The Mailer Review/Volume 2, 2008/A New Politics of Form in Harlot's Ghost: Difference between revisions

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* {{cite book |last=Doctorow |first=E. |date=1996 |title=The Book of Daniel |url= |location=New York |publisher=Plume Penguin Press |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Doctorow |first=E. |date=1996 |title=The Book of Daniel |url= |location=New York |publisher=Plume Penguin Press |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Fukikyama |first=Francis |date=1998 |title=The End of History and the Last Man |url= |location=New York |publisher=Avon Books |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Fukikyama |first=Francis |date=1998 |title=The End of History and the Last Man |url= |location=New York |publisher=Avon Books |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Glenday |first=Michael |date=1995 |title=Norman Mailer |url= |location=New York |publisher=St. Martin's Press |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Jameson |first=Fredric |date=1991 |title=Postmodernism, or, The Cultural Logic of Late Capitalism |url= |location=Durham |publisher=Duke UP |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Lenin |first=V. |date=1977 |title=Selected Works in 3 Volumes |url= |location=Moscow |publisher=International Press |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Mailer |first=Norman |date=1959 |title=Advertisements for Myself |url= |location=New York |publisher=Putnam |pages= |isbn= |author-link= |ref=harv }}
* {{cite book |last=Mailer |first=Norman |author-mask=1 |date=1965 |title=An American Dream |url= |location= |publisher=Dial |pages= |isbn= |author-link= |ref=harv }}
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Revision as of 22:38, 4 September 2020

« The Mailer ReviewVolume 2 Number 1 • 2008 • In Memorium: Norman Mailer: 1923–2007 »
Written by
David Anshen
Abstract: A reading of Harlot’s Ghost in relation to Mailer’s efforts to use fiction writing to reveal contradictions at the heart of American society and challenge American ideology, particularly in relation to the Cold War. The novel resists making overt judgments on events. The novel’s form and its political and social content are unified in their challenge to the dominant societal narratives about America and how these narratives are traditionally told.
URL: https://prmlr.us/mr08ansh


Works Cited

  • Adorno, Teodor (1978). Aesthetics and Politics. New York: Verso.
  • Benjamin, Walter (1998). "The Author as Producer". Understanding Brecht. Translated by Bostock, Anna. New York: Verso.
  • Bloom, Harold, ed. (1986). Norman Mailer: Modern Critical Views. New York: Chelsea House Publishers.
  • —, ed. (2003). "Norman in Egypt". Bloom’s Modern Critical Views: Norman Mailer. Philadelphia: Chelsea House Publishers.
  • Brecht, Bertolt (2001). Brecht on Theater: the Development of an Aesthetic. Translated by Willet, John. New York: Hill and Wang.
  • Coover, Robert (1977). The Public Burning. New York: Grove Press.
  • Dearborn, Mary (1999). Mailer a Biography. New York: Simon and Shuster.
  • DeLillo, Don (1997). Underworld. New York: Simon and Shuster.
  • Doctorow, E. (1996). The Book of Daniel. New York: Plume Penguin Press.
  • Fukikyama, Francis (1998). The End of History and the Last Man. New York: Avon Books.
  • Glenday, Michael (1995). Norman Mailer. New York: St. Martin's Press.
  • Jameson, Fredric (1991). Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke UP.
  • Lenin, V. (1977). Selected Works in 3 Volumes. Moscow: International Press.
  • Mailer, Norman (1959). Advertisements for Myself. New York: Putnam.
  • — (1965). An American Dream. Dial.