https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_1,_2007/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character&feed=atom&action=historyThe Mailer Review/Volume 1, 2007/How Mailer Became “Mailer”: The Writer as Private and Public Character - Revision history2024-03-28T14:01:38ZRevision history for this page on the wikiMediaWiki 1.39.0https://projectmailer.net/index.php?title=The_Mailer_Review/Volume_1,_2007/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character&diff=15276&oldid=prevJules Carry: Updated URL; added dc.2021-07-08T12:33:35Z<p>Updated URL; added dc.</p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{Byline|last=Dickstein|first=Morris|url=https://prmlr.us/<del style="font-weight: bold; text-decoration: none;">mr07dick</del>|abstract=Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.|note=This paper served as the keynote address at a conference, “The Sense of Our Time: Norman Mailer and America in Conflict,” held at the Harry Ransom Humanities Research Center at the University of Texas in Austin, November 9–11, 2006. I am grateful to the director, Thomas Staley, and his colleagues for inviting me to participate.}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{Byline|last=Dickstein|first=Morris|url=https://prmlr.us/<ins style="font-weight: bold; text-decoration: none;">mr01dic </ins>|abstract=Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.|note=This paper served as the keynote address at a conference, “The Sense of Our Time: Norman Mailer and America in Conflict,” held at the Harry Ransom Humanities Research Center at the University of Texas in Austin, November 9–11, 2006. I am grateful to the director, Thomas Staley, and his colleagues for inviting me to participate.}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">It’s </del>a privilege, though daunting, for me to take part in a conference that celebrates the opening of what is sure to become one of the indispensable archives in modern American letters, especially with the subject himself in attendance. At the same time this event leaves me uneasy. [[Norman Mailer]] has always prided himself on being unpredictable, unsettling. This is after all a living, unruly body of work, virtually unclassifiable in its range and variety. For close to sixty years, Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. As his early novels were quick to demonstrate, no two of Mailer’s books would ever be quite alike. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{dc|dc=I|t’s </ins>a privilege, though daunting, for me to take part<ins style="font-weight: bold; text-decoration: none;">}} </ins>in a conference that celebrates the opening of what is sure to become one of the indispensable archives in modern American letters, especially with the subject himself in attendance. At the same time this event leaves me uneasy. [[Norman Mailer]] has always prided himself on being unpredictable, unsettling. This is after all a living, unruly body of work, virtually unclassifiable in its range and variety. For close to sixty years, Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. As his early novels were quick to demonstrate, no two of Mailer’s books would ever be quite alike. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It was wise to focus this symposium and the accompanying exhibition not so much on Mailer himself as on his ever-shifting dialogue with his tumultuous times, especially during the first decades after World War II. With the rich mother lode of this archive and his many published works, one could no doubt write the history of the age through Mailer’s idiosyncratic involvement in it. We are now distant enough from the fifties and sixties to begin to understand them. For that we need firsthand informants who were also actors on the cultural stage. More than any other writer of his generation, Mailer not only reacted strongly to the public world of his times, often in obscure private ways, but also tried to influence it by descending — sometimes physically, more often textually — into the thick of battle. In doing so he blurred the lines between journalism and literature, fiction and autobiography, writing and acting.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It was wise to focus this symposium and the accompanying exhibition not so much on Mailer himself as on his ever-shifting dialogue with his tumultuous times, especially during the first decades after World War II. With the rich mother lode of this archive and his many published works, one could no doubt write the history of the age through Mailer’s idiosyncratic involvement in it. We are now distant enough from the fifties and sixties to begin to understand them. For that we need firsthand informants who were also actors on the cultural stage. More than any other writer of his generation, Mailer not only reacted strongly to the public world of his times, often in obscure private ways, but also tried to influence it by descending — sometimes physically, more often textually — into the thick of battle. In doing so he blurred the lines between journalism and literature, fiction and autobiography, writing and acting.</div></td></tr>
</table>Jules Carryhttps://projectmailer.net/index.php?title=The_Mailer_Review/Volume_1,_2007/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character&diff=10643&oldid=prevGrlucas: Move tweaks.2020-07-07T13:55:45Z<p>Move tweaks.</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Byline|last=Dickstein|first=Morris|url=https://prmlr.us/mr07dick|abstract=Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.|note=This paper served as the keynote address at a conference, “The Sense of Our Time: Norman Mailer and America in Conflict,” held at the Harry Ransom Humanities Research Center at the University of Texas in Austin, November 9–11, 2006. I am grateful to the director, Thomas Staley, and his colleagues for inviting me to participate.}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Byline|last=Dickstein|first=Morris|url=https://prmlr.us/mr07dick|abstract=Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.|note=This paper served as the keynote address at a conference, “The Sense of Our Time: Norman Mailer and America in Conflict,” held at the Harry Ransom Humanities Research Center at the University of Texas in Austin, November 9–11, 2006. I am grateful to the director, Thomas Staley, and his colleagues for inviting me to participate.}}</div></td></tr>
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</table>Grlucashttps://projectmailer.net/index.php?title=The_Mailer_Review/Volume_1,_2007/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character&diff=10641&oldid=prevGrlucas: Grlucas moved page How Mailer Became “Mailer”: The Writer as Private and Public Character to The Mailer Review/Volume 1, 2007/How Mailer Became “Mailer”: The Writer as Private and Public Character2020-07-07T13:54:47Z<p>Grlucas moved page <a href="/pm/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character" class="mw-redirect" title="How Mailer Became “Mailer”: The Writer as Private and Public Character">How Mailer Became “Mailer”: The Writer as Private and Public Character</a> to <a href="/pm/The_Mailer_Review/Volume_1,_2007/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character" title="The Mailer Review/Volume 1, 2007/How Mailer Became “Mailer”: The Writer as Private and Public Character">The Mailer Review/Volume 1, 2007/How Mailer Became “Mailer”: The Writer as Private and Public Character</a></p>
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</td></tr></table>Grlucashttps://projectmailer.net/index.php?title=The_Mailer_Review/Volume_1,_2007/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character&diff=8532&oldid=prevGrlucas: Updated byline box.2019-05-23T20:51:19Z<p>Updated byline box.</p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{abstract<del style="font-weight: bold; text-decoration: none;">|</del>Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition. <del style="font-weight: bold; text-decoration: none;">}}</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{<ins style="font-weight: bold; text-decoration: none;">Byline|last=Dickstein|first=Morris|url=https://prmlr.us/mr07dick|</ins>abstract<ins style="font-weight: bold; text-decoration: none;">=</ins>Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.|<ins style="font-weight: bold; text-decoration: none;">note</ins>=This paper served as the keynote address at a conference, “The Sense of Our Time: Norman Mailer and America in Conflict,” held at the Harry Ransom Humanities Research Center at the University of Texas in Austin, November 9–11, 2006. I am grateful to the director, Thomas Staley, and his colleagues for inviting me to participate.}}</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">{{hatnote|Author’s note: </del>This paper served as the keynote address at a conference, “The Sense of Our Time: Norman Mailer and America in Conflict,” held at the Harry Ransom Humanities Research Center at the University of Texas in Austin, November 9–11, 2006. I am grateful to the director, Thomas Staley, and his colleagues for inviting me to participate.}}</div></td><td colspan="2" class="diff-side-added"></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It’s a privilege, though daunting, for me to take part in a conference that celebrates the opening of what is sure to become one of the indispensable archives in modern American letters, especially with the subject himself in attendance. At the same time this event leaves me uneasy. [[Norman Mailer]] has always prided himself on being unpredictable, unsettling. This is after all a living, unruly body of work, virtually unclassifiable in its range and variety. For close to sixty years, Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. As his early novels were quick to demonstrate, no two of Mailer’s books would ever be quite alike. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It’s a privilege, though daunting, for me to take part in a conference that celebrates the opening of what is sure to become one of the indispensable archives in modern American letters, especially with the subject himself in attendance. At the same time this event leaves me uneasy. [[Norman Mailer]] has always prided himself on being unpredictable, unsettling. This is after all a living, unruly body of work, virtually unclassifiable in its range and variety. For close to sixty years, Mailer has been our most protean writer, remarkably consistent in his themes yet always surprising in the ways he finds to pursue them, beginning with his own inimitable style. As his early novels were quick to demonstrate, no two of Mailer’s books would ever be quite alike. In choosing his subjects he was like a riverboat gambler restless for risk; each new venture depended on bold strokes that could as soon fail as succeed. Strategies that worked well would never be exactly repeated. Invariably he was engaging the moment, never writing for the uniform edition.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Review|state=expanded}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Review|state=expanded}}</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Category:Mailer Review]]</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Articles (MR)]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Articles (MR)]]</div></td></tr>
</table>Grlucashttps://projectmailer.net/index.php?title=The_Mailer_Review/Volume_1,_2007/How_Mailer_Became_%E2%80%9CMailer%E2%80%9D:_The_Writer_as_Private_and_Public_Character&diff=4245&oldid=prevGrlucas: Created page.2019-02-14T12:43:58Z<p>Created page.</p>
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