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We can also recognize that this new confessional voice is as much evasion as revelation. In Fitzgerald’s self-disclosure, there was much literary art, and a heavy dose of self-deception. At times, as writers or readers, are we all not guilty of such self-deception? As T.S. Eliot reminds us, “our lives are mostly a constant evasion of ourselves”It is interesting, therefore, that the opening sentences of the first essay are actually in second-person, not the supposed “greater authenticity provided by the first-person voice with all its limitations”