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| ==Works Cited== | | ==Works Cited== |
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| Adorno, Teodor, et al. Aesthetics and Politics. New York: Verso, 1978. | | * {{cite book |last=Adorno |first=Teodor |date=1978 |title=Aesthetics and Politics |url= |location=New York |publisher=Verso |pages= |isbn= |author-link= |ref=harv }} |
| Benjamin, Walter. “The Author as Producer.” Understanding Brecht. Trans. by Anna Bostock. | | * {{cite book |last=Benjamin |first=Walter |translator-last1=Bostock |translator-first1=Anna |chapter=The Author as Producer |date=1998 |title=Understanding Brecht |url= |location=New York |publisher=Verso |pages= |isbn= |author-link= |ref=harv }} |
| New York: Verso, 1998. | | * {{cite book |last= |first= |editor1-last=Bloom |editor1-first= Harold |date=1986 |title=Norman Mailer: Modern Critical Views |url= |location=New York |publisher=Chelsea House Publishers |pages= |isbn= |author-link= |ref=harv }} |
| Bloom, Harold, ed. Norman Mailer: Modern Critical Views. New York: Chelsea House Publishers, 1986. | | * {{cite book |last= |first= |editor1-last=Bloom |editor1-first= Harold |editor-mask=1 |date=2003 |chapter=Norman in Egypt |title=Bloom’s Modern Critical Views: Norman Mailer |url= |location=Philadelphia |publisher=Chelsea House Publishers |pages= |isbn= |author-link= |ref=harv }} |
| ———. “Norman in Egypt.” Bloom’s Modern Critical Views: Norman Mailer. Ed. and with
| | * {{cite book |last=Brecht |first=Bertolt |translator-last1=Willet |translator-first1=John |date=2001 |title=Brecht on Theater: the Development of an Aesthetic. |url= |location=New York |publisher=Hill and Wang |pages= |isbn= |author-link= |ref=harv }} |
| Intro. Harold Bloom. Philadelphia: Chelsea House Publishers, 2003.
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| Brecht, Bertolt. Brecht on Theater: the Development of an Aesthetic. Trans. and ed. by John Willet. New York: Hill and Wang, 2001. | |
| Coover, Robert. The Public Burning. New York: Grove Press, 1977.
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| Dearborn, Mary V. Mailer a Biography. New York: Houghton Mifflin, 1999.
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| DeLillo, Don. Underworld. New York: Simon and Shuster, 1997.
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| Doctorow, E.L. The Book of Daniel. New York: Plume Penguin Press, 1996.
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| Fukikyama, Francis. The End of History and the Last Man. New York: Avon Books, 1998.
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| Glenday, Michael K. Norman Mailer. New York: St. Martin’s Press, 1995.
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| Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke UP,
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| 1991.
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| Lenin, V.I. Selected Works in 3 Volumes. Moscow: International Press, 1977.
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| Mailer, Norman. Advertisements for Myself. New York: Putnam, 1959.
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| ———. An American Dream. New York: Dial, 1965.
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| ———. Cannibals and Christians. New York: Dial, 1966.
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| ———. The Deer Park. New York: Putnam, 1955.
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| ———. Genius and Lust: A Journey through the Major Writings of Henry Miller. New York:
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| Grove, 1976.
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| ———. Harlot’s Ghost. New York: Random House, 1991
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| ———. Pieces and Pontifications. Boston: Little Brown, 1982.
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| McHale, Brian. Constructing Postmodernism. London and New York: Routledge, 1992.
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| Nielson, Heather.“Jack’s Ghost: Reappearances of John Kennedy in the work of Gore Vidal and
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| Norman Mailer.” American Studies International ~October 1997!: 23–24.
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| Rollyson, Carl. The Lives of Norman Mailer. New York: Paragon House, 1991.
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| Whalen-Bridge, John. “The Myth of American Adam in Late Mailer.” Connotations ~1995–6!:
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| 304–321.
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| ———. Political Fiction and the American Self. Urbana: U of Illinois P, 1998
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| {{Refend}} | | {{Refend}} |