The Mailer Review/Volume 1, 2007/The Executioner’s Song: A Life Beneath our Conscience: Difference between revisions
m (Move tweaks.) |
|||
| Line 1: | Line 1: | ||
{{DISPLAYTITLE:''The Executioner’s Song'': A Life Beneath our Conscience}} | {{DISPLAYTITLE:<span style="font-size:22px;">{{BASEPAGENAME}}/</span>''The Executioner’s Song'': A Life Beneath our Conscience}} | ||
{{MR01}} | {{MR01}} | ||
{{Byline|last=Bufithis|first=Philip|abstract=What Mailer attempts in ''The Executioner’s Song'' is a modernist project that puts him in high company. No Mailer book brings us as close to events and character as this work of creative nonfiction. Its unperformative, transparent style allows our consciousness to flow into its movement so that we find ourselves intimately inhabiting a world. Removing himself, Mailer has put us in his place.|url=https://prmlr.us/mr07bufi}} | {{Byline|last=Bufithis|first=Philip|abstract=What Mailer attempts in ''The Executioner’s Song'' is a modernist project that puts him in high company. No Mailer book brings us as close to events and character as this work of creative nonfiction. Its unperformative, transparent style allows our consciousness to flow into its movement so that we find ourselves intimately inhabiting a world. Removing himself, Mailer has put us in his place.|url=https://prmlr.us/mr07bufi}} | ||