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The Mailer Review/Volume 7, 2013/Toward a New Synthesis - Revision history
2024-03-30T08:52:02Z
Revision history for this page on the wiki
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Jules Carry: Fixed some ref errors; cannot find one.
2020-10-12T11:22:44Z
<p>Fixed some ref errors; cannot find one.</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 07:22, 12 October 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{refbegin|30em|indent=yes}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{refbegin|30em|indent=yes}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* {{cite book |last=Balakian |first=Anna |date=1983 |chapter=Relativism in the Arts and the Road to the Absolute |title=Relativism in the Arts |editor-last=Craige |editor-first=Betty Jean |url=https://archive.org/details/relativisminarts0000unse |location=Athens |publisher=University of Georgia Press |pages=75–98 |isbn= |author-link= |ref=harv }}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Barqun |first=Jacques |date=1982 |title=Critical Questions: On Music and Letters, Culture and Biography |editor-last=Friedland |editor-first=Bea |url= |location=Chicago |publisher=University of Chicago Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Barqun |first=Jacques |date=1982 |title=Critical Questions: On Music and Letters, Culture and Biography |editor-last=Friedland |editor-first=Bea |url= |location=Chicago |publisher=University of Chicago Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bradbury |first=Malcolm |last2=Palmer |first2=David |date=1979 |title=The Contemporary English Novel |url= |location=New York |publisher=Holmes & Meier |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bradbury |first=Malcolm |last2=Palmer |first2=David |date=1979 |title=The Contemporary English Novel |url= |location=New York |publisher=Holmes & Meier |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bradbury |first=Malcolm |<del style="font-weight: bold; text-decoration: none;">authormask</del>=1 |date=1978 |title=The Novel Today: Contemporary Writers on Modern Fiction |url= |location=Totowa, NJ |publisher=Rowman and Littlefield |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bradbury |first=Malcolm |<ins style="font-weight: bold; text-decoration: none;">author-mask</ins>=1 |date=1978 |title=The Novel Today: Contemporary Writers on Modern Fiction |url= |location=Totowa, NJ |publisher=Rowman and Littlefield |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bruss |first=Elizabeth |date=1982 |title=Beautiful Theories: The Spectacle of Discourse in Contemporary Criticism |url= |location=Baltimore |publisher=Johns Hopkins University Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bruss |first=Elizabeth |date=1982 |title=Beautiful Theories: The Spectacle of Discourse in Contemporary Criticism |url= |location=Baltimore |publisher=Johns Hopkins University Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Federman |first=Raymond |date=1981 |title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Federman |first=Raymond |date=1981 |title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* {{cite book |last=Fowles |first=John |date=1977 |title=The Novel Today: Contemporary Eriters on Modern Fiction |url=https://archive.org/details/noveltodaycontem0000unse/mode/2up |editor-last=Bradbury |first=Malcolm |location=Totowa, NJ |publisher=Rowman and Littlefield |pages=136–150 |isbn= |author-link= |ref=harv }}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite magazine |last=Gass |first=William |date=March 10, 1979 |title=William Gass and John Gardner: A Debate on Fiction |url=https://medium.com/the-william-h-gass-interviews/william-h-gass-interviewed-by-thomas-leclair-with-john-gardner-1979-e6de4d424107 |magazine=The New Republic |pages=25, 28–33 |issue=180 |access-date=2019-05-17 |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite magazine |last=Gass |first=William |date=March 10, 1979 |title=William Gass and John Gardner: A Debate on Fiction |url=https://medium.com/the-william-h-gass-interviews/william-h-gass-interviewed-by-thomas-leclair-with-john-gardner-1979-e6de4d424107 |magazine=The New Republic |pages=25, 28–33 |issue=180 |access-date=2019-05-17 |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Graff |first=Gerald |date=1979 |title=Literature against Itself |url= |location=Chicago |publisher=University of Chicago Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Graff |first=Gerald |date=1979 |title=Literature against Itself |url= |location=Chicago |publisher=University of Chicago Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Hassan |first=Ihab |date=1971 |title=The Dismemberment of Orpheus: Toward a Postmodern Literature |url=https://archive.org/details/dismembermentofo00hass |location=New York |publisher=Oxford University Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Hassan |first=Ihab |date=1971 |title=The Dismemberment of Orpheus: Toward a Postmodern Literature |url=https://archive.org/details/dismembermentofo00hass |location=New York |publisher=Oxford University Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Klein |first=Marcus |chapter=John Hawkes’ Experimental Compositions |editor-last=Federman |editor-first=Raymond |date=<del style="font-weight: bold; text-decoration: none;">1981 </del>|title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages=203–214 |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Klein |first=Marcus |chapter=John Hawkes’ Experimental Compositions |editor-last=Federman |editor-first=Raymond |date=<ins style="font-weight: bold; text-decoration: none;">1975 </ins>|title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages=203–214 |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Klinkowitz |first=Richard |chapter=The New Fiction in America |editor-last=Federman |editor-first=Raymond |date=<del style="font-weight: bold; text-decoration: none;">1981 </del>|title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages=85–100 |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Klinkowitz |first=Richard |chapter=The New Fiction in America |editor-last=Federman |editor-first=Raymond |date=<ins style="font-weight: bold; text-decoration: none;">1975 </ins>|title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages=85–100 |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite journal |last=Kroeber |first=Karl |date=May 1984 |title=The Evolution of Literary Study, 1883-1983 |url= |journal=PMLA |volume=99 |issue=3 |pages=326–339 |access-date= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite journal |last=Kroeber |first=Karl |date=May 1984 |title=The Evolution of Literary Study, 1883-1983 |url= |journal=PMLA |volume=99 |issue=3 |pages=326–339 |access-date= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite journal |last=Leitch |first=Vincent |date=1979 |title=The Book of Deconstructive Criticism |url= |journal=Studies in the Literary Imagination |volume=12 |issue= |pages=19–40 |access-date= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite journal |last=Leitch |first=Vincent |date=1979 |title=The Book of Deconstructive Criticism |url= |journal=Studies in the Literary Imagination |volume=12 |issue= |pages=19–40 |access-date= |ref=harv }}</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Scholes |first=Robert |date=1979 |title=Fabulation and Metafiction |url= |location=Urbana |publisher=University of Illinois Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Scholes |first=Robert |date=1979 |title=Fabulation and Metafiction |url= |location=Urbana |publisher=University of Illinois Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Scholes |first=Robert |authormask=1 |date=1985 |title=Textual Power: Literacy and the Teaching of English |url=https://archive.org/details/textualpower00robe |location=New Haven |publisher=Yale University Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Scholes |first=Robert |authormask=1 |date=1985 |title=Textual Power: Literacy and the Teaching of English |url=https://archive.org/details/textualpower00robe |location=New Haven |publisher=Yale University Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Sukenick |first=Ronald |chapter=The New Tradition in Fiction |editor-last=Federman |editor-first=Raymond |date=<del style="font-weight: bold; text-decoration: none;">1981 </del>|title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages=35–46 |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Sukenick |first=Ronald |chapter=The New Tradition in Fiction |editor-last=Federman |editor-first=Raymond |date=<ins style="font-weight: bold; text-decoration: none;">1975 </ins>|title=Surfiction: Fiction Now—and Tomorrow |url=https://archive.org/details/surfictionfictio0000fede |location=Chicago |publisher=Swallow Press |pages=35–46 |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Trachtenberg |first=Alan |date=1979 |chapter=Intellectual Background |title=The Harvard Guide to Contemporary American Writing |editor-last=Hoffman |editor-first=Daniel |url= |location=Cambridge |publisher=Harvard University Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Trachtenberg |first=Alan |date=1979 |chapter=Intellectual Background |title=The Harvard Guide to Contemporary American Writing |editor-last=Hoffman |editor-first=Daniel |url= |location=Cambridge |publisher=Harvard University Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Traister |first=Barbara Howard |date=1984 |title=Heavenly Necromancers: The Magician in English Renaissance Drama |url=https://archive.org/details/heavenlynecroman00trai |location=Columbia |publisher=University of Missouri Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Traister |first=Barbara Howard |date=1984 |title=Heavenly Necromancers: The Magician in English Renaissance Drama |url=https://archive.org/details/heavenlynecroman00trai |location=Columbia |publisher=University of Missouri Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Waugh |first=Patricia |date=1984 |title=Metafiction: The Theory and Practice of Self-Conscious Fiction |url= |location=London and New York |publisher=Methuen |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Waugh |first=Patricia |date=1984 |title=Metafiction: The Theory and Practice of Self-Conscious Fiction |url= |location=London and New York |publisher=Methuen |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* {{cite book |last=White |first=Hayden |date=1983 |chapter=The Limits of Relativism in the Arts |title=Relativism in the Arts |editor-last=Craige |editor-first=Betty Jean |url=https://archive.org/details/relativisminarts0000unse |location=Athens |publisher=University of Georgia Press |pages=45–74 |isbn= |author-link= |ref=harv }}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Wilde |first=Alan |date=1981 |title=Horizons of Assent: Modernism, Postmodernism, and the Ironic Imagination |url= |location=Baltimore |publisher=Johns Hopkins University Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Wilde |first=Alan |date=1981 |title=Horizons of Assent: Modernism, Postmodernism, and the Ironic Imagination |url= |location=Baltimore |publisher=Johns Hopkins University Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{refend}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{refend}}</div></td></tr>
</table>
Jules Carry
https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_7,_2013/Toward_a_New_Synthesis&diff=10561&oldid=prev
Grlucas: Display title.
2020-07-06T11:39:50Z
<p>Display title.</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 07:39, 6 July 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{MR07}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{MR07}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{byline|last=Begiebing|first=Robert J.|note=The following “classic essay” reprints the introductory chapter of a book entitled ''Toward a New Synthesis: John Fowles, John Gardner, and Norman Mailer'', published by UMI Research Press in 1989; it was re-issued by the University of Rochester Press / Boydell and Brewer in 1992. In the process of writing the book in my thirties, I came to realize I was writing my swan song to academic literary criticism, my goodbye to all that, as I turned to writing literary journalism and fiction. The book’s chapter on Mailer’s ''[[Ancient Evenings]]'' appeared in the 2009 edition of ''[[MR09|The Mailer Review]]'', so the “essay” below is the setup for that chapter, as well as for chapters — one each — on John Fowles and John Gardner. My thanks to [[Phil Sipiora]], ''Mailer Review'' editor and valued colleague, for reprinting this essay. ~RB|url=https://prmlr.us/mr13begi}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{byline|last=Begiebing|first=Robert J.|note=The following “classic essay” reprints the introductory chapter of a book entitled ''Toward a New Synthesis: John Fowles, John Gardner, and Norman Mailer'', published by UMI Research Press in 1989; it was re-issued by the University of Rochester Press / Boydell and Brewer in 1992. In the process of writing the book in my thirties, I came to realize I was writing my swan song to academic literary criticism, my goodbye to all that, as I turned to writing literary journalism and fiction. The book’s chapter on Mailer’s ''[[Ancient Evenings]]'' appeared in the 2009 edition of ''[[MR09|The Mailer Review]]'', so the “essay” below is the setup for that chapter, as well as for chapters — one each — on John Fowles and John Gardner. My thanks to [[Phil Sipiora]], ''Mailer Review'' editor and valued colleague, for reprinting this essay. ~RB|url=https://prmlr.us/mr13begi}}</div></td></tr>
</table>
Grlucas
https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_7,_2013/Toward_a_New_Synthesis&diff=10547&oldid=prev
Grlucas: Move tweaks.
2020-07-06T11:30:29Z
<p>Move tweaks.</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{refbegin|<del style="font-weight: bold; text-decoration: none;">40em</del>}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{refbegin|<ins style="font-weight: bold; text-decoration: none;">30em|indent=yes</ins>}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Barqun |first=Jacques |date=1982 |title=Critical Questions: On Music and Letters, Culture and Biography |editor-last=Friedland |editor-first=Bea |url= |location=Chicago |publisher=University of Chicago Press |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Barqun |first=Jacques |date=1982 |title=Critical Questions: On Music and Letters, Culture and Biography |editor-last=Friedland |editor-first=Bea |url= |location=Chicago |publisher=University of Chicago Press |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bradbury |first=Malcolm |last2=Palmer |first2=David |date=1979 |title=The Contemporary English Novel |url= |location=New York |publisher=Holmes & Meier |pages= |isbn= |author-link= |ref=harv }}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* {{cite book |last=Bradbury |first=Malcolm |last2=Palmer |first2=David |date=1979 |title=The Contemporary English Novel |url= |location=New York |publisher=Holmes & Meier |pages= |isbn= |author-link= |ref=harv }}</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Review|state=expanded}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Review|state=expanded}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{DEFAULTSORT:Toward a New Synthesis}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Classic Interpretations (MR)]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Classic Interpretations (MR)]]</div></td></tr>
</table>
Grlucas
https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_7,_2013/Toward_a_New_Synthesis&diff=10545&oldid=prev
Grlucas: Grlucas moved page Toward a New Synthesis to The Mailer Review/Volume 7, 2013/Toward a New Synthesis
2020-07-06T11:29:25Z
<p>Grlucas moved page <a href="/pm/Toward_a_New_Synthesis" class="mw-redirect" title="Toward a New Synthesis">Toward a New Synthesis</a> to <a href="/pm/The_Mailer_Review/Volume_7,_2013/Toward_a_New_Synthesis" title="The Mailer Review/Volume 7, 2013/Toward a New Synthesis">The Mailer Review/Volume 7, 2013/Toward a New Synthesis</a></p>
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<td colspan="1" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 07:29, 6 July 2020</td>
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Grlucas
https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_7,_2013/Toward_a_New_Synthesis&diff=8576&oldid=prev
Grlucas: Updated byline box.
2019-05-24T12:00:12Z
<p>Updated byline box.</p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{byline|last=Begiebing|first=Robert J.<del style="font-weight: bold; text-decoration: none;">}}</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{byline|last=Begiebing|first=Robert J.|<ins style="font-weight: bold; text-decoration: none;">note=</ins>The following “classic essay” reprints the introductory chapter of a book entitled ''Toward a New Synthesis: John Fowles, John Gardner, and Norman Mailer'', published by UMI Research Press in 1989; it was re-issued by the University of Rochester Press / Boydell and Brewer in 1992. In the process of writing the book in my thirties, I came to realize I was writing my swan song to academic literary criticism, my goodbye to all that, as I turned to writing literary journalism and fiction. The book’s chapter on Mailer’s ''[[Ancient Evenings]]'' appeared in the 2009 edition of ''[[MR09|The Mailer Review]]'', so the “essay” below is the setup for that chapter, as well as for chapters — one each — on John Fowles and John Gardner. My thanks to [[Phil Sipiora]], ''Mailer Review'' editor and valued colleague, for reprinting this essay. ~RB<ins style="font-weight: bold; text-decoration: none;">|url=https://prmlr.us/mr13begi</ins>}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">{{hatnote</del>|The following “classic essay” reprints the introductory chapter of a book entitled ''Toward a New Synthesis: John Fowles, John Gardner, and Norman Mailer'', published by UMI Research Press in 1989; it was re-issued by the University of Rochester Press / Boydell and Brewer in 1992. In the process of writing the book in my thirties, I came to realize I was writing my swan song to academic literary criticism, my goodbye to all that, as I turned to writing literary journalism and fiction. The book’s chapter on Mailer’s ''[[Ancient Evenings]]'' appeared in the 2009 edition of ''[[MR09|The Mailer Review]]'', so the “essay” below is the setup for that chapter, as well as for chapters — one each — on John Fowles and John Gardner. My thanks to [[Phil Sipiora]], ''Mailer Review'' editor and valued colleague, for reprinting this essay. ~RB}}</div></td><td colspan="2" class="diff-side-added"></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{cquote|Our relativist minds made by a relativist world make a relativist world. And there is no Truth in us.|author=Betty Jean Craige|source=''Relativism in the Arts''}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{cquote|Our relativist minds made by a relativist world make a relativist world. And there is no Truth in us.|author=Betty Jean Craige|source=''Relativism in the Arts''}}</div></td></tr>
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Grlucas
https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_7,_2013/Toward_a_New_Synthesis&diff=8445&oldid=prev
Grlucas: Created page.
2019-05-20T15:18:04Z
<p>Created page.</p>
<a href="https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_7,_2013/Toward_a_New_Synthesis&diff=8445">Show changes</a>
Grlucas