User:Mango Masala/sandbox: Difference between revisions

works cited
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* {{cite book |last=Camus|first= Albert |date=1961 |title=Resistance, Rebellion, and Death |location=New York |page=251 |ref=harv }}
* {{cite book |last=Camus|first= Albert |date=1961 |title=Resistance, Rebellion, and Death |location=New York |page=251 |ref=harv }}
* {{cite book |last=Miller |first= Henry |date=1939 |title=The Cosmological Eye |location=Norfork |page=156 |ref=harv }}
* {{cite book |last=Miller |first= Henry |date=1939 |title=The Cosmological Eye |location=Norfork |page=156 |ref=harv }}
* {{cite book |last=Krieger |first=Murray |date=1960 |title=The Tragic Vision |location=New York |page=p.251 |ref=harv }}
* {{cite book |last=Lewis|first=R.W.B. |date=1959 |title=The Picaresque Saint|location=Philadelphia and New York|page=p.9 |ref=harv }}
* {{cite book |last=Camus|first=Murray |date=1959 |title=The Myth of Sisyphus|location=New York|page=p.72 ff |ref=harv }}


  Lawrence Durrell and Alfred Perles, ''Art and Outrage: A Correspondence about Henry Miller'' (New York, 1961), p. 9.
  Lawrence Durrell and Alfred Perles, ''Art and Outrage: A Correspondence about Henry Miller'' (New York, 1961), p. 9.


(, Conn., ); and ''Time of the Assassins'' (Norfork, Conn., 1956), pp.38 ff.
(, Conn., ); and ''Time of the Assassins'' (Norfork, Conn., 1956), pp.38 ff.
  Murray Krieger, ''The Tragic Vision'' (New York, 1960), p.251.
   
  James E. Miller, Jr., Karl Shapiro, and Bernice Slote, ''Start With the Sun'' (Lincoln, Neb., 1960), p. 238.
  James E. Miller, Jr., Karl Shapiro, and Bernice Slote, ''Start With the Sun'' (Lincoln, Neb., 1960), p. 238.
R.W.B. Lewis, ''The Picaresque Saint'' (Philadelphia and New York, 1959), p. 9.
 
  In recent criticism, certain works have already begun to reflect this particular concern. Besides the works by R.W.B. Lewis and Murray Krieger already cited, one might mention Geoffrey Hartman, ''The Unmediated Vision'' (New Haven, 1954), Ihab Hassan, ''Radical Innocence'' (Princeton, 1961), Frederick J. Hoffman, ''The Mortal No'' (Princeton, 1964) and Arturo B. Fallico, ''Art and Existentialism'' (Englewood Cliffs, N.J., 1962).
  In recent criticism, certain works have already begun to reflect this particular concern. Besides the works by R.W.B. Lewis and Murray Krieger already cited, one might mention Geoffrey Hartman, ''The Unmediated Vision'' (New Haven, 1954), Ihab Hassan, ''Radical Innocence'' (Princeton, 1961), Frederick J. Hoffman, ''The Mortal No'' (Princeton, 1964) and Arturo B. Fallico, ''Art and Existentialism'' (Englewood Cliffs, N.J., 1962).
Albert Camus, ''The Myth of Sisyphus'' (New York, 1959), pp.72 ff.
 
These heretical statements are developed more fully in my essay "The Dismemberment of Orpheus," ''American Scholar'', XXXII (Summer 1963), pp. 463-484.  
These heretical statements are developed more fully in my essay "The Dismemberment of Orpheus," ''American Scholar'', XXXII (Summer 1963), pp. 463-484.  
  Welleck, p. 65.
  Welleck, p. 65.
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