The Mailer Review/Volume 2, 2008/The Unknown and the General: Difference between revisions
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that was, in fact, how I had come to know and work with him, but also because—through my experiences with him as a performer—I knew firsthand that as a writer and, more particularly as a director for the stage ''and'' screen, he was first-rate. Yet for some reason, he never seemed to receive his just due in these endeavors. His theatrical and film projects, though admired by some, were criticized mercilessly and scoffed at by others. Sometimes I wondered if there weren’t some secret cabal that had decided the | that was, in fact, how I had come to know and work with him, but also because—through my experiences with him as a performer—I knew firsthand that as a writer and, more particularly as a director for the stage ''and'' screen, he was first-rate. Yet for some reason, he never seemed to receive his just due in these endeavors. His theatrical and film projects, though admired by some, were criticized mercilessly and scoffed at by others. Sometimes I wondered if there weren’t some secret cabal that had decided the | ||
==Works Cited== | ===Works Cited=== | ||
{{Refbegin}} | {{Refbegin}} | ||
* {{ | * {{cite book |last=Mailer |first=Norman |date=1983 |title=Ancient Evenings |location=Boston|publisher=Little Brown |ref=harv }} | ||