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The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself: Difference between revisions
The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself (view source)
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The title of ''Advertisements for Myself'' seems to connect Mailer’s work to | The title of ''Advertisements for Myself'' seems to connect Mailer’s work to | ||
Walt Whitman’s “Song of Myself,” the first poem in ''Leaves of Grass'' (1st Ed. 1855) a work that changed the direction of American poetry. Whitman “celebrated” a first-person poetic voice, creating himself as a kind of bard—or, in the Old English poetic tradition, a ''scop''. The poem opens thus, | Walt Whitman’s “Song of Myself,” the first poem in ''Leaves of Grass'' (1st Ed. 1855) a work that changed the direction of American poetry. Whitman “celebrated” a first-person poetic voice, creating himself as a kind of bard—or, in the Old English poetic tradition, a ''scop''. The poem opens thus, | ||
{{quote|I celebrate myself, | |||
And what I assume you shall assume, | |||
For every atom belonging to me as good belongs to you. | |||
I loafe and invite my soul, | |||
I lean and loafe at my ease. . . . Observing a spear of summer grass | |||
(1st ed. 1855, lines 1– 5) }} | |||
. . . | . . . | ||