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{{DISPLAYTITLE:''The Mailer Review''/Volume 9, 2015}} | {{DISPLAYTITLE:<span style="font-size:22px;">''The Mailer Review''/</span>Volume 9, 2015}} | ||
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{{Infobox | {{Infobox | ||
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* [[Reflections | * [[/Reflections/]] | ||
==Featured== | ==Featured== | ||
* '''[[Norman Mailer]]'''<br />[[The Thalian Adventure]] | * '''[[Norman Mailer]]'''<br />[[/The Thalian Adventure/]] | ||
==Articles and Miscellany== | ==Articles and Miscellany== | ||
* '''[[J. Michael Lennon]]'''<br />[[Introduction to Taschen Edition of Superman Comes to the Supermarket|Introduction to Taschen Edition of ''Superman Comes to the Supermarket'']] | * '''[[J. Michael Lennon]]'''<br />[[/Introduction to Taschen Edition of Superman Comes to the Supermarket|Introduction to Taschen Edition of ''Superman Comes to the Supermarket'']] | ||
* '''[[Danielle Mailer]]'''<br />[[The Writer’s Daughter]] | * '''[[Danielle Mailer]]'''<br />[[/The Writer’s Daughter/]] | ||
* '''[[Gerald R. Lucas]]'''<br />[[Project Mailer 2015]] | * '''[[Gerald R. Lucas]]'''<br />[[/Project Mailer 2015/]] | ||
* '''[[Jerome Loving]]'''<br />[[The Day the Century Ended: Francis Irby Gwaltney’s “Sequel” to The Naked and the Dead|''The Day the Century Ended'': Francis Irby Gwaltney’s “Sequel” to ''The Naked and the Dead'']] | * '''[[Jerome Loving]]'''<br />[[/The Day the Century Ended: Francis Irby Gwaltney’s “Sequel” to The Naked and the Dead|''The Day the Century Ended'': Francis Irby Gwaltney’s “Sequel” to ''The Naked and the Dead'']] | ||
* '''[[Jason Mosser]]'''<br />[[The Beatster, the White Negro, and the Evolution of the Hipster in Fight Club|The Beatster, the White Negro, and the Evolution of the Hipster in ''Fight Club'']] | * '''[[Jason Mosser]]'''<br />[[/The Beatster, the White Negro, and the Evolution of the Hipster in Fight Club|The Beatster, the White Negro, and the Evolution of the Hipster in ''Fight Club'']] | ||
* '''[[Maggie McKinley]]'''<br />[[“Up to the Nostrils in Anguish”: Mailer and Bellow on Masculine Anxiety and Violent Catharsis]] | * '''[[Maggie McKinley]]'''<br />[[/“Up to the Nostrils in Anguish”: Mailer and Bellow on Masculine Anxiety and Violent Catharsis/]] | ||
* '''[[Michael K. Glenday]]'''<br />[[Fly Boys and Angels: Mailer on the Moon]] | * '''[[Michael K. Glenday]]'''<br />[[/Fly Boys and Angels: Mailer on the Moon/]] | ||
* '''[[Victor Peppard]]'''<br />[[Mailer, Nabokov and the Amerussia / US-SU Phenomenon]] | * '''[[Victor Peppard]]'''<br />[[/Mailer, Nabokov and the Amerussia / US-SU Phenomenon/]] | ||
* '''[[Heather Braun]]'''<br />[[The Roving Psychopath in Love: “The White Negro” and Lolita|The Roving Psychopath in Love: “The White Negro” and ''Lolita'']] | * '''[[Heather Braun]]'''<br />[[/The Roving Psychopath in Love: “The White Negro” and Lolita|The Roving Psychopath in Love: “The White Negro” and ''Lolita'']] | ||
* '''[[Lee Spinks]]'''<br />[[Increasing the Real Life in Ourselves: Some Reflections on Norman Mailer’s “Politics of State”]] | * '''[[Lee Spinks]]'''<br />[[/Increasing the Real Life in Ourselves: Some Reflections on Norman Mailer’s “Politics of State”/]] | ||
* '''[[Justin Bozung]]'''<br />[[The American Antonioni]] | * '''[[Justin Bozung]]'''<br />[[/The American Antonioni/]] | ||
* '''[[Erik Nakjavani]]'''<br />[[Conceptualizing Lived Experience: Norman Mailer as an Intellectual]] | * '''[[Erik Nakjavani]]'''<br />[[/Conceptualizing Lived Experience: Norman Mailer as an Intellectual/]] | ||
* '''[[Kevin Power]]'''<br />[[Cures for Cancer: Norman Mailer’s Deaths for the Ladies (And Other Disasters)|Cures for Cancer: Norman Mailer’s ''Deaths for the Ladies (And Other Disasters)'']] | * '''[[Kevin Power]]'''<br />[[/Cures for Cancer: Norman Mailer’s Deaths for the Ladies (And Other Disasters)|Cures for Cancer: Norman Mailer’s ''Deaths for the Ladies (And Other Disasters)'']] | ||
* '''[[Raj Chandarlapaty]]'''<br />[[Through the Quintessential Divide: Mailer’s Response to Race Theory]] | * '''[[Raj Chandarlapaty]]'''<br />[[/Through the Quintessential Divide: Mailer’s Response to Race Theory/]] | ||
* '''[[Brad Stager]]'''<br />[[Considering Mailer in the Post-Aquarian Age]] | * '''[[Brad Stager]]'''<br />[[/Considering Mailer in the Post-Aquarian Age/]] | ||
==Classic Interpretation== | ==Classic Interpretation== | ||
{{div col}} | {{div col}} | ||
* '''[[Malcolm Cowley]]'''<br />[[Mr. Mailer Tells a Tale Of Love, Art, Corruption]] | * '''[[Malcolm Cowley]]'''<br />[[/Mr. Mailer Tells a Tale Of Love, Art, Corruption/]] | ||
* '''[[Robert Lindner]]'''<br />[[The Deer Park (Review 1955)|''The Deer Park'']] | * '''[[Robert Lindner]]'''<br />[[/The Deer Park (Review 1955)|''The Deer Park'']] | ||
* '''[[Peter Balbert]]'''<br />[[From Lady Chatterley’s Lover to The Deer Park: Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk|From ''Lady Chatterley’s Lover'' to ''The Deer Park'': Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk]] | * '''[[Peter Balbert]]'''<br />[[/From Lady Chatterley’s Lover to The Deer Park: Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk|From ''Lady Chatterley’s Lover'' to ''The Deer Park'': Marriage, Instinctual Primacy, and the Dialectic of Erotic Risk]] | ||
* '''[[Mark Edmundson]]'''<br />[[Romantic Self-Creations: Mailer and Gilmore in The Executioner’s Song|Romantic Self-Creations: Mailer and Gilmore in ''The Executioner’s Song'']] | * '''[[Mark Edmundson]]'''<br />[[/Romantic Self-Creations: Mailer and Gilmore in The Executioner’s Song|Romantic Self-Creations: Mailer and Gilmore in ''The Executioner’s Song'']] | ||
{{div col end}} | {{div col end}} | ||
==Book Reviews== | ==Book Reviews== | ||
{{div col}} | {{div col}} | ||
* ''The Selected Letters of Norman Mailer''<br />'''[[Robert Begiebing]]'''<br />[[Better than Happiness]] | * ''The Selected Letters of Norman Mailer''<br />'''[[Robert Begiebing]]'''<br />[[/Better than Happiness/]] | ||
* ''JFK, Superman Comes to the Supermarket''<br />'''[[Phillip Sipiora]]'''<br />[[Superman Redux]] | * ''JFK, Superman Comes to the Supermarket''<br />'''[[Phillip Sipiora]]'''<br />[[/Superman Redux/]] | ||
* ''Moral Agents: Eight Twentieth-Century American Writers''<br />'''[[William T. Ross]]'''<br />[[Mailer Among the Intellectuals]] | * ''Moral Agents: Eight Twentieth-Century American Writers''<br />'''[[William T. Ross]]'''<br />[[/Mailer Among the Intellectuals/]] | ||
* ''Buckley and Mailer: The Difficult Friendship That Shaped the Sixties''<br />'''[[Gerald R. Lucas]]'''<br />[[Parallel Lives]] | * ''Buckley and Mailer: The Difficult Friendship That Shaped the Sixties''<br />'''[[Gerald R. Lucas]]'''<br />[[/Parallel Lives/]] | ||
* ''Masculinity and the Paradox of Violence in American Fiction, 1950–75''<br />'''[[Jason Mosser]]'''<br />[[A History of Violences]] | * ''Masculinity and the Paradox of Violence in American Fiction, 1950–75''<br />'''[[Jason Mosser]]'''<br />[[/A History of Violences/]] | ||
* ''Bramble, Infant Martian''<br />'''[[Mark Olshaker]]'''<br />[[Kaufmann in Orbit]] | * ''Bramble, Infant Martian''<br />'''[[Mark Olshaker]]'''<br />[[/Kaufmann in Orbit/]] | ||
* ''Re-creating Paul Bowles, the Other, and the Imagination: Music, Film, and Photography''<br />'''[[Michael L. Shuman]]'''<br />[[Days of Future Passed: Paul Bowles and the Heyday of Hipness]] | * ''Re-creating Paul Bowles, the Other, and the Imagination: Music, Film, and Photography''<br />'''[[Michael L. Shuman]]'''<br />[[/Days of Future Passed: Paul Bowles and the Heyday of Hipness/]] | ||
* ''Bramble, Infant Martian''<br />'''[[Michael L. Shuman]]'''<br />[[Mars Needs Women]] | * ''Bramble, Infant Martian''<br />'''[[Michael L. Shuman]]'''<br />[[/Mars Needs Women/]] | ||
* ''Chameleo''<br />'''[[Victor Peppard]]'''<br />[[How the New Order of Surveillance Really Works]] | * ''Chameleo''<br />'''[[Victor Peppard]]'''<br />[[/How the New Order of Surveillance Really Works/]] | ||
{{div col end}} | {{div col end}} | ||
==Creative Works== | ==Creative Works== | ||
{{div col}} | {{div col}} | ||
* '''[[Ira Sukrungruang]]'''<br />[[Fence]] | * '''[[Ira Sukrungruang]]'''<br />[[/Fence/]] | ||
* '''[[Marty Correia]]'''<br />[[A Thief’s Wages]] | * '''[[Marty Correia]]'''<br />[[/A Thief’s Wages/]] | ||
* '''[[Gary D. Rhodes]]'''<br />[[Regurgitations]] | * '''[[Gary D. Rhodes]]'''<br />[[/Regurgitations/]] | ||
* '''[[Robert Alderman]]'''<br />[[MEPS]] | * '''[[Robert Alderman]]'''<br />[[/MEPS/]] | ||
* '''[[Daniele Pantano]]'''<br />[[MAILER FOLEY 4:10]] | * '''[[Daniele Pantano]]'''<br />[[/MAILER FOLEY 4:10/]] | ||
* '''[[Nicholas Samaras]]'''<br />[[Reading for Life]]<br />[[Drinking Alone]]<br />[[The City that Was Left to Me]]<br />[[Dusk]]<br />[[Old Men]]<br />[[Nostalgia as Intangible Sustenance]] | * '''[[Nicholas Samaras]]'''<br />[[/Reading for Life]/]<br />[[/Drinking Alone/]]<br />[[/The City that Was Left to Me/]]<br />[[/Dusk/]]<br />[[/Old Men/]]<br />[[/Nostalgia as Intangible Sustenance/]] | ||
* '''[[Patrick O’Hayer]]'''<br />[[Broken Link]] | * '''[[Patrick O’Hayer]]'''<br />[[/Broken Link/]] | ||
{{div col end}} | {{div col end}} | ||