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Norman Mailer’s Letters on An American Dream, 1963–1969: Difference between revisions
Norman Mailer’s Letters on An American Dream, 1963–1969 (view source)
Revision as of 06:37, 9 April 2019
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''Shavertown, PA: Sligo Press, 2004''. ([[04.7]]) | ''Shavertown, PA: Sligo Press, 2004''. ([[04.7]]) | ||
===From the Introduction=== | ===From the [[Norman Mailer’s Letters on An American Dream, 1963–1969/Introduction|Introduction]]=== | ||
Until he wrote ''[[An American Dream]]'', his most evocative and lyrical novel, [[Norman Mailer]] did not invest his major fictional characters with his deepest concerns and beliefs: a desire to grow at all costs, a distrust of pure reason, a willingness to take risks, trust in the authority of the senses, faith in courage as the cardinal virtue, fear and loathing for the incipient totalitarianism of American life and, most importantly, a belief in an heroic but limited God locked in struggle with a powerful, wily Devil, conceivably with the fate of the universe in the balance. Stephen Richards Rojack, the novel’s protagonist, has these concerns and shares Mailer’s theological beliefs. Rojack is a war hero, former congressman, college professor, talk show host, celebrity intellectual and nascent alcoholic. Preternaturally alert to omens and portents and susceptible to every premonition, he hears voices, studies the phases of the moon, and waits for either cancer or madness to strike him. His wife Deborah taunts him with her infidelities and attacks his manhood in a variety of insidious ways, driving him to a physical attack that ends with her murder. Rojack then throws her body out of the apartment window ten stories down to the pavement on the east side of Manhattan. He claims that her fall was suicide, and the brunt of the story is devoted to his attempts to convince his and her friends, the police and Deborah's father, Barney Oswald Kelly, the “solicitor for the devil,” of his innocence. Narrated in an edgy, rococo style by Rojack, the novel shows Mailer at the height of his word power as he delineates the dread-filled inner life of his embattled hero. The air of the novel is haunted, swarming with demonic and divine presences, especially in the final chapter, when Rojack confronts Kelly in his penthouse apartment in the Waldorf Towers. | Until he wrote ''[[An American Dream]]'', his most evocative and lyrical novel, [[Norman Mailer]] did not invest his major fictional characters with his deepest concerns and beliefs: a desire to grow at all costs, a distrust of pure reason, a willingness to take risks, trust in the authority of the senses, faith in courage as the cardinal virtue, fear and loathing for the incipient totalitarianism of American life and, most importantly, a belief in an heroic but limited God locked in struggle with a powerful, wily Devil, conceivably with the fate of the universe in the balance. Stephen Richards Rojack, the novel’s protagonist, has these concerns and shares Mailer’s theological beliefs. Rojack is a war hero, former congressman, college professor, talk show host, celebrity intellectual and nascent alcoholic. Preternaturally alert to omens and portents and susceptible to every premonition, he hears voices, studies the phases of the moon, and waits for either cancer or madness to strike him. His wife Deborah taunts him with her infidelities and attacks his manhood in a variety of insidious ways, driving him to a physical attack that ends with her murder. Rojack then throws her body out of the apartment window ten stories down to the pavement on the east side of Manhattan. He claims that her fall was suicide, and the brunt of the story is devoted to his attempts to convince his and her friends, the police and Deborah's father, Barney Oswald Kelly, the “solicitor for the devil,” of his innocence. Narrated in an edgy, rococo style by Rojack, the novel shows Mailer at the height of his word power as he delineates the dread-filled inner life of his embattled hero. The air of the novel is haunted, swarming with demonic and divine presences, especially in the final chapter, when Rojack confronts Kelly in his penthouse apartment in the Waldorf Towers. | ||
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<div style="margin:0.5em 0.2em 0.2em 0.3em; padding:0.5em 0.2em 0.2em 0.3em; text-align:right;">[[Norman Mailer’s Letters on An American Dream, 1963–1969/Introduction|Continue Reading »]]</div> | <div style="margin:0.5em 0.2em 0.2em 0.3em; padding:0.5em 0.2em 0.2em 0.3em; text-align:right;">[[Norman Mailer’s Letters on An American Dream, 1963–1969/Introduction|Continue Reading »]]</div> | ||
== The Letters == | == The Letters == | ||