The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself: Difference between revisions

=== FITZGERALD AND “THE CRACK-UP” ESSAYS (1936) ===

. . .Fitzgerald’s three revealing ''Esquire'' essays, “The Crack-up,” were not well received in 1936. Hemingway was “appalled,” and his reaction was typical. When, after Fitzgerald’s death, the larger 1945 book, The Crack-Up, appeared, critics and contemporaries were more respectful. This very useful collection, edited by Edmund Wilson, contains—along with the three  “The Crack- Up” essays—some of Fitzgerald’s other significant essays, such as “Echoes of the Jazz Age” (1930), “My Lost City” (1932), and “Early Success” (1937), his Notebooks, letters to and from friends, and much more. His essays in particular present an interesting “autobiographical sequence.” Wilson points out in a preliminary Note,

{{quote|The following pieces have been selected from the articles written by F. Scott Fitzgerald between 1930 and 1937. They make an autobiographical sequence which vividly puts on record his state of mind and his point of view during the later years of his life.}}{{sfn|Wilson|1993|p=11}}

This additional material shed a good deal of light on the original “The Crack-Up” articles, revealing, as Wilson claims, “his state of mind.” Apart from occasional quotations from these other essays, however, my focus here is mainly on the 1936 essays. My intention is to highlight a particular moment the year 1936 and how both Hemingway and Fitzgerald in literary terms responded to the personal and cultural stresses they were experiencing. But there is no doubt that The Crack-Up collection, as a whole, paints a more complete picture of Fitzgerald’s state of mind, as well as—more importantly his literary task.