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edits
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{{MR13}} | {{MR13}} | ||
{{byline|last=Cetrano|first=Sal|note=For David Koresh|url=http://prmlr.us/mr13cet1}} | {{byline|last=Cetrano|first=Sal|note=For David Koresh|url=http://prmlr.us/mr13cet1}} | ||
<poem> | |||
<poem> | |||
The man who sells the centrifugal lettuce crisper, the woman | The man who sells the centrifugal lettuce crisper, the woman | ||
with combination mood ring and pregnancy test kit, | with combination mood ring and pregnancy test kit, | ||
the man who seeks damages for his cataloged sufferings, | the man who seeks damages for his cataloged sufferings, | ||
the woman who warns of morning breath, | the woman who warns of morning breath, | ||
</poem> | </poem> | ||
<poem> | <poem> | ||
the man whose burning compulsion is to wear a dress, | the man whose burning compulsion is to wear a dress, | ||
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the 90’s girl with self-help tape, who masturbates | the 90’s girl with self-help tape, who masturbates | ||
before triptych mirrors and gives birth to the sunrise— | before triptych mirrors and gives birth to the sunrise— | ||
</poem> | </poem> | ||
<poem> | <poem> | ||
and scores of others—are trampling my fescue, | and scores of others—are trampling my fescue, | ||
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antsy to hand out all my cake, but I have no cake. | antsy to hand out all my cake, but I have no cake. | ||
I crawl naked to the doors and set the latches. | I crawl naked to the doors and set the latches. | ||
</poem> | </poem> | ||
<poem> | <poem> | ||
“''Let us in!''” they chant. “''We know you’re in there!''” | “''Let us in!''” they chant. “''We know you’re in there!''” | ||
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“''None of your business!''” they yell. “''Just let us in.'' | “''None of your business!''” they yell. “''Just let us in.'' | ||
''Sooner or later, everybody lets us in. You’ll see!''” | ''Sooner or later, everybody lets us in. You’ll see!''” | ||
</poem> | </poem> | ||
<poem> | <poem> | ||
The walls begin to sag. Screams and gunfire mingle. | The walls begin to sag. Screams and gunfire mingle. | ||
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I prop my back against the wall. A window shatters. | I prop my back against the wall. A window shatters. | ||
I hone my Bowie on the skull of an Amway salesman. | I hone my Bowie on the skull of an Amway salesman. | ||
</poem> | </poem> | ||
<poem> | <poem> | ||
Then comes my Mexican sweetheart, incongruously | Then comes my Mexican sweetheart, incongruously | ||
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ample bosom laden with pistols. “''The cities'' | ample bosom laden with pistols. “''The cities'' | ||
''have fallen'',” she cries. “''They want the mission now.''” | ''have fallen'',” she cries. “''They want the mission now.''” | ||
</poem> | </poem> | ||
{{Review}} | {{Review}} | ||
{{DEFAULTSORT:Remember the Alamo}} | {{DEFAULTSORT:Remember the Alamo}} | ||
[[Category:Poetry (MR)]] | [[Category:Poetry (MR)]] |