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Their existentialism isn’t abstract. It’s felt in every line, every scene, every confrontation with death. The artist becomes the author not just of work, but of life.
Their existentialism isn’t abstract. It’s felt in every line, every scene, every confrontation with death. The artist becomes the author not just of work, but of life.
Mailer called it the “existential state” of the novelist. To write truthfully, a writer must risk annihilation—of reputation, ability, or even sanity. Hemingway knew this well. His matador faced death in the ring; the artist faces it on the page.
Each book is a test: Can I still write? Do I still matter? In that anxiety lives the chance for greatness.