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Lipton’s Journal/December 17, 1954/53: Difference between revisions
Lipton’s Journal/December 17, 1954/53 (view source)
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Perhaps the reason Susy{{LJ:Susan}} was so flat with Millie{{refn|A friend and distant cousin of {{NM}}’s, Millie Brower had the lead in his {{date|1947}} experimental film, ''Millie’s Dream''.}} is that she sensed how little soul Millie has, and Susy can never react nor open to a person with little soul. What I have neglected to say in all my writing about saints and psychopaths is that the psychopath has no soul, or rather has used all the energy and beauty of his soul to destroy the world with the tools of the world. Instead of being entire detachment of soul from society, he is total engagement of soul in society | Perhaps the reason Susy{{LJ:Susan}} was so flat with Millie{{refn|A friend and distant cousin of {{NM}}’s, Millie Brower had the lead in his {{date|1947}} experimental film, ''Millie’s Dream''.}} is that she sensed how little soul Millie has, and Susy can never react nor open to a person with little soul. What I have neglected to say in all my writing about saints and psychopaths is that the psychopath has no soul, or rather has used all the energy and beauty of his soul to destroy the world with the tools of the world. Instead of being entire-detachment-of-soul from society, he is total-engagement-of-soul in society, so children turn away from him. | ||
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