The Mailer Review/Volume 4, 2010: Difference between revisions
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===[[Reflections 2010|Reflections]]=== | ===[[Reflections 2010|Reflections]]=== | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* ''' | * '''Ernest Hemingway'''<br />[Letter to Norman Mailer, August 12, 1959] | ||
* '''[[Norman Mailer]]'''<br />[[Postscript to the Fourth Advertisement for Myself]] | * '''[[Norman Mailer]]'''<br />[[Postscript to the Fourth Advertisement for Myself]] | ||
* '''Norman Mailer'''<br />[[Hemingway Revisited]] | * '''Norman Mailer'''<br />[[Hemingway Revisited]] | ||
| Line 28: | Line 28: | ||
* '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]] | * '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]] | ||
* '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | * '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | ||
* '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River | * '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']] | ||
* '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]] | * '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]] | ||
* '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]] | * '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]] | ||
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==Masthead== | ==Masthead== | ||
{{div col}} | {{div col}} | ||
* ''' | * {{smallcaps|'''editor'''}}<br />[[Phillip Sipiora]] | ||
* ''' | * {{smallcaps|'''deputy editor'''}}<br />[[Michael L. Shuman]] | ||
* ''' | * {{smallcaps|'''senior media and digital editor'''}}<br />[[Gerald R. Lucas]] | ||
* ''' | * {{smallcaps|'''managing editors'''}}<br />Constance E. Holmes<br />Shannon L. Zinck | ||
* ''' | * {{smallcaps|'''design editor'''}}<br />James R. Miller | ||
* ''' | * {{smallcaps|'''associate editors'''}}<br />Taylor Joy Mitchell<br />Christine Auger<br />Jennifer Yirinec<br />Raymond M. Vince<br />Dianne Donnelly | ||
{{div col end}} | {{div col end}} | ||
* ''' | * {{smallcaps|'''editorial board'''}}<br />J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Hunt Hawkins (University of South Florida), Barry H. Leeds (Central Connecticut State University), Deborah Martinson (Occidental College), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist). | ||
==Notes== | ==Notes== | ||
Revision as of 09:49, 26 May 2019
| « | The Mailer Review • Volume 4 Number 1 • 2010 • Literary Warriors | » |
Reflections
Articles and Miscellany
- Ernest Hemingway
[Letter to Norman Mailer, August 12, 1959] - Norman Mailer
Postscript to the Fourth Advertisement for Myself - Norman Mailer
Hemingway Revisited - J. Michael Lennon
Hemingway to Mailer — A Delayed Response to The Deer Park - John Hemingway
Norman, Ernest, and Greg - Robert J. Begiebing
Ernest and Norman: A Dialogue in Two Acts - Philip Bufithis and Kirk Curnutt
A Dialogue Essay on Mailer and Hemingway - James H. Meredith
The American Civil War in The Naked and the Dead and Across the River and Into the Trees - Michael L. Shuman
Norman vs. Ernest: Influence and Identity - Bill Lowenburg
Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing - Mark Cirino
Norman Mailer’s The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing - Kasia Boddy
Mailer, Hemingway, and Boxing - Barry H. Leeds
Firearms in the Works of Hemingway and Mailer - Erik Nakjavani
A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer - James Plath
Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway’s Moral Code - Ezra Cappell
Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead - Victor Peppard
Mailer, Hemingway, and the “Reds” - Donald L. Kaufmann
Ernest and Norman (Exit Music) - Hilary K. Justice
Authorship and Alienation in Death in the Afternoon and Advertisements for Myself - Allen Josephs
Mailer’s “Footnote to Death in the Afternoon” - Peter Hays
Battles for Regard, Writerly and Otherwise - Mimi R. Gladstein
Norman, Papa, and the Autoerotic Construction of Woman - Bob Batchelor
Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls - Kathleen Robinson
Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead - Raymond M. Vince
Rumors of Grace: God-Language in Hemingway and Mailer - J’aimé L. Sanders
Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing - H. R. Stoneback
“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters - Thomas Jacomo
Sparring with Norman - Andrew Gordon
Encounters with Mailer - Gail D. Sinclair
Norman Mailer: An Expected Encounter in an Unexpected Place - Ross Klavan
On Reading Mailer Too Young - Erin Miele
What Norman Mailer Taught Me about Combat - Alex Vernon
Style, Politics, and Hemingway’s Spanish Civil War Dispatches - Maureen O’Neill Hooker
Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics - Matthew S. Hinton
Advertisements for Others: The Blurbs of Norman Mailer - Alexander Hicks
Harlot’s Ghost, Bildungsroman, Masculinity and Hemingway - Erin Mercer
Automatons and the Atomic Abyss: The Naked and the Dead - Katharine Westaway
“A Noble Pursuit”: The Armies of the Night as Outside Agitator - Sue Fox
Norris Church Mailer
Classic Interpretation
Book Reviews
- A Ticket to the Circus
John Bowers
Norris Church Mailer: An Artist from Arkansas - Fighters and Writers
Sal Cetrano
All You Need is Glove - 1959: The Year that Changed Everything
William T. Ross
1959: One of Mailer’s Years
Creative Works
Bibliography
- Shannon L. Zinck
Norman Mailer Bibliography: 2009[a]
Masthead
- editor
Phillip Sipiora - deputy editor
Michael L. Shuman - senior media and digital editor
Gerald R. Lucas - managing editors
Constance E. Holmes
Shannon L. Zinck - design editor
James R. Miller - associate editors
Taylor Joy Mitchell
Christine Auger
Jennifer Yirinec
Raymond M. Vince
Dianne Donnelly
- editorial board
J. Michael Lennon, Chair of Editorial Board (Wilkes University), Robert J. Begiebing (Southern New Hampshire University), John Whalen-Bridge (National University of Singapore), Philip Bufithis (Shepherd University), Christopher Busa (Founder and Editor of Provincetown Arts Press), Morris Dickstein (Graduate Center, City University of New York), Laura Adams Dunham (Independent Scholar), Michael Glenday (The Open University, United Kingdom), Hunt Hawkins (University of South Florida), Barry H. Leeds (Central Connecticut State University), Deborah Martinson (Occidental College), Michael Millgate (University of Toronto), Christopher Ricks (Boston University), Phillip Sipiora (University of South Florida), Thomas F. Staley (Harry Ransom Center, University of Texas at Austin), Barbara Mailer Wasserman (Memoirist).
Notes
- ↑ This bibliography has been incorporated into the project Norman Mailer: Works and Days so is not reprinted here.
