68.8: Difference between revisions

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Rpt: Entire narrative appeared earlier in two parts, in ''Harper's'' ([[68.2]]), and ''Commentary'' ([[68.6]]), respectively and was then revised for book publication; [[98.7]] (partial). See [[68.26]], [[69.3]], [[69.4]], [[69.25]], [[69.26]], [[70.8]]–[[70.11]], [[72.7]], [[74.20]], [[79.14]], [[96.5]], [[13.2]], 381-94.
Rpt: Entire narrative appeared earlier in two parts, in ''Harper's'' ([[68.2]]), and ''Commentary'' ([[68.6]]), respectively and was then revised for book publication; [[98.7]] (partial). See [[68.26]], [[69.3]], [[69.4]], [[69.25]], [[69.26]], [[70.8]]–[[70.11]], [[72.7]], [[74.20]], [[79.14]], [[96.5]], [[13.2]], 381-94.


Mailer:
{{cquote|There is no sex [in ''The Armies of the Night'']. In that sense, it's a nineteenth-century novel. It's courtly, it's deliberate, it's amused with its time and place. It's taken for granted that its characters are all very fine and substantial people. We know it's going to turn out well in the end. I suppose it has the restrained merriment of the early nineteenth-century picaresque novel.|author=Norman Mailer |source=[[82.16]]}}
 
{{cquote|There is no sex [in ''The Armies of the Night'']. In that sense, it's a nineteenth-century novel. It's courtly, it's deliberate, it's amused with its time and place. It's taken for granted that its characters are all very fine and substantial people. We know it's going to turn out well in the end. I suppose it has the restrained merriment of the early nineteenth-century picaresque novel. ([[82.16]])}}


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