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====“The Greatest Thing in the World.” ''Harvard Advocate'', April, 3–6, 24–28. Story. Original title: “The Suckers and the Setup.”====
{{Big|“The Greatest Thing in the World.” ''Harvard Advocate'', April, 3–6, 24–28. Story. Original title: “The Suckers and the Setup.”}}


Written for {{NM}}’s sophomore writing class, English
Written for {{NM}}’s sophomore writing class, English
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Mailer:
Mailer:
{{cquote|when I found out it had won — which was at the beginning of the summer after my sophomore year — well, that fortified me, and I sat down and wrote a novel. It was called ''No Percentage''. It was just terrible. But I never questioned any longer whether I was started as a writer ([[64.1]]).}}
{{cquote|When I found out it had won — which was at the beginning of the summer after my sophomore year — well, that fortified me, and I sat down and wrote a novel. It was called ''No Percentage''. It was just terrible. But I never questioned any longer whether I was started as a writer ([[64.1]]).}}


{{Gallery
{{Gallery

Latest revision as of 10:49, 12 September 2020

Norman Mailer: Works and Days
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“The Greatest Thing in the World.” Harvard Advocate, April, 3–6, 24–28. Story. Original title: “The Suckers and the Setup.”

Written for Mailer’s sophomore writing class, English 1-A, taught by Robert Gorham David, who encouraged him to submit it to Story magazine’s eighth annual college contest under the name Norman K[ingsley]. Mailer. It won the first prize of $100. Mailer ceased using his middle initial and name after college, although he employed it once for his 1971 movie, Maidstone: A Mystery (71.28), in which the director-hero is called Norman T. Kingsley.

Rpt: Story 19 (November–December), 17–26; Hold Your Breath: Suspense Stories, edited by Alfred Hitchcock. New York: Dell (no. 260), 1947; Story: The Fiction of the Forties, edited by Whit Burnett and Hallie Burnett. New York: E.P. Dutton, 1949; 59.13 (preceded by an introductory “advertisement”), 67.11, 82.19. See 75.14, 77.2, 83.10, 89.10, and the editorial in Harvard Crimson, 21 April, 2, the first published critical (and favorable) comment on Mailer’s work. See also 13.2.

Mailer: