters with Mailer/]] | * '''[[Andrew Gordon]]'''<br />{{Big|[[/Encounters with Mailer/]]}} | ||
* '''[[Gail D. Sinclair]]'''<br />[[/Norman Mailer: An Expected Encounter in an Unexpected Place/]] | * '''[[Gail D. Sinclair]]'''<br />{{Big|[[/Norman Mailer: An Expected Encounter in an Unexpected Place/]]}} | ||
* '''[[Ross Klavan]]'''<br />[[/On Reading Mailer Too Young/]] | * '''[[Ross Klavan]]'''<br />{{Big|[[/On Reading Mailer Too Young/]]}} | ||
* '''[[Erin Miele]]'''<br />[[/What Norman Mailer Taught Me about Combat/]] | * '''[[Erin Miele]]'''<br />{{Big|[[/What Norman Mailer Taught Me about Combat/]]}} | ||
* '''[[Alex Vernon]]'''<br />[[/Style, Politics, and Hemingway's Spanish Civil War Dispatches|Style, Politics, and Hemingway’s Spanish Civil War Dispatches]] | * '''[[Alex Vernon]]'''<br />{{Big|[[/Style, Politics, and Hemingway's Spanish Civil War Dispatches|Style, Politics, and Hemingway’s Spanish Civil War Dispatches]]}} | ||
* '''[[Maureen O’Neill Hooker]]'''<br />[[/Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics/]] | * '''[[Maureen O’Neill Hooker]]'''<br />{{Big|[[/Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics/]]}} | ||
* '''[[Matthew S. Hinton]]'''<br />[[/Advertisements for Others: The Blurbs of Norman Mailer/]] | * '''[[Matthew S. Hinton]]'''<br />{{Big|[[/Advertisements for Others: The Blurbs of Norman Mailer/]]}} | ||
* '''[[Alexander Hicks]]'''<br />[[/Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]] | * '''[[Alexander Hicks]]'''<br />{{Big|[[/Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]]}} | ||
* '''[[Erin Mercer]]'''<br />[[/Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']] | * '''[[Erin Mercer]]'''<br />{{Big|[[/Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']]}} | ||
* '''[[Katharine Westaway]]'''<br />[[/ | * '''[[Katharine Westaway]]'''<br />{{Big|[[/“A Noble Pursuit”: The Armies of the Night as Outside Agitator|“A Noble Pursuit”: ''The Armies of the Night'' as Outside Agitator]]}} | ||
* '''[[Sue Fox]]'''<br />[[/Norris Church Mailer/]] | * '''[[Sue Fox]]'''<br />{{Big|[[/Norris Church Mailer/]]}} | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
* '''[[Max Apple]]'''<br />[[/Inside Norman Mailer/]] | * '''[[Max Apple]]'''<br />{{Big|[[/Inside Norman Mailer/]]}} | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* ''A Ticket to the Circus''<br />'''[[John Bowers]]'''<br />[[/Norris Church Mailer: An Artist from Arkansas/]] | * ''A Ticket to the Circus''<br />'''[[John Bowers]]'''<br />{{Big|[[/Norris Church Mailer: An Artist from Arkansas/]]}} | ||
* ''Fighters and Writers''<br />'''[[Sal Cetrano]]'''<br />[[/All You Need is Glove/]] | * ''Fighters and Writers''<br />'''[[Sal Cetrano]]'''<br />{{Big|[[/All You Need is Glove/]]}} | ||
* ''1959: The Year that Changed Everything''<br />'''[[William T. Ross]]'''<br />[[/1959: One of Mailer’s Years/]] | * ''1959: The Year that Changed Everything''<br />'''[[William T. Ross]]'''<br />{{Big|[[/1959: One of Mailer’s Years/]]}} | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col|colwidth=20em}} | ||
* '''[[Daniele Pantano]]'''<br />[[/Mailer & Hemingway: Low-Voiced Confessions/]] | * '''[[Daniele Pantano]]'''<br />{{Big|[[/Mailer & Hemingway: Low-Voiced Confessions/]]}} | ||
* '''[[Robbin Martinelli]]'''<br />[[/From Where The Rivers Come/]] | * '''[[Robbin Martinelli]]'''<br />{{Big|[[/From Where The Rivers Come/]]}} | ||
* '''[[Nicholas Samaras]]'''<br />[[/Norman Mailer and Ernest Hemingway Do Not Box in Heaven/]] | * '''[[Nicholas Samaras]]'''<br />{{Big|[[/Norman Mailer and Ernest Hemingway Do Not Box in Heaven/]]}} | ||
* '''[[Francis Blessington]]'''<br />[[/The Boxer in the Park/]] | * '''[[Francis Blessington]]'''<br />{{Big|[[/The Boxer in the Park/]]}} | ||
{{div col end}} | {{div col end}} | ||
==Bibliography== | ==Bibliography== | ||
* '''[[Shannon L. Zinck]]'''<br />[[/Norman Mailer Bibliography: 2009/]] | * '''[[Shannon L. Zinck]]'''<br />{{Big|[[/Norman Mailer Bibliography: 2009/]]}} | ||
{{Mr-bottom}} | {{Mr-bottom}} | ||
{{DEFAULTSORT: Mailer Review, The}} | {{DEFAULTSORT: Mailer Review, The}} | ||
[[Category: | [[Category:2010 Vol. 4 (MR)]] | ||
[[Category:Contents]] | [[Category:Contents (MR)]] |