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The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself: Difference between revisions
The Mailer Review/Volume 13, 2019/Angst, Authorship, Critics: “The Snows of Kilimanjaro,” “The Crack-Up,” Advertisements for Myself (view source)
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* {{cite journal |last=Baker |first=Carlos |title=Hemingway:The Writer as Artist| | * {{cite journal |last=Baker |first=Carlos |title=Hemingway:The Writer as Artist| | ||
* {{cite journal |last=Barke |first=Megan |chapter=Breakdown in 20th Century American Culture | title=Journal of Social History|volume=33|issue=3|pages=565-584| | * {{cite journal |last=Barke |first=Megan |chapter=Breakdown in 20th Century American Culture | title=Journal of Social History|volume=33|issue=3|pages=565-584| | ||
* {{cite journal |last=Batchelor |first=Bob |date=1989|chapter=Visions of the American Dream:F. Scott Fitzgerald, Bob Dylan, and Norman Mailer Probe at the Heart of the National Idea|title=The Mailer Review|volume=7|issue=1|pages=74-89| | |||
{{cite journal |last=Justice |first=Hilary K. |title=Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'' |url= |journal=The Mailer Review |volume=4 |issue=1 |date=2010 |pages=259–272 |access-date= |ref=harv }} | {{cite journal |last=Justice |first=Hilary K. |title=Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'' |url= |journal=The Mailer Review |volume=4 |issue=1 |date=2010 |pages=259–272 |access-date= |ref=harv }} | ||