10,115
edits
The Mailer Review/Volume 13, 2019/Prism Break: Difference between revisions
The Mailer Review/Volume 13, 2019/Prism Break (view source)
Revision as of 17:18, 24 February 2021
, 24 February 2021Removed working banner. Fixed a typo.
(→Part 2: The Prism, or, the Dream Life of My Siblings: Added images.) |
m (Removed working banner. Fixed a typo.) |
||
| Line 1: | Line 1: | ||
{{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}} | {{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>{{SUBPAGENAME}}}} | ||
{{MR13}} | {{MR13}} | ||
{{Byline|last=Mailer|first=Maggie|note=This Keynote Address was delivered to the annual meeting of the Norman Mailer Society on Saturday, October 19, 2019 at Wilkes University.|url=http://prmlr.us/mr13mai}} | {{Byline|last=Mailer|first=Maggie|note=This Keynote Address was delivered to the annual meeting of the Norman Mailer Society on Saturday, October 19, 2019 at Wilkes University.|url=http://prmlr.us/mr13mai}} | ||
| Line 387: | Line 386: | ||
(show of hands: who heard it there?) I think it offers what the rest of the | (show of hands: who heard it there?) I think it offers what the rest of the | ||
speech may have missed: My Father. We could say, this was one time I met | speech may have missed: My Father. We could say, this was one time I met | ||
him. It is called, ''Fellow Geniuses | him. It is called, ''Fellow Geniuses'': | ||
I am going to share with you a seminal work of non-fiction by my father: | I am going to share with you a seminal work of non-fiction by my father: | ||
| Line 403: | Line 402: | ||
point in a moment of annoyance with her, and imagining the deepening | point in a moment of annoyance with her, and imagining the deepening | ||
bond with my father over our shared aversion to carpeted floors, I may have | bond with my father over our shared aversion to carpeted floors, I may have | ||
dumped some of the sand onto the wall to wall and formed a Carl | dumped some of the sand onto the wall to wall and formed a Carl Andre-like | ||
floor piece. | floor piece. | ||