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The Mailer Review/Volume 1, 2007/Norman Mailer: Supplemental Bibliography Through 2006: Difference between revisions
The Mailer Review/Volume 1, 2007/Norman Mailer: Supplemental Bibliography Through 2006 (view source)
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=== Secondary === | === Secondary === | ||
{{cite book |last=Mottram |first=Eric |chapter=Norman Mailer: Frontline Reporter of the Divine Economy |date=1988 |title=First Person Singular: Studies in American Autobiography |editor-last=Lee |editor-first=Robert A. |url= |location=New York |publisher=St. Martin’s |pages=217–43 |isbn= |author-link= |ref=harv }} | {{cite book |last=Mottram |first=Eric |chapter=Norman Mailer: Frontline Reporter of the Divine Economy |date=1988 |title=First Person Singular: Studies in American Autobiography |editor-last=Lee |editor-first=Robert A. |url= |location=New York |publisher=St. Martin’s |pages=217–43 |isbn= |author-link= |ref=harv }} | ||
== 1989 == | |||
=== Primary === | |||
==== Essays, poems, forewords, prefaces, introductions, symposia contributions, letters to the editor ==== | |||
Introduction to ''Messages: New and Selected Poems, 1969–1989'', by Luke Breit, 5–8. Fort Bragg, CA: Q. E. D. Press, 1989. Soft cover. Mailer praises Breit (the son of the late Harvey Breit) for being “one of the best romantic poets we’ve got” and for giving him a lift. “Luke Breit is Doctor Breit, Traffic Consultant for locked-up synapses and fucked-up grace.” | |||
=== Secondary === | |||
{{cite thesis |last=Kenny |first=James Michael |date=1989 |title=Norman Mailer’s ''The Executioner’s Song'' and the Problem of the Non-fiction Novel |type=Doctoral Dissertation |chapter= |publisher=University of Alabama |docket= |oclc= |url= |access-date= }} | |||
{{cite book |last=Miller |first=Gabriel |chapter=A Small Trumpet of Defiance: Politics and the Buried Life in Norman Mailer’s Early Fiction |date=1989 |title=Politics and the Muse: Studies in the Politics of Recent American Literature |editor-last=Sorkoin |editor-first=Adam J. |url= |location=Bowling Green, OH |publisher=Bowling Green University Popular Press |pages=79–92 |isbn= |author-link= |ref=harv }} Reprinted in [[#Bloom2003|Bloom 2003]]. | |||
{{cite journal |last=Olster |first=Stacey |title=Norman Mailer after Forty Years |url= |journal=Michigan Quarterly Review |volume=28 |issue=3 |date=1989 |pages=400–16 |access-date= |ref=harv }} | |||
{{cite book |last=Schleifer |first=Ronald |chapter=American Violence: Dreiser, Mailer, and the Nature of Intertextuality |date=1989 |title=Intertextuality and Contemporary American Fiction |editor1-last=Con Davis |editor1-first=Robert |editor2-last=O’Donnell |editor2-first=Patrick |url= |location=Baltimore |publisher=Johns Hopkins University Press |pages=121–43 |isbn= |author-link= |ref=harv }} | |||
== 1990 == | |||
=== Secondary === | |||
{{cite journal |last=Edmundson |first=Mark |title=Romantic Self-Creations: Mailer and Gilmore in ''The Executioner’s Song'' |url= |journal=Contemporary Literature |volume=31 |issue=winter |date=1990 |pages=434–47 |access-date= |ref=harv }} Reprinted in [[#Bloom2003|Bloom 2003]]. | |||
== 1991 == | |||
=== Primary === | |||
==== Essays, poems, forewords, prefaces, introductions, symposia contributions, letters to the editor ==== | |||
Foreword to ''Presences: Photographs of Heaton Hall'', by Beverly Anoux Pabst. Torino, Italy, Stamperia Artistica Nazionale, 1991. Soft cover, no pagination. In his evocative three-page foreword, Mailer calls Pabst’s 45 photographs of this empty (and later razed) resort hotel in the Berkshires “the spookiest book of photographs I have seen,” and “one of the more eloquent.” He also makes the claim that “in searching for the occult, a photograph can be of more use than a painting.” | |||
=== Secondary === | |||
{{cite book |last=Oriard |first=Michael |date=1991 |title=Sporting with the Gods: The Rhetoric of Play and Game in American Culture |url= |location=Cambridge |publisher=University of Cambridge Press |pages= |isbn= |author-link= |ref=harv }} 579 pp., indexed. | |||
== 1992 == | |||
=== Primary === | |||
==== Interviews ==== | |||
“Waiting for Mailer’s Big One.” Article-interview by Gregory Feeley. ''Million: The Magazine about Popular Fiction'' (U.K.), no. 7 (January–February 1992), 38–42. The focus of Feeley’s comments and questions in this important piece is the many novels Mailer planned but did not write, including the “big novel” about death he worked on in the late 1950s, the sequels to ''Ancient Evenings'', the biker novel he started in 1966 and an autobiographical novel which had its origins, Mailer says, in “the saga of the Mailer family back in Russia with my grandfather as I imagined him.” He abandoned it after reading the writings of Isaac Bashevis Singer. | |||
“Norman Mailer: The Hubris of the American Vision.” Interview by Eric James Schroeder. In ''Vietnam, We’ve All Been There: Interviews with American Writers'', edited by Eric James Schroeder, 90–105. Westport, CT: Praeger, 1992. One of 11 interviews in this collection, including those with Michael Herr, Robert Stone, Bobbie Ann Mason, Tim O’Brien, and Larry Heinemann. Contains extended discussion of the Vietnam War, WWII, and three of Mailer’s books: ''The Naked and the Dead'', ''Why Are We in Vietnam?'', and ''The Armies of the Night''. Mailer also discusses with some prescience the small wars of the future. Excerpts reprinted in ''The Spooky Art'', 2003, (see above). | |||
=== Secondary === | |||
{{cite thesis |last=Algeo |first=Ann M. |date=1992 |title=The Courtroom as Forum: Homicide Trials by Dreiser, Wright, Capote and Mailer |type=Ph.D. |chapter= |publisher=LeHigh University |docket= |oclc= |url= |access-date= }} (Truman Capote, ''In Cold Blood''; Theodore Dreiser, ''An American Tragedy''; Norman Mailer, ''The Executioner’s Song''; Richard Wright, ''Native Son''. | |||
{{cite journal |last=Novak |first=Odysseas |title=He megale peripolia tou Norman Mailer (Norman Mailer’s long watch) |url= |journal=Diavazo |volume=286 |issue= |date=1992 |pages=26–9 |access-date= |ref=harv }} | |||
{{cite journal |last=O’Donnell |first=Patrick |title=Engendering Paranoia in Contemporary Literature |url= |journal=Boundary |volume=2, 19 |issue= |date=1992 |pages=181–204 |access-date= |ref=harv }} | |||
{{cite journal |last=O’Donnell |first=Patrick |title=The Voice of Paranoia: Norman Mailer’s ''The Executioner’s Song'' |url= |journal=Prospectus |volume=17 |issue= |date=1992 |pages=459–73 |access-date= |ref=harv }} | |||
{{Review|state=expanded}} | {{Review|state=expanded}} | ||
{{DEFAULTSORT:Norman Mailer: Supplemental Bibliography Through 2006}} | {{DEFAULTSORT:Norman Mailer: Supplemental Bibliography Through 2006}} | ||
[[Category:Bibliographies (MR)]] | [[Category:Bibliographies (MR)]] | ||