The Mailer Review/Volume 3, 2009/Norman’s Crystals: Difference between revisions

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It is fitting that this award is first given to a novelist, since it was as a nov- elist that Norman defined himself, despite the attention he received for his invention of a novelistic kind of nonfiction. The truth is Norman believed that history itself was the fiction of a writer; yet he kept a laser-like line of respect for the way the novel could exceed the gravitational pull of histori- cal fact, however brilliantly interpreted by the astute reporter he was. Nor- man once said to Schiller, “Once a philosopher, twice a pervert.” Schiller retorted, “And three times an historian,” which made Mailer fall silent. The two bantered; sometimes they quarreled; once they did not speak to each other for a year. Then Norman called Larry: “If I knew I had to kiss your ass, I wouldn’t have shaved.” To which Larry, imp that he is, replied “Hello, lover.”
It is fitting that this award is first given to a novelist, since it was as a nov- elist that Norman defined himself, despite the attention he received for his invention of a novelistic kind of nonfiction. The truth is Norman believed that history itself was the fiction of a writer; yet he kept a laser-like line of respect for the way the novel could exceed the gravitational pull of histori- cal fact, however brilliantly interpreted by the astute reporter he was. Nor- man once said to Schiller, “Once a philosopher, twice a pervert.” Schiller retorted, “And three times an historian,” which made Mailer fall silent. The two bantered; sometimes they quarreled; once they did not speak to each other for a year. Then Norman called Larry: “If I knew I had to kiss your ass, I wouldn’t have shaved.” To which Larry, imp that he is, replied “Hello, lover.”
Schiller’s relationship with Mailer began in 1972 when the photographer asked the author to write a 12,000-word introduction to a proposed book of his photographs of Marilyn Monroe. Norman surprised Schiller with ten times the word length he’d requested. Mailer was inspired by Schiller’s idea of writing about Marilyn, perhaps because he was developing an ideal woman as a counterpart to his exploration into what makes a man macho.
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