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{{DISPLAYTITLE:''The Mailer Review''/Volume 4, 2010}} | {{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/</span>Volume 4, 2010}} | ||
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==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''Ernest Hemingway'''<br />[Letter to Norman Mailer, August 12, 1959] | * '''Ernest Hemingway'''<br />[Letter to Norman Mailer, August 12, 1959] | ||
* '''[[Norman Mailer]]'''<br />[[Postscript to the Fourth Advertisement for Myself]] | * '''[[Norman Mailer]]'''<br />[[/Postscript to the Fourth Advertisement for Myself/]] | ||
* '''Norman Mailer'''<br />[[Hemingway Revisited]] | * '''Norman Mailer'''<br />[[/Hemingway Revisited/]] | ||
* '''[[J. Michael Lennon]]'''<br />[[Hemingway to Mailer — A Delayed Response to The Deer Park|Hemingway to Mailer — A Delayed Response to ''The Deer Park'']] | * '''[[J. Michael Lennon]]'''<br />[[/Hemingway to Mailer — A Delayed Response to The Deer Park|Hemingway to Mailer — A Delayed Response to ''The Deer Park'']] | ||
* '''[[John Hemingway]]'''<br />[[Norman, Ernest, and Greg]] | * '''[[John Hemingway]]'''<br />[[/Norman, Ernest, and Greg/]] | ||
* '''[[Robert J. Begiebing]]'''<br />[[Ernest and Norman: A Dialogue in Two Acts]] | * '''[[Robert J. Begiebing]]'''<br />[[/Ernest and Norman: A Dialogue in Two Acts/]] | ||
* '''[[Philip Bufithis]]''' and '''[[Kirk Curnutt]]'''<br />[[A Dialogue Essay on Mailer and Hemingway]] | * '''[[Philip Bufithis]]''' and '''[[Kirk Curnutt]]'''<br />[[/A Dialogue Essay on Mailer and Hemingway/]] | ||
* '''[[James H. Meredith]]'''<br />[[The American Civil War in The Naked and the Dead and Across the River and Into the Trees|The American Civil War in ''The Naked and the Dead'' and ''Across the River and Into the Trees'']] | * '''[[James H. Meredith]]'''<br />[[/The American Civil War in The Naked and the Dead and Across the River and Into the Trees|The American Civil War in ''The Naked and the Dead'' and ''Across the River and Into the Trees'']] | ||
* '''[[Michael L. Shuman]]'''<br />[[Norman vs. Ernest: Influence and Identity]] | * '''[[Michael L. Shuman]]'''<br />[[/Norman vs. Ernest: Influence and Identity/]] | ||
* '''[[Bill Lowenburg]]'''<br />[[Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing]] | * '''[[Bill Lowenburg]]'''<br />[[/Hooking Off the Jab: Norman Mailer, Ernest Hemingway and Boxing/]] | ||
* '''[[Mark Cirino]]'''<br />[[Norman Mailer's The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing|Norman Mailer’s ''The Fight'': Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing]] | * '''[[Mark Cirino]]'''<br />[[/Norman Mailer's The Fight: Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing|Norman Mailer’s ''The Fight'': Hemingway, Bullfighting, and the Lovely Metaphysics of Boxing]] | ||
* '''[[Kasia Boddy]]'''<br />[[Mailer, Hemingway, and Boxing]] | * '''[[Kasia Boddy]]'''<br />[[/Mailer, Hemingway, and Boxing/]] | ||
* '''[[Barry H. Leeds]]'''<br />[[Firearms in the Works of Hemingway and Mailer]] | * '''[[Barry H. Leeds]]'''<br />[[/Firearms in the Works of Hemingway and Mailer/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer]] | * '''[[Erik Nakjavani]]'''<br />[[/A Visionary Hermeneutic Appropriation: Meditations on Hemingway’s Influence on Mailer/]] | ||
* '''[[James Plath]]'''<br />[[Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway's Moral Code|Jive-Ass Aficionado: ''Why Are We in Vietnam?'' and Hemingway’s Moral Code]] | * '''[[James Plath]]'''<br />[[/Jive-Ass Aficionado: Why Are We in Vietnam? and Hemingway's Moral Code|Jive-Ass Aficionado: ''Why Are We in Vietnam?'' and Hemingway’s Moral Code]] | ||
* '''[[Ezra Cappell]]'''<br />[[Hemingway's Jewish Progeny: Roth and Goldstein in ''The Naked and the Dead''|Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead]] | * '''[[Ezra Cappell]]'''<br />[[/Hemingway's Jewish Progeny: Roth and Goldstein in ''The Naked and the Dead''|Hemingway’s Jewish Progeny: Roth and Goldstein in The Naked and the Dead]] | ||
* '''[[Victor Peppard]]'''<br />[[Mailer, Hemingway, and the “Reds”]] | * '''[[Victor Peppard]]'''<br />[[/Mailer, Hemingway, and the “Reds”/]] | ||
* '''[[Donald L. Kaufmann]]'''<br />[[Ernest and Norman (Exit Music)]] | * '''[[Donald L. Kaufmann]]'''<br />[[/Ernest and Norman (Exit Music)/]] | ||
* '''[[Hilary K. Justice]]'''<br />[[Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']] | * '''[[Hilary K. Justice]]'''<br />[[/Authorship and Alienation in Death in the Afternoon and Advertisements for Myself|Authorship and Alienation in ''Death in the Afternoon'' and ''Advertisements for Myself'']] | ||
* '''[[Allen Josephs]]'''<br />[[Mailer's "Footnote to Death in the Afternoon"|Mailer’s “Footnote to ''Death in the Afternoon''”]] | * '''[[Allen Josephs]]'''<br />[[/Mailer's "Footnote to Death in the Afternoon"|Mailer’s “Footnote to ''Death in the Afternoon''”]] | ||
* '''[[Peter Hays]]'''<br />[[Battles for Regard, Writerly and Otherwise]] | * '''[[Peter Hays]]'''<br />[[/Battles for Regard, Writerly and Otherwise/]] | ||
* '''[[Mimi R. Gladstein]]'''<br />[[Norman, Papa, and the Autoerotic Construction of Woman]] | * '''[[Mimi R. Gladstein]]'''<br />[[/Norman, Papa, and the Autoerotic Construction of Woman/]] | ||
* '''[[Bob Batchelor]]'''<br />[[Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | * '''[[Bob Batchelor]]'''<br />[[/Looking at the Past: Nostalgia as Technique in The Naked and the Dead and For Whom the Bell Tolls|Looking at the Past: Nostalgia as Technique in ''The Naked and the Dead'' and ''For Whom the Bell Tolls'']] | ||
* '''[[Kathleen Robinson]]'''<br />[[Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']] | * '''[[Kathleen Robinson]]'''<br />[[/Effects of Trauma on the Narrative Structures of Across the River and Into the Trees and The Naked and the Dead|Effects of Trauma on the Narrative Structures of ''Across the River and Into the Trees'' and ''The Naked and the Dead'']] | ||
* '''[[Raymond M. Vince]]'''<br />[[Rumors of Grace: God-Language in Hemingway and Mailer]] | * '''[[Raymond M. Vince]]'''<br />[[/Rumors of Grace: God-Language in Hemingway and Mailer/]] | ||
* '''[[J’aimé L. Sanders]]'''<br />[[Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing]] | * '''[[J’aimé L. Sanders]]'''<br />[[/Death, Art, and the Disturbing: Hemingway and Mailer and the Art of Writing/]] | ||
* '''[[H. R. Stoneback]]'''<br />[["Oohh Normie — You're Sooo Hemingway": Mailer Memories and Encounters|“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters]] | * '''[[H. R. Stoneback]]'''<br />[[/"Oohh Normie — You're Sooo Hemingway": Mailer Memories and Encounters|“Oohh Normie — You’re Sooo Hemingway”: Mailer Memories and Encounters]] | ||
* '''[[Thomas Jacomo]]'''<br />[[Sparring with Norman]] | * '''[[Thomas Jacomo]]'''<br />[[/Sparring with Norman/]] | ||
* '''[[Andrew Gordon]]'''<br />[[Encounters with Mailer]] | * '''[[Andrew Gordon]]'''<br />[[/Encounters with Mailer/]] | ||
* '''[[Gail D. Sinclair]]'''<br />[[Norman Mailer: An Expected Encounter in an Unexpected Place]] | * '''[[Gail D. Sinclair]]'''<br />[[/Norman Mailer: An Expected Encounter in an Unexpected Place/]] | ||
* '''[[Ross Klavan]]'''<br />[[On Reading Mailer Too Young]] | * '''[[Ross Klavan]]'''<br />[[/On Reading Mailer Too Young/]] | ||
* '''[[Erin Miele]]'''<br />[[What Norman Mailer Taught Me about Combat]] | * '''[[Erin Miele]]'''<br />[[/What Norman Mailer Taught Me about Combat/]] | ||
* '''[[Alex Vernon]]'''<br />[[Style, Politics, and Hemingway's Spanish Civil War Dispatches|Style, Politics, and Hemingway’s Spanish Civil War Dispatches]] | * '''[[Alex Vernon]]'''<br />[[/Style, Politics, and Hemingway's Spanish Civil War Dispatches|Style, Politics, and Hemingway’s Spanish Civil War Dispatches]] | ||
* '''[[Maureen O’Neill Hooker]]'''<br />[[Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics]] | * '''[[Maureen O’Neill Hooker]]'''<br />[[/Norman Mailer: From Orgone Accumulator to Cancer Protection for Schizophrenics/]] | ||
* '''[[Matthew S. Hinton]]'''<br />[[Advertisements for Others: The Blurbs of Norman Mailer]] | * '''[[Matthew S. Hinton]]'''<br />[[/Advertisements for Others: The Blurbs of Norman Mailer/]] | ||
* '''[[Alexander Hicks]]'''<br />[[Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]] | * '''[[Alexander Hicks]]'''<br />[[/Harlot's Ghost, Bildungsroman, Masculinity and Hemingway|''Harlot’s Ghost'', ''Bildungsroman'', Masculinity and Hemingway]] | ||
* '''[[Erin Mercer]]'''<br />[[Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']] | * '''[[Erin Mercer]]'''<br />[[/Automatons and the Atomic Abyss: The Naked and the Dead|Automatons and the Atomic Abyss: ''The Naked and the Dead'']] | ||
* '''[[Katharine Westaway]]'''<br />[["A Noble Pursuit": The Armies of the Night as Outside Agitator|“A Noble Pursuit”: ''The Armies of the Night'' as Outside Agitator]] | * '''[[Katharine Westaway]]'''<br />[[/"A Noble Pursuit": The Armies of the Night as Outside Agitator|“A Noble Pursuit”: ''The Armies of the Night'' as Outside Agitator]] | ||
* '''[[Sue Fox]]'''<br />[[ | * '''[[Sue Fox]]'''<br />[[/Norris Church Mailer/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
* '''[[Max Apple]]'''<br />[[Inside Norman Mailer]] | * '''[[Max Apple]]'''<br />[[/Inside Norman Mailer/]] | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col}} | ||
* ''A Ticket to the Circus''<br />'''[[John Bowers]]'''<br />[[Norris Church Mailer: An Artist from Arkansas]] | * ''A Ticket to the Circus''<br />'''[[John Bowers]]'''<br />[[/Norris Church Mailer: An Artist from Arkansas/]] | ||
* ''Fighters and Writers''<br />'''[[Sal Cetrano]]'''<br />[[All You Need is Glove]] | * ''Fighters and Writers''<br />'''[[Sal Cetrano]]'''<br />[[/All You Need is Glove/]] | ||
* ''1959: The Year that Changed Everything''<br />'''[[William T. Ross]]'''<br />[[1959: One of Mailer’s Years]] | * ''1959: The Year that Changed Everything''<br />'''[[William T. Ross]]'''<br />[[/1959: One of Mailer’s Years/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col}} | ||
* '''[[Daniele Pantano]]'''<br />[[Mailer & Hemingway: Low-Voiced Confessions]] | * '''[[Daniele Pantano]]'''<br />[[/Mailer & Hemingway: Low-Voiced Confessions/]] | ||
* '''[[Robbin Martinelli]]'''<br />[[From Where The Rivers Come]] | * '''[[Robbin Martinelli]]'''<br />[[/From Where The Rivers Come/]] | ||
* '''[[Nicholas Samaras]]'''<br />[[Norman Mailer and Ernest Hemingway Do Not Box in Heaven]] | * '''[[Nicholas Samaras]]'''<br />[[/Norman Mailer and Ernest Hemingway Do Not Box in Heaven/]] | ||
* '''[[Francis Blessington]]'''<br />[[The Boxer in the Park]] | * '''[[Francis Blessington]]'''<br />[[/The Boxer in the Park/]] | ||
{{div col end}} | {{div col end}} | ||