48.2: Difference between revisions

75 bytes added ,  17 October 2019
m
→‎Bibliography: Tweaked format.
m (Tweaked formatting.)
m (→‎Bibliography: Tweaked format.)
 
(2 intermediate revisions by the same user not shown)
Line 1: Line 1:
{{WDside}}
{{WDside}}


====''The Naked and the Dead''. New York: Rinehart, 6 May; London: Wingate, 9 May 1949. Novel, 721 pp., $4.====
{{Large|''The Naked and the Dead''. New York: Rinehart, 6 May; London: Wingate, 9 May 1949. Novel, 721 pp., $4.}}


Republished in a signed leather-bound edition with one-page preface, “A Special Message to Subscribers from Norman Mailer.” Franklin Center, Pa.: Franklin Library, 1979 ([[79.36]]). Dedication and acknowledgment: “To my Mother and Bea. I would like to thank William Raney, Theodore S. Amussen, and Charles Devlin for the aid and encouragement given me at various times in the writing of this novel.”
Republished in a signed leather-bound edition with one-page preface, “A Special Message to Subscribers from Norman Mailer.” Franklin Center, Pa.: Franklin Library, 1979 ([[79.36]]). Dedication and acknowledgment: “To my Mother and Bea. I would like to thank William Raney, Theodore S. Amussen, and Charles Devlin for the aid and encouragement given me at various times in the writing of this novel.”
Line 11: Line 11:
{{cquote|I came out of the Army with an idea for a novel about a long patrol, an idea which had been bound in its origins to a mountain which was to serve as both an actual mass of stone and as a symbolic base for the book. The original conception was allegorical. The mountain was a consciously ambiguous symbol, something too complex, too intangible, to be defined by language.|author=Norman Mailer |source=[[48.4]]}}
{{cquote|I came out of the Army with an idea for a novel about a long patrol, an idea which had been bound in its origins to a mountain which was to serve as both an actual mass of stone and as a symbolic base for the book. The original conception was allegorical. The mountain was a consciously ambiguous symbol, something too complex, too intangible, to be defined by language.|author=Norman Mailer |source=[[48.4]]}}


 
{{Gallery
<gallery>
|width=200
File:48-2.jpg|First Edition, 1948
|height=200
File:48-2a.jpg|Advertisement
|align=left
File:48-2b.jpg|Advertisement
|File:48-2.jpg|First Edition, 1948
File:Naked-&-Dead-(Book-Find-News).jpg|''Book Find News''
|File:48-2a.jpg|Advertisement
File:NAD paperback.jpg|Paperback
|File:48-2b.jpg|Advertisement
File:NAD Wingate London.jpg|Cover, Wingate, London
|File:Naked-&-Dead-(Book-Find-News).jpg|''Book Find News''
File:NADad2.jpg|Ad for ''NAD'', 1948.
|File:NAD paperback.jpg|Paperback
</gallery>
|File:NAD Wingate London.jpg|Cover, Wingate, London
|File:NADad2.jpg|Ad for ''NAD'', 1948.
}}
<div style="clear:both;"></div>


== Bibliography ==
== Bibliography ==
{{Refbegin|30em}}
{{Refbegin|2|indent=yes}}
'''Reviews'''
===Reviews===
* {{cite news |last=Geismar |first=Maxwell |date=May 8, 1948 |title=Nightmare on Anopopei |url= |work=Saturday Review |pages=1—11 |access-date= }} Positive. See [[48.3]].
* {{cite news |last=Geismar |first=Maxwell |date=May 8, 1948 |title=Nightmare on Anopopei |url= |work=Saturday Review |pages=1—11 |access-date= }} Positive. See [[48.3]].
* {{cite magazine |last=Lardner |first=John |date=May 15, 1948 |title=Pacific Battle, Good and Big |url= |magazine=New Yorker |pages=115–117 |publisher= |access-date= }} Positive.
* {{cite magazine |last=Lardner |first=John |date=May 15, 1948 |title=Pacific Battle, Good and Big |url= |magazine=New Yorker |pages=115–117 |publisher= |access-date= }} Positive.
Line 35: Line 38:
* {{cite magazine |last=Wolfert |first=Ira |date=June 26, 1948 |title=War Novelist |url= |magazine=Nation |page=732 |publisher= |access-date= }} Positive.
* {{cite magazine |last=Wolfert |first=Ira |date=June 26, 1948 |title=War Novelist |url= |magazine=Nation |page=732 |publisher= |access-date= }} Positive.


'''Essays'''
===Essays===
* {{cite book |last=Aldridge |first=John W. |chapter=Mailer, Burns, and Shaw |date=1985 |orig-year=1951 |title=After the Lost Generation: A Study of the Writers of Two Wars |url=https://archive.org/details/afterlostgenerat0000aldr |location=New York |publisher=Arbor House |page=133–156 |isbn= |author-link= }}  
* {{cite book |last=Aldridge |first=John W. |chapter=Mailer, Burns, and Shaw |date=1985 |orig-year=1951 |title=After the Lost Generation: A Study of the Writers of Two Wars |url=https://archive.org/details/afterlostgenerat0000aldr |location=New York |publisher=Arbor House |page=133–156 |isbn= |author-link= }}  
* {{cite book |last=Coker |first=Christopher |chapter=General Cummings—''The Naked and the Dead'', Norman Mailer |date=2014 |title=Men at War: What Fiction Tells Us About Conflict, From ''The Iliad'' to ''Catch-22'' |url= |location=Oxford |publisher=Oxford UP |page=149–161 |isbn= |author-link= }}
* {{cite book |last=Coker |first=Christopher |chapter=General Cummings—''The Naked and the Dead'', Norman Mailer |date=2014 |title=Men at War: What Fiction Tells Us About Conflict, From ''The Iliad'' to ''Catch-22'' |url= |location=Oxford |publisher=Oxford UP |page=149–161 |isbn= |author-link= }}